Page 1 of 73: | [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] |
Index | 722 reviews in total |
*** This review may contain spoilers ***
I am a huge fan of Mark Millar's Wanted. And so, when I entered the
theater with a friend on an advance screening pass (comic book store
owners are very nice people to befriend), fear gripped me. It HAS to
suck...right? It's Hollywood...and a "loose" adaptation...
And so, once the credits rolled, and I was one of the many people
laughing and clapping, the fear had long passed.
The films works. It provides the amazing opiate of style and dark
humor, and in such massive quantities that both evoke the spirit of the
source material and utterly ignore the latter 90% of the graphic novel.
But that independent streak works for Wanted. You feel a sense of
amused wonder and curiosity throughout, and all the plot twists that
follow are different enough from the source to actually hold your
attention without ever being prematurely obvious.
James McAvoy does an excellent job, and his wry, sarcastic narration
sets the mood of the film perfectly. His evolution from pansy to Neo
has a genuine and pleasantly arrogant feel to it, although the
stereotypical Rocky-esquire training montage is used to speed things up
a bit (what a tiresome tool). Basically, his version of a cinematic Neo
is both smarter, more entertaining, and more intelligent.
Backing him up, more with sexy looks and an "I'm too cool for you;
you're not Brad" attitude than anything, is Angelina Jolie. Her
character screams Trinity. And loudly. Regardless, watching her
on-screen is a pleasure. She's terribly likable, and extremely lethal
throughout.
Morgan Freeman's Morpheus, called Sloan here, is played well, although
the role is a bit beneath his skill as an actor. He makes it work
though, playing the wizened and mature helper very well. More
importantly, he delivers an excellent (and unexpected) line that rivals
Samuel L. Jackson's memorable expression from Snakes on a Plane. That
alone makes any price of admission worthwhile.
Any other character serves as nothing more than white noise, there to
populate the world rather than intrigue.
The theme of Wanted is all about taking charge of your life and making
your own choices, something that the very premise of the first hour of
the film both adheres to and contradicts. Rather than analyze it here
(and waste time arguing the pleasantly mad logic of a movie where
bullets bend stylishly), I'll leave that to the people who inevitably
will, assuming the bullet-fu and gore don't completely captivate them
(and they should). Wanted IS violent, truly, and yet it doesn't strive
to turn every frame into a gory, action-packed orgasm. The film handles
it with grace and a style I sorely wish more action movies took into
consideration.
As bullets curve, heads get punctured, hilarity ensues, and rats
explode (peanut butter rocks, BTW), you'll smile besides yourself.
This really isn't a superhero comic adaptation...it's The Matrix with a
great sense of humor.
Enjoy it.
*** This review may contain spoilers ***
I was a bit apprehensive about this film from the previews and commercials, what with the bending bullets and all, but I figured with all of the action movies trying to outdo each other...maybe there would be a good story backing it. However, in the opening sequence, when a man leaps several hundred feet to slay some assassins on another rooftop before being aced out from miles away, I started to lose any hopes for a good movie. Then any further hopes were dashed when it was revealed that a magic god loom delivers a binary code that says who is to be killed (how the frat discovered binary and secondly, that the people named were to be killed is beyond me, maybe god/fate/whatever wrote to them in binary on the first sweater that was and told them to kill the named ever thereafter) This whole god/fate (fate being spelled out when the explosive rat truck hit the mill door) loom thing really blatantly pointed out the problems with dogmatic, irrational beliefs that can be found running rampant throughout our society; but speaking of that society, it's a shame to think that most people will be unable to find that point because it was buried behind quack gimics and special effects. This movie made Crank look like the Godfather. Aside from the absurd story backing why the frat was assassinating people, all of the stunts were merely an attempt to outdo movies like crank with time/space bending cg that makes anyone who has any inkling of what physics are want to cry. If the time-slowing gimics were cut from the movie, I think it would have maybe passed 30 minutes of film time. I could maybe understand the rapid heartbeat to be able to react quicker to things, modeled after a fight or flight type of response on crack or something, but the bullet bending thing got to be a little too ridiculous by the end where a bullet can be fired around a 20' circumference and have the same gun tossed to someone else before the bullet returns from its 360 degree trip to kill the shooter...I mean, really? I really wanted to walk out of the theater about 30 minutes into this film. There isn't enough room in this comment box to enable me to voice the downfalls of this film. However I feel as though I must include this side note on society as well. On top of whole fate and immovable beliefs tangent from above, the fact that movies like this can go over well in America is a great example of how dumbed down culture is making us...Oh let's make an action movie with a loom that dictates who should live and who should die...oh yea...and the assassins can bone physics with no rationale as to how...It truly made me sick. "What luck for rulers that men do not think." - Adolf Hitler. It's understandable how we get leaders like George W Bush when movies like this are not only accepted, but admired. Now if you will excuse me, I need to read my binary sweatshirt for what to eat tonight.
