The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.
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Four denizens in the world of high-finance predict the credit and housing bubble collapse of the mid-2000s, and decide to take on the big banks for their greed and lack of foresight.
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A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
Director:
Tom Hooper
Stars:
Eddie Redmayne,
Alicia Vikander,
Amber Heard
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Director:
Alex Garland
Stars:
Alicia Vikander,
Domhnall Gleeson,
Oscar Isaac
When the Boston Globe's tenacious "Spotlight" team of reporters delves into allegations of abuse in the Catholic Church, their year-long investigation uncovers a decades-long cover-up at the highest levels of Boston's religious, legal, and government establishment, touching off a wave of revelations around the world. Written by
Open Road
When Sacha and Joe Crowley are walking, they pass a Synagogue with a Star of David window pane. Later, Crowley says they are in front of a church and the tree covers the Star of David. See more »
Quotes
Mike Rezendes:
[from trailer]
I know there's things you cannot tell people. But I also know there's a story here people will hear about it.
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... because by the time the credits roll and you start to breathe normally again, you will suddenly realize that this was not a horror film as such, this was a re-enactment of events that actually happened, with real victims and real perpetrators and real well-meaning third parties covering up the whole thing as fast as the body count kept piling up.
And then you will once again have difficulty catching your breath.
As a film it is superb. McCarthy who did double duty as writer and director deserves acknowledgement. The cast is universally excellent. Ruffalo gives the performance of his career, Keaton is solid as a rock, and McAdams reaps overdue dividends from her decision to broaden her career into non-glamorous roles at a time when the only scripts they were sending her were for Diva parts. Smart lady.
A reviewer is not supposed to interject personal feelings in a review but I will say without apology that I miss films like these -- films that speak for the injustice in society and offer solutions -- and wish there were more of them. It seems that when I was younger there was a lot more interest in doing the right thing merely because it was the right thing. This no longer seems to be the societal meme, and that troubles me.
A must-see.
189 of 324 people found this review helpful.
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... because by the time the credits roll and you start to breathe normally again, you will suddenly realize that this was not a horror film as such, this was a re-enactment of events that actually happened, with real victims and real perpetrators and real well-meaning third parties covering up the whole thing as fast as the body count kept piling up.
And then you will once again have difficulty catching your breath.
As a film it is superb. McCarthy who did double duty as writer and director deserves acknowledgement. The cast is universally excellent. Ruffalo gives the performance of his career, Keaton is solid as a rock, and McAdams reaps overdue dividends from her decision to broaden her career into non-glamorous roles at a time when the only scripts they were sending her were for Diva parts. Smart lady.
A reviewer is not supposed to interject personal feelings in a review but I will say without apology that I miss films like these -- films that speak for the injustice in society and offer solutions -- and wish there were more of them. It seems that when I was younger there was a lot more interest in doing the right thing merely because it was the right thing. This no longer seems to be the societal meme, and that troubles me.
A must-see.