Articles tagged "cameralens-features"

Recently, DPReview Editor Barney Britton took the Sony RX10 III hiking, and he saw that it was good. How good? Back in the office Sam Spencer took the RX10 III, II, the Panasonic FZ1000 and the Canon G3X up to the balcony for a good old-fashioned shootout. Read more

Pentax shooters have waited a long time to join the full frame club, and with the release of the K-1 DSLR that wait is finally over. But the appeal reaches beyond current Pentaxians thanks to its 36MP sensor, innovative features and a very aggressive price point. Take a look at what makes this camera unique. See video

Sony's new Cyber-shot RX10 III might look a lot like the older RX10 II, but its lens is something else. With a versatile 24-600mm equiv. range, on paper it's a great traveling companion, which is why DPR editor's editor chose it to take on a weekend hike. See how he got on

One of the features we were excited by when the a6300 was announced was the promise of 'live view' while shooting continuous bursts of shots. We've had the chance to use and test it to see if it lives up to Sony's claims. Read more

The Canon EOS 80D is an enthusiast-level DSLR geared toward photographers looking for a capable stills and video camera. The 80D sports a brand new 24MP APS-C sensor, a 3" articulating touchscreen, a new 45-point AF system (with dual pixel AF) and 1080/60p video capture capabilities. We've been shooting with it for a few days and have put together some first impressions. Read more

Our testing shows that Canon's EOS 80D features a sensor with greatly improved Raw dynamic range. The results appear to confirm that the company has moved to a new sensor design with lower read noise. Read more

Following our recent field test of the Phase One 645DF+ and an accompanying IQ250 back, we thought it would be interesting to see how the same 50MP CMOS sensor is employed by another medium-format beast: the Hasselblad H5D-50c Wi-Fi. Read more

After the official launch of the X-Pro2 recently in Tokyo, Fujifilm invited a select group of press to visit its Taiwa assembly plant in Sendai, to see the camera being put together. As well as the X-Pro2, we were also able to see the assembly lines for the X-T1, X100T and several lenses. So of course, being the nerds that we are, we took a bunch of pictures. Click through to check out our factory tour

Canon made some big claims about the development put into its 35mm F1.4L II. Its new Blue Spectrum Refractive optics is claimed to minimize longitudinal chromatic aberration, and a new 9-blade aperture promises smoother bokeh and 18-ray sunstars. With a copy of the lens in our hands, Sam Spencer put these claims to the test in a shootout against the Mark I version and the Sigma 35mm Art. Read more

You probably know all about the X-Pro2's specs by now, but what's it like to shoot with? Sam and Richard hit the streets of Georgetown, Seattle with the camera to see how it handles different types of shooting. What did they like? What came up short? There's just one way to find out. Read more

In addition to the Fujifilm X-Pro2 and X-E2S, Fujifilm also announced the X70, a compact camera with a fixed 28mm equiv. F2.8 lens. Focal length aside, the X70 is in many way an X100T without an electronic viewfinder, but with the addition of an articulating touchscreen. Read more 

We've been using a Fujifilm X-Pro2 for a couple of weeks now, and have taken the time to dig beyond the basic specifications of the camera. Join us on a walk through the features that matter and what it means for Fujifilm's new flagship. Read more

Recently we got a chance to take a close look at Olympus's brand new M.Zuiko Digital 300mm F4 IS Pro - which the company says is the sharpest lens it's ever made. Join us for a walk-through of the lens' features, capabilities and fine details. Read more

In our most recent Field Test, we took Fujifilm's X-T10 out onto the streets of Seattle with local photographer Brad Puet. After capturing our street portraits we took the images to a local print shop, to get them turned into exhibition-quality prints. Read more

A sucker for 35mm, DPR Editor Barney Britton found himself drawn to 2013's Sony RX1 and R for all of the obvious reasons, but shooting with them left him cold. But just when he was about to give up hope on seeing an improved replacement, the RX1R II arrived. Find out why it's pick for Gear of the Year. Read more