*** This review may contain spoilers ***
The last line of this movie asks, "What the f-word have you done
lately?" If you didn't immediately answer, "I just spent two hours
watching a really dumb movie" then you must be an easily impressed
video game enthusiast. Some interesting visuals aside, it's movies like
this that give the term "comic book movie" a bad reputation.
Unexplained gravity defying flipping cars, curving bullets and rat
bombs just push the envelope too far in to the land of the absurd. The
easily spotted plot turn does help but the rather uninspiring cartoon
action just sinks it. Too many "WTF?" moments in both the action and
the plot to enjoy this movie unless you really relate to a frustrated
nobody stuck in a dead-end job and you want to fantasize about becoming
an assassin. I can't figure out what was worse, the few Matrix type rip
offs or the bizarre Rocky type killer training session? Also, how did
they manage to make Angelina Jolie so unattractive? Not only does she
look anorexic but add in the God awful tattoos and there is NOTHING
sexually appealing about the character.
Ridiculous, un-inspired action mixed with possibly the dumbest plot of
any movie this century means Wanted is one to avoid at all cost.
*** This review may contain spoilers ***
Like so many modern Hollywood moves "wanted" looks and sounds great but
is a poorly conceived and written and is ultimately not a good movie.
It's another in a long list of movies that is technically excellent but
uninspired and unfulfilling.
What killed the film for me was that it was utterly ridiculous from top
to bottom. From the opening scene you think you are watching something
like the "Matrix" but the movie never gets around to explaining how
these assassins attain superpowers. If I could train hard for a few
months getting the sh*t beat out of me and bathing in krispy kreme
sugar and somehow develop superpowers to defy all know laws of physics,
I would get started right away. It wants to look and feel like reality,
but unlike comic book movies like "Ironman", it asks you to swallow way
more implausible nonsense than you may be able to stomach. In fact,
"Ironman" looks like a documentary compared to this noisy, overdone
"rollercoaster". I did not know going in that the movie was based on a
comic about superheroes and supervillians. They should have committed
more to that...there effort to make the movie "real" just made it a
sloppy mess.
So it's a fantasy film that I found difficult to get into. The action
is well done, the effects look great, but its another case where you
are lucky not to have an epileptic fit by the first hour from all the
flash cutting and gimmicks. Half the movie is in bullet time.
And then of course there is the loom, which is just a retarded concept
and in the face of everything else, I found myself rolling my eyes. If
they had spent half the time they spent on effects working on the
story, we would all have been better off.
James McAvoy does his best with what he's given and its his performance
that keeps the movie from slipping even further into the abyss. Jolie
is always great but not given much to do here but look sexy...
*** This review may contain spoilers ***
This film is saturated with absurdity, in an attempt to wow audiences
with special effects they have already seen countless times in the
likes of Die Hard and Bourne. Nothing new in this film, just a number
of Hollywood cliché's, including the sob story told by a narrator in
the third person, which ultimately turns out to be their own sob story,
and even the Star Wars idea of the central character seeking to avenge
their father's death, only for the villain to say "No, I am your
father".
The rest of the plot comprises of special effects, absurdity (laughing
AT not WITH the film), excessive blood and shooting and swearing and
achieves nothing by doing so. James McAvoy totally lets himself down in
this role- he was brilliant in "Last King of Scotland", but doesn't do
himself justice as soon as he starts speaking in a pretty naff American
accent. His character isn't that believable, and his excessive swearing
makes him more unrealistic, instead of realistic. The rest of the cast,
including veteran Morgan Freeman, are paper-thin characters, which also
lets them down as actors. As the characters die, it is difficult to be
upset as you barely know them or sympathise with them.
Although there were some interesting twists in the end, they fail to
salvage a film that's only purpose was to try and lure people in with
mindless violence, blood and bad language with very little substance.
The script is also quite poor, like many modern action films. In my
view, this is trying to outdo Goodfellas in violence, bad language and
blood, but otherwise would fail miserably in competing on the scale of
quality and credibility. A further demonstration of unoriginality in
Hollywood film-making.
*** This review may contain spoilers ***
Suspend all disbelief. There's not a single element of realism in this
movie & it's a very sad attempt to try & make a comic into a movie then
failing badly as the source material clearly wasn't strong enough.
I'd normally class Morgan Freeman & Angelina Jolie as a good cast but
sadly they've got awful roles. The script itself is truly dire, based
on a comic I've never read or heard of ever.
Basically we're in a world of superhero assassins where their abilities
are right out of The Matrix. The film borrows heavily from things like
Bulletproof Monk (I don't actually think there's a single original idea
in the whole movie) and viewers are expecting to suspend way too much
belief.
The film has too much action (yes, you read that right! Too much!) and
suffers in the same way Bad Boys 2 did, just having action scenes for
the sake of it because there was no plot or script to follow so they'd
just engineer an action sequence for no reason at all than seeing the
hero or the other assassins use their magical powers.
