James Bond descends into mystery as he tries to stop a mysterious organization from eliminating a country's most valuable resource. All the while, he still tries to seek revenge over the death of his love.
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Armed with a licence to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
Bond's loyalty to M is tested when her past comes back to haunt her. Whilst MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.
A cryptic message from Bond's past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.
The IMF is shut down when it's implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organization's name.
James Bond teams up with the lone survivor of a destroyed Russian research center to stop the hijacking of a nuclear space weapon by a fellow agent formerly believed to be dead.
Director:
Martin Campbell
Stars:
Pierce Brosnan,
Sean Bean,
Izabella Scorupco
James Bond is sent to investigate the connection between a North Korean terrorist and a diamond mogul who is funding the development of an international space weapon.
Ethan and team take on their most impossible mission yet, eradicating the Syndicate - an International rogue organization as highly skilled as they are, committed to destroying the IMF.
Director:
Christopher McQuarrie
Stars:
Tom Cruise,
Rebecca Ferguson,
Jeremy Renner
Is there solace in revenge? Bond and "M" sniff a shadowy international network of power and corruption reaping billions. As Bond pursues the agents of an assassination attempt on "M," all roads lead to Dominic Greene, a world-renowned developer of green technology. Greene, a nasty piece of work, is intent on securing a barren area of Bolivia in exchange for assisting a strongman stage a coup there. The CIA looks the other way, and only Bond, with help from a retired spy and from a mysterious beauty, stands in Greene's way. "M" wonders if she can trust Bond, or if vengeance possesses him. Beyond that, can anyone drawn to Bond live to tell the tale? Written by
<jhailey@hotmail.com>
The first installment of the James Bond film franchise to be a direct sequel to the previous film. "Quantum of Solace" is a direct sequel to "Casino Royale" and it continues on from where "Casino Royale" left off. See more »
Goofs
When Bond arrives back in Siena and M shows him the file containing the pictures of Vesper's boyfriend the file is open in order for Bond to steal a photograph and is then untouched until the end of the scene, when he pushes the file back across the table and it is already closed. See more »
Quotes
Mathis:
[speaks to Bond regarding Vesper]
She would have done anything for you... forgive her, forgive yourself.
See more »
Business Before Pleasure
Written by George Akaeze
Performed by George Akaeze & His Augmented Hits
Courtesy of Afrodisia Limited
Under license from G&A; Limited See more »
Whether or not you liked "Casino Royale", and most people certainly did, Roger Moore fanatics probably excluded (hey, I respect their opinion), it was something Bond had never been before, and it surprised a lot of people and reinvigorated genuine interest in Bond after "Die Another Day" by which point it was frankly becoming an obligation to attend the new Bond film rather than a pleasure. After the emotionally charged story, and particularly the climax, of "Casino Royale", the bar was set very high for the follow-up.
Does "Quantum of Solace" deliver? Well, honestly, the answer to that depends almost entirely on what you were expecting. If you were expecting a lengthy, down-to-earth, 'realistic' ('plausible' is probably a better description for "Casino Royale") character-based revenge flick, "Quantum of Solace" is not it. What "Quantum of Solace" does is weave the characterization into the plot and action to the point where we don't have room to breathe. The criticisms against the movie for lacking in character development are downright absurd- it's all there, the movie just doesn't stop and explicitly tell you what it's doing. If you're paying attention to what Bond's doing throughout the film surely you will understand why he is motivated to do those things. It's pretty careful and refined writing from Neal Purvis and Robert Wade (with the addition of script polisher/editor Paul Haggis).
What "Quantum of Solace" doesn't do is deliver a repeat of "Casino Royale". I'm actually quite amazed at the venomous reaction to the film by fans who seem to adore the more humorous, faster-moving Bond films. I mean, this isn't exactly right up their alley, but it's sure as hell not as drawn-out and slow-moving (although I didn't feel that was a bad thing in CR's case) as "Casino Royale", it surely doesn't spend most of its time on the dialogue and characterization, and it surely isn't as significantly divergent from the Bond formula as that film was. This is, ultimately, not unlike several Bond films we've seen before. There's snarling foreign villains with accents, a shadowy evil organization with political motivations, there's plenty, plenty of action. The "Bourne" comparisons are especially confounding. So, because Robert Ludlum once took from the Bond character and stories to write his "Bourne" novels, the Bond film series can't go back to Bond's roots in Fleming's great novels for inspiration? I'd say that "Quantum" has more in common with Bond films of the past than any of the Bourne films. If they're talking about the action scenes here, then while they lack the coherence of some of the greatest action scenes in Bond history, they are still much easier to follow than anything in Greengrass' "Bourne" films. Outside the first 15 minutes there's barely anything here that resembles a Bourne film at all, actually. The first two action scenes- the car chase and foot chase- are over-edited for sure, but the rest of the action scenes are grand, particularly the plane scene and climactic action scene at the hotel.