DPReview Editor Barney Britton has put some miles on the Sony Cyber-shot RX1R II, shooting it all over Western Washington and even bringing it to the Arctic Circle and back. Find out what's new and what isn't in this video overview. Read more

Roger Cicala at LensRentals has a great job - he gets to take things apart whenever he wants, and get paid to do it. And even better, he gets to pay himself to do it. Roger just got his hands on Canon's new EF 35mm F1.4 L II, and just like us, he's been very impressed. But, it must be said, for very different reasons. Click through for a quick look at what he found behind the red ring. Read more

Back in October we reported on the Mitakon Speedmaster 135mm F1.4 - a massive, heavy but beautiful lens, which will be available soon in a very limited manufacturing run of only 100 samples. We were lucky enough to be able to use a prototype recently, and we've spent some time take shots with this weird and quite wonderful lens in our studio and out in the real world. Read more

Kicking off our 2015 series of articles highlighting some staff favorites of the past year, DPR editor Dan Bracaglia writes about his experience with the Nikon D750. But this is less a story about his favorite piece of gear from the last 365 days, and more about a photographer and system owner holding out several years for the perfect camera. Read more

In this field test video we follow photographer Kiliii Fish to the Arctic - specifically, the tiny fishing village of Barrow, Alaska. Using the Canon EOS Rebel T6i - Canon's 24MP entry-level DSLR - Kiliii aims to document how the indigenous population is adapting to the changing environment in the far North. Read more

Canon's new EF 35mm F1.4L II lens has caused quite a stir around the DPReview office. DPReview staffer and photographer Jordan Stead has years of experience with the original 35mm F1.4L, as well as the newer EF 35mm F2 IS USM. In this article he talks about why he enjoys the 35mm focal length, how it affects his photography and his feelings on the Mark II after using it around the office, Seattle, and most recently, on assignment. Read more

As announced on Friday, Panasonic has just released new firmware that enables a post-capture refocusing feature in some of its cameras that run 4K video on a Micro Four Thirds sensor. We got hold of a pre-release copy of the firmware and have been able to try it out on the Lumix DMC-GX8 body. Read more

For our latest Field Test video we went not-quite south of the border to Marfa, Texas. There, photographer Theron Humphrey and his internet-famous dog Maddie help us test the Sony Alpha 7R II and a collection of Sony FE lenses. Despite the oppressive heat and rough roads of Big Bend National Park, the impressive sunsets are well worth the trip. Read more

On paper, the Sony a7R II is one of the best-specified cameras we've ever tested, and it is generating a lot of interest. We wanted to see whether the a7R II's impressive specifications live up to their promise in the real world, so we decided to subject it to perhaps the ultimate stress test: a professional sporting event. DPReview writer Jordan Stead headed to a pre-season NFL game to see what the a7R II could bring to the football field. Read more

Canon recently announced an update to the wildly popular 35mm F1.4L lens, originally released in 1998 and undoubtedly designed back in the day for film. The original was always a favorite of our technical editor Rishi Sanyal, so join him as he takes a stroll down memory lane and recounts his favorite aspects of that lens, and what he looks forward to in the update. Read more

The recently announced Sony Alpha 7R II packs a lot of groundbreaking features, and one of its highlights is the new full-frame 42.4MP BSI-CMOS sensor. Sony sensors tend to show very high Raw dynamic range due to low noise characteristics, but we wanted to take a closer look at exactly how little noise the camera itself contributes to images. Read on

Earlier this week we took you 'under the hood' of the Sony a7R II, metaphorically. Now, thanks to our friends at iFixit, it's possible to take a literal look inside the a7R II. Ifixit took delivery of a production sample a7R II at around the same time as we did, but while we were out testing its AF system and checking to see how its sensor measures up, the hard-working crew at iFixit were busy taking it to pieces. Click through to see what they found  

