Three decades after the defeat of the Galactic Empire, a new threat arises. The First Order attempts to rule the galaxy and only a ragtag group of heroes can stop them, along with the help of the Resistance.
Look back at photos of the beloved film franchise, from Star Wars to The Force Awakens, and step onto the red carpet of the Rogue One world premiere. Plus, check out our interviews with the cast and director of Rogue One.
After rescuing Han Solo from the palace of Jabba the Hutt, the rebels attempt to destroy the second Death Star, while Luke struggles to make Vader return from the dark side of the Force.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
During the near end of the clone wars, Darth Sidious has revealed himself and is ready to execute the last part of his plan to rule the Galaxy. Sidious is ready for his new apprentice, Lord... See full summary »
Two Jedi Knights escape a hostile blockade to find allies and come across a young boy who may bring balance to the Force, but the long dormant Sith resurface to reclaim their old glory.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
A fast-talking mercenary with a morbid sense of humor is subjected to a rogue experiment that leaves him with accelerated healing powers and a quest for revenge.
Director:
Tim Miller
Stars:
Ryan Reynolds,
Morena Baccarin,
T.J. Miller
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's Mightiest Heroes to stop the villainous Ultron from enacting his terrible plans.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Mark Ruffalo
A woman rebels against a tyrannical ruler in postapocalyptic Australia in search for her home-land with the help of a group of female prisoners, a psychotic worshipper, and a drifter named Max.
Earth's mightiest heroes must come together and learn to fight as a team if they are to stop the mischievous Loki and his alien army from enslaving humanity.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Scarlett Johansson
Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Selina, is forced from his imposed exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
30 years after the defeat of Darth Vader and the Empire, Rey, a scavenger from the planet Jakku, finds a BB-8 droid that knows the whereabouts of the long lost Luke Skywalker. Rey, as well as a rogue stormtrooper and two smugglers, are thrown into the middle of a battle between the Resistance and the daunting legions of the First Order. Written by
Noah White
B-Team Sequel: The first full-fledged Star Wars film not to directly involve George Lucas, instead created by J.J. Abrams. A rare case of the B-Team Sequel being more anticipated because of a changing of the guard from the original creator. See more »
Goofs
When Kylo Ren is questioning Rey on Starkiller Base, tear tracks appear and disappear on both cheeks. For the conclusion of the scene, her face is free of tear tracks. See more »
Quotes
[first lines]
Lor San Tekka:
This will begin to make things right. I've traveled too far and seen too much to ignore the despair in the galaxy. Without the Jedi, there can be no balance in the Force.
Poe Dameron:
Well, because of you, now we have a chance. The General's been after this for a long time.
Lor San Tekka:
Oh, the General? To me, she is royalty.
Poe Dameron:
Well, she certainly is that.
See more »
Crazy Credits
The stars that form the backdrop for the end credits are exactly the same stars as in the beginning of the movie. See more »
Have you ever disagreed with someone about the quality of a production so intensely that you've wondered if the two of you even watched the same film? I'm sorry, everyone in the world, I thought The Force Awakens was a real snoozer. I'm not surprised that my eight year old nephew loved it, but I can't for the life of me figure out why the adults I associate with aren't offended at what we've been offered by Abrams as the continuation of the world's foremost loved space epic.
There was virtually zero discussion within the movie itself as to what happened after episode Vl and how we got to where we are now, making this production feel like a desperate lurch to be a stand-alone and to appeal to an audience who is too young to have appreciated the Spice Girls let alone the originals. This direction may be satisfying for some, but for those of us who were expecting more will find ourselves disappointed. Furthermore, I was saddened by the obvious deficiency surrounding the exploration of the mythology of the Force. One of the elements that so intrigued viewers about the originals was the underlying spirituality and the metaphysical forces at play within the Star Wars universe; however, in this version of Star Wars Abrams seems to care more about the characters ceaselessly running away from things and having meaningless, often silly conversation (like in one scene the character Finn asks Rey in the goofiest way possible if she has a boyfriend—I laughed but I was so ashamed) instead of exploring the depths of some of the most intriguing supernatural philosophy in all of moviedom. However, this fact is not surprising as the masses seem to be entertained predominantly by action, comedy, flashing lights, and explosions, not exploring the psychological latitudes of light and dark within the human soul, and definitely not sitting through slow scenes of dialogue which could (God forbid) give us an understanding of the depths of the Star Wars legend and mystery. I suppose in this regard (and in too many others) Abrams gave the people what they wanted.
Not only was the confined exploration of the Force disappointing but so was the serious lack of emotional poignancy. At no point, AT LITERALLY NO POINT, did I feel sad, frustrated, anxious, worried, or exhilarated during its belabored two hours and sixteen minutes. The characters felt like they could be potentially cloned from any PG-13 teen movie you've seen since Twilight hijacked the world and forced it's twisted, disgusting version of acceptable adolescent stereotypes upon us. You could almost swap out the light-sabers, tie-fighters, and storm troopers and you'd have a great sequel to whatever the hell number Hunger Games we're on these days (because that's how interesting the rest of the plot was).
Another thing that really annoyed me was the way in which the galaxy was too American. Of course I get it, it was made by Hollywood IT IS American, but guys, this is supposed to be in a GALAXY FAR AWAY, so why was there very little attempt made to try and hide that? Between the all too familiar mannerisms, jokes, and language I just couldn't fully suspend my disbelief. In my opinion, the originals managed to avoid most overt use of cultural indicators, I mean sure, it's impossible to avoid all due to obvious limitations, but watch the main character Finn carefully during the movie and you'll see that he's dripping with 21st century western American dude. Like literally drenched. Where was the otherworldly authenticity among the main characters?