We're following Wesley Gibson, a nobody who is dragged into the world
of the assassins and trains to become one to kill the man who killed
his father. Except thats not the case, the man he kills IS his father
and the guy in charge of the assassins (Morgan Freeman in possibly his
worst movie role ever) has started to create targets for his own
profit.
The film is truly awful, ignore the plot because it's nonexistent.
Enjoy looking at Fox (Angelina Jolie) until she decides to kill herself
near the end of the film. Terrance Stamp is woefully underused & his
character could have done much more.
If you can ignore the ridiculous special effects, CGI and over the top
action sequences then you might get a bit of pleasure from watching
this. Personally I hated it and if you've seen the trailers then you've
seen the best bits of the movie as it really doesn't get any better
than the trailer.
*** This review may contain spoilers ***
I am a massive James McAvoy fan since his Shameless(UK) days, so was a
bit iffy on how he would transfer to an action movie. Despite a fair
performance from him (even if his American accent is hard to believe
and turns back to his native Scottish every now and then), my friend
who dragged me along apologised profusely once the film had finished.
Here's some of my problems with the film.
1.) The Script. If the script was good, I'd be able to get over the
lack a story line. It started poor, I was hoping for an upsurge, but it
never came, making Jolie,McAvoy, Freeman (and the rest, including the
guy from Hustle (UK) -what was his point?) just look daft.
2.) The first 20 mins, at least, is about how the main guy's life is
crap. In the matrix, this lasted about 5 minutes before getting into
the action.
3.) All McAvoy does in the 2nd 20 mins is scream!
4.) How much slow-motion does one director need? even the kissing
scene? really!
5.) The Twist really is cringeworthy - you can tell that the script
read: Cross- "Wesley, I'm your father!" Before they realised that
George Lucas had already used that line, so they had to quick-change it
to "You're my son!"
One redeeming feature - you get to see Morgan Freeman say 'Kill that
Mother-F****r. I always knew he was Samuel L Jackson in disguise!
Action wise, it's good if a bit unbelievable, (but that's what films
are for...) and the special effects are OK. Shame about the script...
*** This review may contain spoilers ***
Mindless action films abound and can be fun. This is not a mindless
action film, but its "mind" caters to nerdy dreams of becoming a
more-than-human being. Wouldn't we all like to suddenly have $3.5
million in our bank accounts, tell off our extremely annoying boss (is
there any other kind?) and get trained as an ultra-assassin? Then just
shoot everybody they tell you to or have a quick case of conscience,
then shoot them - cool? Not.
One scene is ripped straight from "The Matrix" series of films and the
overall feeling is overwhelmingly Matrix/Terminator. Perhaps it's
overoptimistic to look for something new in a movie of this type, but
there's hardly anything original. This is not a film the world needs
now - or ever.
*** This review may contain spoilers ***
I watched this movie the other day, and I was actually quite excited. However, I was quickly turned from this opinion within the first 30 minutes of the movie. It got progressively worse until the ending, starting with the mass-murder/suicide and then the replay - revenge hit at the end of the movie. This ending was simply painful. Morgan Freeman is killing his career with movies like this. I appreciate the writers ability to adapt graphic novel to the big screen, but in all honesty this has to be the worst comic book or graphic novel movie ever. Save yourself the time and do something that will at least stimulate your brain: READ THE BOOK, forget the movie
I just got back from an advanced screening of Wanted. I have to admit not being a fan of the Director, Tim Bekmambetov. Somewhat disappointed in his Russian Films Nightwatch and Daywatch. However, in his American directorial he delivers!! An abundance of profanities and over the top action sequences that are beyond xtreme fill the screen in a dizzying array of visual adrenaline. Holding you in a tight breathtaking grip with its interesting visual techniques, humor and acting. James McAvoy (the sweet faun from the Chronicles of Narnia) plays the loser we all know, Wesley Gibbon. The guy, who just trudges through life allowing himself to be walked upon, humiliated and has no desire to escape it, except in a bottle of anti-anxiety meds. Enter a beautiful Woman, Fox (Angelie Jolie), a mysterious wise man Sloan (Morgan Freeman) and his life instantly changes from Billing Reports to Gratuitous Violence, Mastering Weaponry Skills, and Assassination. Believe me when I say what the Matrix introduced, Wanted has mastered. The director is a skilled artist at using the camera in conveying visual emotions of Wesley like I have never seen before, wait I take that back, seen it in NightWatch. I definitely recommend this deliberately humorous, action packed, violent, profane, to-the-extreme film to be seen on the big screen - check this one out!!
Page 1 of 73: | [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] |
Plot summary | Plot synopsis | Ratings |
Awards | External reviews | Parents Guide |
Official site | Plot keywords | Main details |
Your user reviews | Your vote history |