The Sony Cyber-shot RX10 II offers some impressive video capture capabilities including the option to record in 4K. And like the RX100 IV, the RX10 II can capture slow motion video at 240, 480 or 960fps, the latter of which gives the equivalent of 40x super slow motion. Read more

A part of the ongoing expansion of manual focus lenses for the Micro Four Thirds system, the Voigtländer 10.5mm F0.95 super wide angle is also that company's fourth F0.95 Nokton in its MFT series. DPReview Senior Contributor Damien Demolder took the lens out for a spin. Take a look at some samples and find out his impressions. Read more

Not long ago, you made your stand as a 'serious' amateur photographer by using a medium format camera. Compacts and SLRs existed of course, but the graduation from 35mm film to 120 or 220 formats meant that you had really made it. These days, digital medium format cameras occupy a niche in the market, but the allure is still there. Damien Demolder spends a little time with Phase One's 645DF+ and IZ250 back - see how they get along. Read more

What's more fun than fireworks on the Fourth of July? Fireworks at 960 fps. We grabbed a few slow-motion clips recently with the Sony Cyber-shot DSC-RX100 IV to test out its slow-mo video modes. Take a look at three 960 fps videos and a bonus clip at 240 fps - still pretty neat in our book. See videos

Using a video feed to capture stills isn't a new idea - Nikon's first electronic camera, the QV-1000C, did it in the late 1980s - but the resolution of 4K makes it more useful. Panasonic has recognized this way of working and has introduced 4K Photo mode to its 4K cameras, to make things easier for the user. We took the feature for a test drive. Read more

Tamron announced the SP 150-600mm F5-6.3 Di VC USD at the end of 2013, and as one of the cheapest ways to reach past a 400mm focal length, it quickly became popular with amateur wildlife and sports photographers. We've previously published a lab test for this lens, but in order to get the complete impression, we wanted to spend some time with it out in the field. Read more

Leica's new Monochrom M camera brings the black-and-white-only concept up to date with the technological advantages of the latest M (Typ 240) and M-P cameras. The main changes are a switch from CCD to CMOS sensors, and thus the introduction of live view and a jump to 24MP, along with a much better rear screen. We went hands-on with the new black-and-white beauty. Read more

Sigma's 19mm F2.8 DN, 30mm F2.8 DN and 60mm F2.8 DN Art lenses were launched at the CP+ show in Yokohama way back in January 2013. We've been using these inexpensive primes on both Sony E-mount and Micro Four Thirds cameras for a while now, and our man in London, Damien Demolder has written up his impressions. We pooled our sample images for this field test. Read more

Voigtländer is one of the oldest names in photography, with a long history of making cameras and lenses. Recently, the company has turned its focus from affordable M-mount lenses to lenses with digital cameras in mind. We recently got our hands on the 40mm VM f/2.8 Heliar, made specifically for full-frame and APS-C Sony E-mount cameras. Read more

Photographer Joe Capra got started shooting landscapes but in recent years he's been making a name for himself with high-resolution timelapse videos, shot on dedicated stills cameras and painstakingly put together using specialist software. Click through to view some of his stunning imagery and to learn more about his process in our detailed Q&A

Tamron claims that its new SP 15-30mm F2.8 Di VC USD offers prime quality across its focal length range, paired with a fast maximum aperture and - uniquely in its class - optical vibration compensation. We've been impressed by how this wideangle zoom performs in our studio, but that's only half the story. Our latest video field test follows DPReview Deputy / Technical Editor Rishi Sanyal as he uses the Tamron 15-30mm to shoot architecture, cityscapes and waterfalls. Watch the video 

Today Canon released the XC10, a camera that for all practical purposes is equal part a stills and a video camera. It promises to deliver not only both types of media, but an appropriate user experience for either type of shooting. It may be the first true 'convergence' camera. Learn more about this camera and why it's a significant milestone of technology. Read more

