After a threat from the tiger Shere Khan forces him to flee the jungle, a man-cub named Mowgli embarks on a journey of self discovery with the help of panther Bagheera and free-spirited bear Baloo.
The friendly but forgetful blue tang fish, Dory, begins a search for her long-lost parents, and everyone learns a few things about the real meaning of family along the way.
The adventures of writer Newt Scamander in New York's secret community of witches and wizards seventy years before Harry Potter reads his book in school.
Director:
David Yates
Stars:
Eddie Redmayne,
Katherine Waterston,
Alison Sudol
In Ancient Polynesia, when a terrible curse incurred by the Demigod Maui reaches Moana's island, she answers the Ocean's call to seek out the Demigod to set things right.
A selfish prince is cursed to become a monster for the rest of his life, unless he learns to fall in love with a beautiful young woman he keeps prisoner.
An orphan little girl befriends a benevolent giant who takes her to Giant Country, where they attempt to stop the man-eating giants that are invading the human world.
Director:
Steven Spielberg
Stars:
Mark Rylance,
Ruby Barnhill,
Penelope Wilton
The man-cub Mowgli flees the jungle after a threat from the tiger Shere Khan. Guided by Bagheera the panther and the bear Baloo, Mowgli embarks on a journey of self-discovery, though he also meets creatures who don't have his best interests at heart.Written by
Chris Woolley
Kaa, according to some concept art, was supposed to have two or more scenes, which were never used in the final movie, with Kaa only appearing in one scene. See more »
Goofs
It's been theorized that, due to his size, King Louie could have achieved supremacy over other animals even without knowledge of fire; however, the elephants would still be out of Louie's reach, as they are both large and social. See more »
Quotes
[first lines]
Bagheera:
Many strange tales are told of this jungle, but none so strange as the tale of the cub we call Mowgli.
See more »
Crazy Credits
The end credits show a logo for Fantasound (at 1:45:13), the stereophonic sound system developed for Fantasia (1940), side by side with the Dolby Atmos logo. See more »
Favreau's Jungle Book is a marvel. With a Spielbergian sense of magical awe and reverent fear, it's a children's epic that not only stands-up to its legacy, but surpasses it. Giant snakeskins, intense animal battles, and daring escapes from ape kingdoms give the film a scope beyond the animated musical, all while keeping intact its persistent joy. Funny, jaw-dropping, thrilling, grand, and fun, it's an all-cylinders-go cinematic experience on every level. The story of a young man-cub raised by wolves and living amongst the animals of the jungle hasn't changed much, down to the talking beasts. Much like last year's Cinderella, they utilize nostalgia of the beloved product to dive deeper into the story without cynically dismissing it. On top of immersing us into the wilderness through meticulous attention to the smallest of details, the characters are drawn with much more depth. The bratty and paper-thin Mowgli of yesteryear is replaced by a boy with brains and motivation. Played with wide-eyed confidence by newcomer Sethi, we emotionally engage with his adventure. And he's not alone; all characters are given loving attention, specifically the foreboding presence of scary-cool bruiser Sheer Khan. The technical feat of creating photo-realistic animals that convincingly speak and emote is so impressive it feels like a benchmark in CGI. It wouldn't be an overstatement to say this is as groundbreaking and beautiful as any visual effects in years. Favreau and co. manage intense attention to accuracy without shoving it down our throats or overshadowing the story. At the end of the day, under all the computer data, there is a soulful and entertaining tale about life's bare necessity: individuality within community.
6 of 12 people found this review helpful.
Was this review helpful to you?
| Report this
Favreau's Jungle Book is a marvel. With a Spielbergian sense of magical awe and reverent fear, it's a children's epic that not only stands-up to its legacy, but surpasses it. Giant snakeskins, intense animal battles, and daring escapes from ape kingdoms give the film a scope beyond the animated musical, all while keeping intact its persistent joy. Funny, jaw-dropping, thrilling, grand, and fun, it's an all-cylinders-go cinematic experience on every level. The story of a young man-cub raised by wolves and living amongst the animals of the jungle hasn't changed much, down to the talking beasts. Much like last year's Cinderella, they utilize nostalgia of the beloved product to dive deeper into the story without cynically dismissing it. On top of immersing us into the wilderness through meticulous attention to the smallest of details, the characters are drawn with much more depth. The bratty and paper-thin Mowgli of yesteryear is replaced by a boy with brains and motivation. Played with wide-eyed confidence by newcomer Sethi, we emotionally engage with his adventure. And he's not alone; all characters are given loving attention, specifically the foreboding presence of scary-cool bruiser Sheer Khan. The technical feat of creating photo-realistic animals that convincingly speak and emote is so impressive it feels like a benchmark in CGI. It wouldn't be an overstatement to say this is as groundbreaking and beautiful as any visual effects in years. Favreau and co. manage intense attention to accuracy without shoving it down our throats or overshadowing the story. At the end of the day, under all the computer data, there is a soulful and entertaining tale about life's bare necessity: individuality within community.