Writer-director Max Landis put up his dukes and came out swinging Sunday in self-defense after a Vanity Fair story accused him of “attacking another popular genre film with a female protagonist” — namely “Arrival.”
Before the Vanity Fair story came out on Sunday, Landis voiced his opinion of the Amy Adams sci-fi on Twitter Saturday, which appeared to be rather benign.
Arrival's "emotional" subplot and relationships are among the least earned I've ever seen in a wide release movie. — Max Landis (@Uptomyknees) November 12, 2016
While beautifully made and full of very cool ideas, Arrival ultimately weirdly falls into the exact same category for me as Interstellar. — Max Landis (@Uptomyknees) November 12, 2016
I hope everyone goes and sees it anyway, cause it's a incredibly executed original idea. — Max Landis (@Uptomyknees) November 12, 2016
The Vanity Fair story by writer, Joanna Robinson, however, says of Landis’ critique: “Perhaps if he’s so unimpressed with the critically and commercially successful female characters and storylines in genre fare these days, Landis should show us one of his own.”
Landis, who wrote “Chronicle,” “Victor Frankenstein” and “Mr. Right,” took to Twitter again, this time to fight back at the implication that he’s a sexist.
This is fucking pathetic. — Max Landis (@Uptomyknees) November 13, 2016
This is actual pathetic journalism that involves skipping all the movies I've liked with female protags this year. https://t.co/DDYYZVcxQO
Seriously. You're supposed to be a real publication, not some clickbait bullshit. I didn't like a movie everyone liked. Grow up. https://t.co/DDYYZVcxQO — Max Landis (@Uptomyknees) November 13, 2016
This is a blatant hackjob and an attack on my character for NOT LIKING A MOVIE. Did not attack anyone, creators, women, ANYONE. https://t.co/DDYYZVcxQO — Max Landis (@Uptomyknees) November 13, 2016
I wonder if there'll ever be a clickbait article that's a feminist take on the movies I've had made so far. It would be interesting. — Max Landis (@Uptomyknees) November 13, 2016
In all three, the male characters are ultimately bumblers, who lose their showdowns with the villains only to be saved by women. — Max Landis (@Uptomyknees) November 13, 2016
Because my work focuses on emotional arcs over plot arcs, the male "action" hero rarely needs to actually win a fight. — Max Landis (@Uptomyknees) November 13, 2016
BLAH BLAH BLAH
But it is interesting that my own work literally never comes up when I'm attacked as a "sexist" for not liking things. Honestly, weird. — Max Landis (@Uptomyknees) November 13, 2016
Rant over, sorry. — Max Landis (@Uptomyknees) November 13, 2016
But the rant was by no means over.
I'm used to it by now, but sorta shocked because throughout my life I've thought of Vanity Fair as like, you know, a REAL thing. https://t.co/19QGtp2gIC — Max Landis (@Uptomyknees) November 13, 2016
Honestly it had been a while since I'd been called sexist. Mostly these days I was getting bullied online it's about being a libtard. — Max Landis (@Uptomyknees) November 14, 2016
True story, the person who wrote the weird, unfounded, inflammatory hackjob @VanityFair article already had me blocked on Twitter. pic.twitter.com/fv1gx23IWY — Max Landis (@Uptomyknees) November 14, 2016
You know, it's crazy. Every day on here I deal with dudes who are clearly sexist screaming about how they're not sexist. — Max Landis (@Uptomyknees) November 14, 2016
It's depressing that @vanityfair of all things would lump me in with those people. I feel like I sound like the president right now. — Max Landis (@Uptomyknees) November 14, 2016
god it's so crazy that "sounding like the president" now means you're being a whiny insecure megalomaniacal baby man — Max Landis (@Uptomyknees) November 14, 2016
11 Directors Who Followed in Their Dads' Filmmaking Footsteps (Photos)
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Alfonso Cuaron and Jonas Cuaron
Academy Award-winning filmmaker Alfonso Cuaron ("Birdman") is working on a new untitled movie that chronicles a year in the life of a middle-class family in Mexico City in the early 1970s, while his son Jonas directed 2016's "Desierto" and is rebooting "Zorro."
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Tom and Colin Hanks
Tom last directed "Larry Crowne," while son Colin directed the documentary "All Things Must Pass" about the rise and fall of Tower Records.
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Carl and Rob Reiner
Carl's legendary career spans seven decades, while his son Rob directed the rom-com classic "When Harry Met Sally..." His next film, "LBJ," is about the political upheaval that Vice President Johnson faced when he was thrust into the presidency.
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Clint and Alison Eastwood
Oscar-winning director Clint Eastwood's ("Unforgiven") incredible career includes four Academy Awards and five Golden Globes, while daughter Alison's second feature as a director, a Mississippi-set drama called "Battlecreek," recently played the Santa Barbara and Newport Film festivals.
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Ivan and Jason Reitman
Ivan Reitman is best known for comedies "Meatballs" and "Ghostbusters," while his son Jason ("Up in the Air") has four Academy Award nominations, two of which are for Best Director.
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Francis, Roman and Sofia Coppola
The celebrated director of "The Godfather" and "Apocalypse Now" has poured much of his energy lately into his wines and resorts. His son Roman directed the 2001 indie "CQ" and recent episodes of "Mozart in the Jungle." Meanwhile, daughter Sofia received an Oscar nom for her work on 2003's "Lost in Translation" and will next tackle "The Beguiled," a remake of the 1971 Clint Eastwood classic.
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Hayao and Goro Miyazaki
Hayao Miyazaki attained international acclaim in his 50-year career as a masterful storyteller and a maker of anime films. His son, Goro, worked as a landscaper before before becoming a filmmaker. He has since directed "Tales from Earthsea" (2006) and "From Up on Poppy Hill" (2011).
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John and Nick Cassasvetes
As a child, Nick Cassavetes appeared in two of his father's films: "Husbands" (1970) and "A Woman Under the Influence" (1974). Nick is best known for the 2004 romance "The Notebook" and will next direct UFC fighter Ronda Rousey in a remake of the '80s action classic "Road House."
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John and Max Landis
John Landis recently premiered a restored version of his 1981 horror classic "An American Werewolf in London" at the Venice Film Festival. His son Max, who is on a tear as a screenwriter, made his directorial debut with "Me Him Her."
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Melvin and Mario Van Peebles
Mario's 2004 biopic "BAADASSSSS!" describes the making of his father Melvin's seminal film, "Sweet Sweetback's Baadasssss Song." Mario directed the film, and also portrayed his father in the lead role.
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Ridley, Luke, Jake and Jordan Scott
Directing is the family business for Ridley Scott ("The Martian") and his progeny. Luke made his directorial debut with the 2016 sci-fi horror film "Morgan." His brother, Jake, directed the 2010 Kristen Stewart indie "Welcome to the Rileys," and continues to direct music videos. Their half-sister, Jordan Scott, directed the 2009 film "Cracks" with Eva Green and Juno Temple.
As Alfonso Cuaron‘s son Jonas marks the opening of his film, “Desierto,” TheWrap looks at other directors who took their dads’ career lead
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