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Storyline
Miss Ethel 'Dynamite' Jackson is a chorus girl who mistakingly receives an invitation from the State Department to represent the American theatre at an arts exposition in Paris, France. There's only one problem, the invitation was meant for Miss Ethel Barrymore. Meanwhile, S. Winthrop Putnam, the bureaucrat who made the mistake tries unsuccessfully to correct his mix-up. It's too late, for Dynamite Jackson is off to Paris, where the two meet and marry, or so they think! Written by
Kelly
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Taglines:
Warner Bros.' Musical Oo-La-La!
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Did You Know?
Trivia
Doris Day writes in her autobiography that she only encountered trouble or tension on two of her Warner Bros. films, "Young at Heart" and "April in Paris". On "Paris", she writes that leading man Ray Bolger and director David Butler clashed early on, with Butler accusing Bolger of trying to steal scenes away from Day. Doris says that, being a relative newcomer to films, she was unaware of Bolger's tricks and managed to stay out of the line of fire.
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Goofs
Near the end, when Doris Day "stomps" on Ray Bolger's foot, she doesn't hit even close to his foot.
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Quotes
Ethel S. 'Dynamite' Jackson:
Oh! Don't worry about that. I'll cancel Montreal for Paris anytime. Nothing but eskimos up there anyway.
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Connections
Referenced in
Family Guy: April in Quahog (2010)
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Soundtracks
That's What Makes Paris Paree
(uncredited)
Music by
Vernon Duke
Lyrics by
Sammy Cahn
Sung by
Doris Day See more »
A late-night viewing of this period piece shows it to be a charming and amusing glimpse into an earlier time. Doris Day holds up well, brightly singing, dancing, and portraying the all-American girl with gumption. Bolger's dancing is phenomenal, but the chemistry between them is not really there; it's hard to believe they really like each other very much. The costumes are outrageous in a campy way - almost Busby Berkley level synchronized dance scenes. A fashion-show scene shows overdone eccentric outfits in various colors, with French poodles dyed to match. In the last musical scene, Doris starts out with a floor-length gold cape with mini-pleats radiating from her shoulders; and then takes it off to show a bare midriff any current teenager would be proud of. The movie opens with some vintage scenes (current to the time of the film) of Washington DC, complete with streetcars. But the most anachronistic element is the main theme of the plot, which revolves around Bolger and Day coming close to sleeping together, thinking they are legally married, when in fact (horrors!!) they're not. In summary, it's a great combination of lightweight plot, eye candy, good music and a few laugh-out-loud lines, wrapped in the relative innocence of the fifties.