A young Orthodox Jewish woman becomes ensconced in a nocturnal community of prostitutes and drug dealers that congregates in the ancient cemetery atop Jerusalem's Mount of Olives.
Iremar works at the "Vaquejadas", a rodeo in the North East of Brazil where two men on horseback try bring down a bull by grabbing its tail. It's dusty and back-breaking work, but Iremar is... See full summary »
Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.
Director:
Lorenzo Vigas
Stars:
Alfredo Castro,
Luis Silva,
Jericó Montilla
An ultra-orthodox scholar is revived after dying for 40 minutes. After coming back to life, he suddenly feels a strange awakening in his body and suspects that God is testing him.
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Director:
Rodrigo Plá
Stars:
Jana Raluy,
Sebastián Aguirre,
Hugo Albores
A post modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the ... See full summary »
Director:
Yorgos Zois
Stars:
Alexandros Vardaxoglou,
Maria Kallimani,
Alexia Kaltsiki
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Set on a remote Pacific island, covered in rain forest and dominated by an active volcano, this heartfelt story, enacted by the Yakel tribe, tells of a sister's loyalty, a forbidden love affair and the pact between the old ways and the new.
A young Orthodox Jewish woman becomes ensconced in a nocturnal community of prostitutes and drug dealers that congregates in the ancient cemetery atop Jerusalem's Mount of Olives.
"For out of the scent of nothingness, the tree blossoms, glorious, beautiful, and in its crown, an enchanted bird." Zelda
Tzvia lives at the Mount of Olives in Jerusalem's Old City and at the center of an Orthodox family of six. Contrary to what one might think, each is a lonely place. Her home is well within a sprawling Jewish cemetery and a maze of ancient graves, and her husband, Reuven, is indifferent as the stone. He treats Tzvia more like a servant than spouse. Reuven leaves her questions and concerns in rigid silence. Walks through the cemetery, encounters with strangers and Zelda's poetry bring comfort to Tzvia in her loneliness. As Reuven's intransigence grows, Tzvia begins to walk among the graves at night. The distant bells, poems, calls to prayer, silence of night, intriguing conversations and voyeur-like existence become as much a part of her as anything else. She struggles to reconcile this with the rest of her life.
Mountain is the first film of Yaelle Kayam. This is both a blessing and a curse. It is a blessing in that Kayam takes a path beholden to no one, and a curse in that she is seeking her footing and it is a little shaky. One of the things I like most about this film is that its characters are not one-dimensional. Many films, especially those that portray ultra-religious personalities, fall into this trap. Kayam's characters are not so black and white, and that is refreshing and truer to life. While it is a slow-moving film that could use more depth in a variety of places, it provides compelling insight into loneliness, the Mount of Olives cemetery, the Orthodox Jewish culture and most poignantly a woman in crisis. Seen at the 2016 Miami International Film Festival.
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"For out of the scent of nothingness, the tree blossoms, glorious, beautiful, and in its crown, an enchanted bird." Zelda
Tzvia lives at the Mount of Olives in Jerusalem's Old City and at the center of an Orthodox family of six. Contrary to what one might think, each is a lonely place. Her home is well within a sprawling Jewish cemetery and a maze of ancient graves, and her husband, Reuven, is indifferent as the stone. He treats Tzvia more like a servant than spouse. Reuven leaves her questions and concerns in rigid silence. Walks through the cemetery, encounters with strangers and Zelda's poetry bring comfort to Tzvia in her loneliness. As Reuven's intransigence grows, Tzvia begins to walk among the graves at night. The distant bells, poems, calls to prayer, silence of night, intriguing conversations and voyeur-like existence become as much a part of her as anything else. She struggles to reconcile this with the rest of her life.
Mountain is the first film of Yaelle Kayam. This is both a blessing and a curse. It is a blessing in that Kayam takes a path beholden to no one, and a curse in that she is seeking her footing and it is a little shaky. One of the things I like most about this film is that its characters are not one-dimensional. Many films, especially those that portray ultra-religious personalities, fall into this trap. Kayam's characters are not so black and white, and that is refreshing and truer to life. While it is a slow-moving film that could use more depth in a variety of places, it provides compelling insight into loneliness, the Mount of Olives cemetery, the Orthodox Jewish culture and most poignantly a woman in crisis. Seen at the 2016 Miami International Film Festival.