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Gangs of New York (2002)

In 1863, Amsterdam Vallon returns to the Five Points area of New York City seeking revenge against Bill the Butcher, his father's killer.

Director:

Writers:

(story), (screenplay) | 2 more credits »
Popularity
788 ( 268)
Nominated for 10 Oscars. Another 47 wins & 117 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Reverend Raleigh (as Alec Mccowen)
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Jimmy Spoils (as Larry Gilliard Jr.)
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Storyline

Having seen his father killed in a major gang fight in New York, young Amsterdam Vallon is spirited away for his own safety. Some years later, he returns to the scene of his father's death, the notorious Five Points district in New York. It's 1863 and lower Manhattan is run by gangs, the most powerful of which is the Natives, headed by Bill "The Butcher" Cutting. He believes that America should belong to native-born Americans and opposes the waves of immigrants, mostly Irish, entering the city. It's also the time of the Civil War and forced conscription leads to the worst riots in US history. Amid the violence and corruption, young Vallon tries to establish himself in the area and also seek revenge over his father's death. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

America Was Born In The Streets.

Genres:

Crime | Drama

Certificate:

16 | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

23 January 2003 (Netherlands)  »

Also Known As:

Pandillas de Nueva York  »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

$1,049,746 (Japan) (20 December 2002)

Gross:

$77,679,638 (USA) (11 April 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (original)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The original cut of the film ran an hour longer. See more »

Goofs

When the young Amsterdam throws the knife in the hole, it isn't wrapped. When he returns 16 years later, it's wrapped in old clothes. See more »

Quotes

Young Johnny Sirocco: Oy! Boyo!
Young Amsterdam Vallon: Johnny.
Young Johnny Sirocco: What you doin', boyo?
Young Amsterdam Vallon: There's a battle. The natives against the dead rabbits.
Young Johnny Sirocco: Which side are you on?
Young Amsterdam Vallon: What do you think?
[points behind him]
Young Amsterdam Vallon: Dead rabbits.
See more »

Crazy Credits

Aside from the altered studio logos, there are no opening credits and title, except for the beginning of the movie saying "Miramax Films Presents". The rest of the credits and the title are at the end of the movie. The title of the film is made up of pieces of type that would have been used in the 19th Century to print newsletters, posters, and flyers like the ones seen throughout the film. See more »

Connections

Referenced in Saturday Night Live: Dan Aykroyd/Beyonce (2003) See more »

Soundtracks

Paddy's Lamentation
Traditional, Arranged by Paddy Moloney
Performed by Mary Black
Courtesy of Wicklow Enterprises
Under license from BMG Special Products, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Big! Big! Big! Nothing...
21 December 2002 | by (Los Angeles, CA) – See all my reviews

Sorry Martin, this wannabe "Titanic" didn't do a thing for me...

I don't want to say this is simply a film for the masses about the masses but that's the way it turned out: a big fat mass of masses for masses.

That said, without spending too much time, I belive the film fails honestly because Scorcese is attached to it.

If this was a film made by any unknown director or some greenhorn, I would have no choice but to applaud the effort as the EFFORT is tremendous. But, when you look at the body of work and more importantly the intelligence and multi-level approach of Scorcese's other films, this film completely fails in comparison.

Somewhere along the way this film was butchered, (pun intended) whether it was by the studio, by Scorcese, or by the batch of writers who's conflicting visions and machismo keep bobbing up and down throughout the story. I believe Scorcese (or the studio) tried too hard to make a film for "today's (young) audience" instead of just making (or letting Scorcese make) a Scorcese film. Sure, perhaps many of today's brainwashed and dumbed down proles might not get it, but the film would have entertained the large following this director has cultivated over his many years behind the camera. If the only story he wanted to tell was a nobody wins revenge tale without redemption, flanked by an extremely shallow and cookie-cutter romance, then why waste all the time and money with 1860's New York? Whether or not Martin is actually washed up or still possesses his own magical abilities with a camera I cannot say, but it seems that whatever his original vision was, someone went through it (violently) with a cleaver.

It's interesting though, as a comparison, the actual base human story of "Titanic" has the same cookie-cutter romance elements as "Gangs" yet it is crystal clear that the FOCUS of "Titanic" is on an IMMACULATE portrayal of both the ship itself, the passengers, and the events that took place -- an accurate portrayal of history is the most important factor. "Gangs" does not present that same sharp and exacting historical focus to any degree, instead bits of chopped up pseudo history and gruesome violence are thrown around for a bit color in an otherwise monochromatic, by the books, and boring love story.

Bottom line: I can hear this bomb falling right now... Half my theatre left after the 2 hour mark, some before, and that was on opening night.


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