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Critic Reviews

73

Metascore

Based on 24 critic reviews provided by Metacritic.com
83
Mbatha-Raw is shockingly good in creating both the "Noni" public persona and the real Noni.
83
Both Mbatha-Raw and Parker are appealing, expressive actors, and writer-director Gina Prince-Bythewood (Love & Basketball) lets them breathe, filling in the boilerplate bones of the story with smartly nuanced commentary.
83
This is feel-good populist entertainment at heart.
80
A movie isn't a cliché when it can sing like this.
80
Melodrama is defined by exaggerated characters and events, as well as overt appeals to emotion, and Beyond The Lights fits that mold ably and comfortably. But beneath the shiny surface of music-video imagery and true-loveisms lie some provocative ideas and deep truths about how people relate on a private level vs. a public one.
70
Beyond the Lights is a strange beast, a music-industry romance that alternates freely between wisdom and mawkishness, caustic entertainment-biz critique and naive wish fulfillment, heartfelt flourishes and soap-opera shenanigans.
70
Gina Prince-Bythewood's entertaining music-biz melodrama is no less satisfying for the familiarity of its soapy trajectory.
63
By rooting Noni's self-image issues in a controlling mother, the script provides the film with a tame, melodramatic structure that dulls the thorny matters of identity and expression at its center.
63
Beyond the Lights is another pain-behind-the-music romance. But it's so well written, cast and played that we lose ourselves in the comfort food familiarity of it all.
50
The teary-eyed sincerity of the music-industry drama Beyond the Lights is at times too much, but despite its cliche elements, the film at least has the feel of a passion project.

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