Of course it wasn't all bad. The visuals were beautiful, much of the topography and effects were breathtaking, and I have to admit that I did feel pangs of nostalgia over any scene that included an X-wing, but overall it wasn't enough. Really a lot of what it comes down to is expectation. So many people have told me that they went into it not expecting too much and that they had "fun" watching it; and then there's me sitting here thinking: what on Tatooine are they talking about? With all the media hype this film received, not to mention the disappointment of the prequels, I was expecting a hell of a lot out of this movie, and simple fun ain't gonna cut it. Abrams seemed to have carved the profundity and soul out of Star Wars with a lightsaber— the same soul we've been waiting to enter our lives again ever since the prequels ruined them.
The Force Awakens was half way there, but it felt forced (pun intended), shallow, in need of a more refined plot, more mature characters, a deeper spirituality, moral complexity and depth; it needed to resonate more deeply with the IMPORTANT themes of the original, and to not have felt like a chaste teen romance with some old faces in there used like a box office tractor beam. If you're content with having your childhood favorite epic turned into a lovable, easily digestible icon of twenty-first century pop culture, marketed intentionally at young people to delight and entertain whilst simultaneously causing you to cringe at the fact that the original actors are okay with such a disservice to a beloved story, then you will enjoy the continuation of this franchise.
May the force save us from this trilogy.
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Have you ever disagreed with someone about the quality of a production so intensely that you've wondered if the two of you even watched the same film? I'm sorry, everyone in the world, I thought The Force Awakens was a real snoozer. I'm not surprised that my eight year old nephew loved it, but I can't for the life of me figure out why the adults I associate with aren't offended at what we've been offered by Abrams as the continuation of the world's foremost loved space epic.
Essentially what it feels like is a reboot of the original series, except this time for kids (no surprise there, Disney), not a meaningful continuation that picks up where the originals left off. Although I did start having my doubts about my future satisfaction with the Star Wars franchise when Disney made its Star Wars paraphernalia so pervasive that one morning I found myself unconsciously buttering my toast with DeathStar Margarine Spread©. Yeah—head trip, but I got over it.
There was virtually zero discussion within the movie itself as to what happened after episode Vl and how we got to where we are now, making this production feel like a desperate lurch to be a stand-alone and to appeal to an audience who is too young to have appreciated the Spice Girls let alone the originals. This direction may be satisfying for some, but for those of us who were expecting more will find ourselves disappointed. Furthermore, I was saddened by the obvious deficiency surrounding the exploration of the mythology of the Force. One of the elements that so intrigued viewers about the originals was the underlying spirituality and the metaphysical forces at play within the Star Wars universe; however, in this version of Star Wars Abrams seems to care more about the characters ceaselessly running away from things and having meaningless, often silly conversation (like in one scene the character Finn asks Rey in the goofiest way possible if she has a boyfriend—I laughed but I was so ashamed) instead of exploring the depths of some of the most intriguing supernatural philosophy in all of moviedom. However, this fact is not surprising as the masses seem to be entertained predominantly by action, comedy, flashing lights, and explosions, not exploring the psychological latitudes of light and dark within the human soul, and definitely not sitting through slow scenes of dialogue which could (God forbid) give us an understanding of the depths of the Star Wars legend and mystery. I suppose in this regard (and in too many others) Abrams gave the people what they wanted.
Not only was the confined exploration of the Force disappointing but so was the serious lack of emotional poignancy. At no point, AT LITERALLY NO POINT, did I feel sad, frustrated, anxious, worried, or exhilarated during its belabored two hours and sixteen minutes. The characters felt like they could be potentially cloned from any PG-13 teen movie you've seen since Twilight hijacked the world and forced it's twisted, disgusting version of acceptable adolescent stereotypes upon us. You could almost swap out the light-sabers, tie-fighters, and storm troopers and you'd have a great sequel to whatever the hell number Hunger Games we're on these days (because that's how interesting the rest of the plot was).
Another thing that really annoyed me was the way in which the galaxy was too American. Of course I get it, it was made by Hollywood IT IS American, but guys, this is supposed to be in a GALAXY FAR AWAY, so why was there very little attempt made to try and hide that? Between the all too familiar mannerisms, jokes, and language I just couldn't fully suspend my disbelief. In my opinion, the originals managed to avoid most overt use of cultural indicators, I mean sure, it's impossible to avoid all due to obvious limitations, but watch the main character Finn carefully during the movie and you'll see that he's dripping with 21st century western American dude. Like literally drenched. Where was the otherworldly authenticity among the main characters?
Of course it wasn't all bad. The visuals were beautiful, much of the topography and effects were breathtaking, and I have to admit that I did feel pangs of nostalgia over any scene that included an X-wing, but overall it wasn't enough. Really a lot of what it comes down to is expectation. So many people have told me that they went into it not expecting too much and that they had "fun" watching it; and then there's me sitting here thinking: what on Tatooine are they talking about? With all the media hype this film received, not to mention the disappointment of the prequels, I was expecting a hell of a lot out of this movie, and simple fun ain't gonna cut it. Abrams seemed to have carved the profundity and soul out of Star Wars with a lightsaber— the same soul we've been waiting to enter our lives again ever since the prequels ruined them.
The Force Awakens was half way there, but it felt forced (pun intended), shallow, in need of a more refined plot, more mature characters, a deeper spirituality, moral complexity and depth; it needed to resonate more deeply with the IMPORTANT themes of the original, and to not have felt like a chaste teen romance with some old faces in there used like a box office tractor beam. If you're content with having your childhood favorite epic turned into a lovable, easily digestible icon of twenty-first century pop culture, marketed intentionally at young people to delight and entertain whilst simultaneously causing you to cringe at the fact that the original actors are okay with such a disservice to a beloved story, then you will enjoy the continuation of this franchise.
May the force save us from this trilogy.