The Samsung NX500 takes some of the best bits of the NX1, including the same 28MP APS-C format sensor and still imaging pipeline, and wraps them up in a smaller, less expensive body. We recently had the opportunity to shoot with an NX500 on the beautiful island of Hawaii. We've already published a couple of samples galleries, but click through to read about how we got on with Samsung's newest mirrorless interchangeable lens camera

James McDaniel is a self-taught photographer with a special interest in roller derby. He's also a Micro Four Thirds shooter, so when we were looking for someone to test out the E-M5 II in the real world with us, we immediately thought of James. Watch our latest video field test to see how how the camera performed on game day, and don't miss an opportunity to see Barney on roller skates. See video

The Olympus OM-D E-M5 II has attracted a lot of attention, both for its technology and because it succeeds an already popular camera. We sat down with Product Manager Richard Pelkowski to find out more about the technology that went into the E-M5's successor and what might be possible in the future. See video

On our recent visit to Japan to attend the CP+ show in Yokohama we were fortunate to be invited to tour Sigma's factory in Aizu. The Aizu factory is where all of Sigma's lenses are manufactured, including the company's impressive new 'Art' line of primes. Click through to take a virtual tour of the factory, in the company of Kazuto Yamaki, Sigma's CEO. 

While we were at CP+ 2015 in Japan, we met with Tamron, and the company was kind enough to lend us their newly announced 15-30mm F2.8 Di VC USD. In Nikon mount, no less. It's a wide range for a full-frame zoom, made more impressive by the inclusion of vibration compensation (VC). With a price tag of $1200, Tamron is taking the Nikon 14-24 head-on, and so we decided to do the same: pit the two against one another in a shootout, which you can view here

Alongside new full-frame and Rebel-class DSLRs, Canon also announced a new mirrorless camera this week - the EOS M3. The third in Canon's M-series range of mirrorless interchangeable lens models, the M3 uses the same 24MP APS-C format sensor and Hybrid CMOS III AF system as the new Rebel T6s and T6i, and features a control dial and articulating rear screen. Click through for more information and some images

Canon's new 11-24mm F4 L wideangle zoom lens has been a long time coming. Canon's widest ever rectilinear zoom by some margin, the new 11-24mm may also challenge Nikon's venerable 14-24mm F2.8 as the tool of choice for landscape, property and architectural photographers. We got our hands on a prototype recently at Canon's US headquarters. Click through for a closer look

It's been on Fujifilm's X-series roadmap for a while, but now it's real - the XF 16-55mm F2.8 R LM WR is a 24-83mm equivalent, weather-sealed standard zoom for Fujifilm's high-end X-series interchangeable lens cameras, which offers a fast maximum aperture of F2.8 throughout its zoom range. As CES gets started in Las Vegas, we grabbed a few minutes with the new zoom. Click through for some images

Nikon's D5500 is, on the face of it a pretty minor update to the D5300, but with the key addition of a touch-sensitive rear LCD screen and slightly altered ergonomics. In almost every other respect the D5500 is a compact, lightweight 24MP entry-level DSLR cut from almost exactly the same cloth as its predecessor. We're at the Consumer Electronics Show in Las Vegas, where we got our hands on a pre-production camera. Click through for some pictures

The D750 is Nikon's enthusiast-oriented full-frame DSLR, featuring a 24MP sensor and a raft of high-end features borrowed from the D810 and D4S. These include a tweaked version of their highly capable 51-point AF system and a very solid HD video specification. We're working on a full review of the D750 right now, and as part of that process we made a short video, highlighting some of the camera's key features in real-world use. Click through to watch.

As often as we can, we like to put the cameras that we test into the hands of working photographers to find out what they think. Recently we gave the Samsung NX1 to Jordan Stead, staff photographer at SeattlePI.com, and ventured out to nearby Carkeek Park to photograph the salmon run. A seasoned shooter accustomed to pro camera bodies, Jordan gave the NX1's hybrid AF system and 28.2MP BSI-CMOS sensor a try. See the video