‘Manchester By the Sea’: How Kenneth Lonergan & Crew Made a Non-Linear Masterpiece
The crew of “Manchester by the Sea” had to crack the unusual flashback structure to get inside the mind of Casey Affleck’s grief-stricken handyman.
The crew of “Manchester by the Sea” had to crack the unusual flashback structure to get inside the mind of Casey Affleck’s grief-stricken handyman.
Academy voters could double down on inclusion for this year’s craft races, especially cinematography and original score.
Marvel’s trippiest superhero movie opened new VFX dimensions inspired by comic book artist Steve Ditko and Christopher Nolan’s Oscar-winning mind-bender.
“La La Land,” “Fences” and “Silence” lead a pack of Oscar contenders that were shot on celluloid.
“Trolls” offers a political hangover remedy, thanks in part to the warm, fuzzy production design of Kendal Cronkhite-Shaindlin.
VFX supervisor Rob Legato applied a cinematographer’s eye and a live-action methodology to “The Jungle Book,” which is showcased in a new virtual production video from Technicolor.
Two-time Oscar-winning cinematographer John Toll left his comfort zone for Ang Lee’s experiment in 120 fps/3D/4K, screening in LA at the Cinerama Dome.
Simon Duggan explains how he shot the intense battle scenes for Mel Gibson’s World War II biopic, starring Andrew Garfield as pacifist Medal of Honor recipient Desmond Doss.
Virtual reality and augmented reality were the twin obsessions at the eighth annual meeting of the VFX society, but sometimes you can’t fool mother nature.
Cinematographer Adam Stone used anamorphic 35mm film to provide a true-to-life vision for Oscar-contender “Loving.”
Pittsburgh filled in for ’60s New Jersey in rookie director Ewan McGregor’s adaptation of the Philip Roth Pulitzer Prize-winner.
Cinematographer Giles Nuttgens finds a Texas trapped in time and hopelessness in the contemporary Western directed by fellow Scotsman David Mackenzie.