Cast overview, first billed only: | |||
Sam Riley | ... |
Vince Ferro
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Alice Barrett | ... |
Leanne Ferro
(as Alice Barrett Mitchell)
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Gaby Hoffmann | ... |
Clara Ferro
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Jason Statham | ... |
Jasper
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Stephen Beach | ... |
Nick Ferro
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Mickey Rourke | ... |
Jefferson
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Emmanuelle Chriqui | ... |
Aileen
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Michael Berry Jr. | ... |
William
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Mike D'Onofrio | ... |
Frank
(as Michael D'Onofrio)
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Starla Benford | ... |
Doctor Anna Cummings
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Ray Winstone | ... |
Ronald Lynn Bagges
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Daisy Tahan | ... |
Jenny Ferro
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Carlos Reig-Plaza | ... |
Warden
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Forrest Griffin | ... |
Joey Blarro
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Ed Bergtold | ... |
Cop #1
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In Talbot, Ohio, a father's need for surgeries puts the family in a financial bind. His son Vince, an electrician, overhears a man talking about making a fortune in just a day. When the man overdoses on drugs, Vince finds instructions and a cell phone that the man has received and substitutes himself: taking a train to New York and awaiting contact. He has no idea what it's about. He ends up at a remote house where wealthy men bet on who will survive a complicated game of Russian roulette: he's number 13. In flashbacks we meet other contestants, including a man whose brother takes him out of a mental institution in order to compete. Can Vince be the last one standing? Written by <jhailey@hotmail.com>
The plot: Bewildered young man stumbles into a tense game of chance when he impetuously steals a dead man's invitation.
I really liked the original French movie, though I found it to be a little pretentious. The American remake excises all of the art house elements in favor of big name actors, a curiously extended back story for Mickey Rourke's character, and some really bizarre (but awesome) acting from Michael Shannon. The original French version was also a bit more bleak and nihilist, which I think was watered down for American version. Despite this, I've seen several people complain that this movie was too bleak and nihilist! Wow. I guess some people were expecting a traditional, by-the-numbers thriller with car chases and shoot-outs rather than a pensive, darker drama. Unfortunately, a lot of the tension was also streamlined out this version, though I might be misjudging because I already knew the plot. Still, the brutality and nihilism of the original, made all the starker by the black and white stock, really stuck with me, and I didn't feel as though I had quite the same experience when watching the remake.
I'm not one of those snobs who thinks that the original movie is always better than the remake, but, in this case, I think it's true. If I hadn't seen the original and liked it so much, I'd probably rate this a bit higher. Judged on its own merits, I think this is an enjoyable movie, but it doesn't live up to the original. For a movie billed as a thriller, it's lacking the tension that audiences expect, and, as a Jason Statham movie, it's lacking in Jason Statham scenes, which audiences will also expect. Despite my criticism and lukewarm rating, I still liked 13, and I'd probably recommend it to people who haven't seen the original. However, I'd highly recommend you see the original, instead. It's a better movie.