The technical aspects of the film are all good, director Marc Forster doesn't mess up (which, given the quality of many of his previous films, was perhaps the greatest danger this Bond installment faced) the David Arnold score is not one of the great Bond scores, and his (or the producers') refusal to use an orchestral version of the score much during the actual film is quite frustrating, but it's quite good and certainly not among the worst scores the series has had. Craig is an absolutely superb Bond, Olga Kurylenko is a find Bond girl and fairly well-developed but not at the expense of Bond or the story, while Gemma Arterton's limited screen time is an unnecessary diversion. Arterton's not the only flaw here, the design is a bit naff at times, and there's several things that could have been done better, especially during the first 15 minutes, but the movie works as a whole, and it's not nearly as humorless as some are suggesting; there's some genuinely funny stuff here, without descending into over-the-top camp. Actually, "Quantum of Solace" sees a welcome return of a deadpan delivery to the one-liners which evokes Connery's best moments. No winking at the camera, no raised eyebrows, just the jokes. Felix grabbing a beer and looking nonchalant as the SWAT team tried and failed to capture Bond, Bond stealing the bike from under the informant ("I missed!"), Bond and M at the hotel... So many great moments.
"Quantum of Solace" is perhaps not one of the great Bond films, and while I would not like to see "Quantum of Solace" become the template which the Bond series will follow in the future (it is only completely satisfying when taken in context as part of a larger storyline), it is still not just a good action thriller, but an often gloriously enjoyable Bond film, and a fine entry in the series.
8/10
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Whether or not you liked "Casino Royale", and most people certainly did, Roger Moore fanatics probably excluded (hey, I respect their opinion), it was something Bond had never been before, and it surprised a lot of people and reinvigorated genuine interest in Bond after "Die Another Day" by which point it was frankly becoming an obligation to attend the new Bond film rather than a pleasure. After the emotionally charged story, and particularly the climax, of "Casino Royale", the bar was set very high for the follow-up.
Does "Quantum of Solace" deliver? Well, honestly, the answer to that depends almost entirely on what you were expecting. If you were expecting a lengthy, down-to-earth, 'realistic' ('plausible' is probably a better description for "Casino Royale") character-based revenge flick, "Quantum of Solace" is not it. What "Quantum of Solace" does is weave the characterization into the plot and action to the point where we don't have room to breathe. The criticisms against the movie for lacking in character development are downright absurd- it's all there, the movie just doesn't stop and explicitly tell you what it's doing. If you're paying attention to what Bond's doing throughout the film surely you will understand why he is motivated to do those things. It's pretty careful and refined writing from Neal Purvis and Robert Wade (with the addition of script polisher/editor Paul Haggis).
What "Quantum of Solace" doesn't do is deliver a repeat of "Casino Royale". I'm actually quite amazed at the venomous reaction to the film by fans who seem to adore the more humorous, faster-moving Bond films. I mean, this isn't exactly right up their alley, but it's sure as hell not as drawn-out and slow-moving (although I didn't feel that was a bad thing in CR's case) as "Casino Royale", it surely doesn't spend most of its time on the dialogue and characterization, and it surely isn't as significantly divergent from the Bond formula as that film was. This is, ultimately, not unlike several Bond films we've seen before. There's snarling foreign villains with accents, a shadowy evil organization with political motivations, there's plenty, plenty of action. The "Bourne" comparisons are especially confounding. So, because Robert Ludlum once took from the Bond character and stories to write his "Bourne" novels, the Bond film series can't go back to Bond's roots in Fleming's great novels for inspiration? I'd say that "Quantum" has more in common with Bond films of the past than any of the Bourne films. If they're talking about the action scenes here, then while they lack the coherence of some of the greatest action scenes in Bond history, they are still much easier to follow than anything in Greengrass' "Bourne" films. Outside the first 15 minutes there's barely anything here that resembles a Bourne film at all, actually. The first two action scenes- the car chase and foot chase- are over-edited for sure, but the rest of the action scenes are grand, particularly the plane scene and climactic action scene at the hotel.
The technical aspects of the film are all good, director Marc Forster doesn't mess up (which, given the quality of many of his previous films, was perhaps the greatest danger this Bond installment faced) the David Arnold score is not one of the great Bond scores, and his (or the producers') refusal to use an orchestral version of the score much during the actual film is quite frustrating, but it's quite good and certainly not among the worst scores the series has had. Craig is an absolutely superb Bond, Olga Kurylenko is a find Bond girl and fairly well-developed but not at the expense of Bond or the story, while Gemma Arterton's limited screen time is an unnecessary diversion. Arterton's not the only flaw here, the design is a bit naff at times, and there's several things that could have been done better, especially during the first 15 minutes, but the movie works as a whole, and it's not nearly as humorless as some are suggesting; there's some genuinely funny stuff here, without descending into over-the-top camp. Actually, "Quantum of Solace" sees a welcome return of a deadpan delivery to the one-liners which evokes Connery's best moments. No winking at the camera, no raised eyebrows, just the jokes. Felix grabbing a beer and looking nonchalant as the SWAT team tried and failed to capture Bond, Bond stealing the bike from under the informant ("I missed!"), Bond and M at the hotel... So many great moments.
"Quantum of Solace" is perhaps not one of the great Bond films, and while I would not like to see "Quantum of Solace" become the template which the Bond series will follow in the future (it is only completely satisfying when taken in context as part of a larger storyline), it is still not just a good action thriller, but an often gloriously enjoyable Bond film, and a fine entry in the series.
8/10