When Dr. Henry Jones Sr. suddenly goes missing while pursuing the Holy Grail, eminent archaeologist Indiana Jones must follow in his father's footsteps and stop the Nazis.
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A skirmish in Shanghai puts archaeologist Indiana Jones, his partner Short Round and singer Willie Scott crossing paths with an Indian village desperate to reclaim a rock stolen by a secret cult beneath the catacombs of an ancient palace.
Director:
Steven Spielberg
Stars:
Harrison Ford,
Kate Capshaw,
Jonathan Ke Quan
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
Director:
Steven Spielberg
Stars:
Harrison Ford,
Cate Blanchett,
Shia LaBeouf
A young man is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Director:
Robert Zemeckis
Stars:
Michael J. Fox,
Christopher Lloyd,
Lea Thompson
A cyborg, identical to the one who failed to kill Sarah Connor, must now protect her young son, John Connor, from a more advanced cyborg, made out of liquid metal.
Director:
James Cameron
Stars:
Arnold Schwarzenegger,
Linda Hamilton,
Edward Furlong
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Director:
James Cameron
Stars:
Arnold Schwarzenegger,
Linda Hamilton,
Michael Biehn
After rescuing Han Solo from the palace of Jabba the Hutt, the rebels attempt to destroy the second Death Star, while Luke struggles to make Vader return from the dark side of the Force.
Blacksmith Will Turner teams up with eccentric pirate "Captain" Jack Sparrow to save his love, the governor's daughter, from Jack's former pirate allies, who are now undead.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
Indiana Jones, famed adventurer and archaeologist acquires a diary that holds clues and a map with no names to find the mysterious Holy Grail- which was sent from his father, Dr. Henry Jones, in Italy. Upon hearing from a private collector, Walter Donavan, that the mission for the Holy Grail went astray with the disappearance of his father, Indiana Jones and museum curator Marcus Brody venture to Italy in search of Indy's father. However, upon retrieving Dr. Henry Jones in Nazi territory, the rescue mission turns into a race to find the Holy Grail before the Nazis do- who plan to use it for complete world domination for their super-race. With the diary as a vital key and the map with no names as a guide, Indiana Jones once again finds himself in another death defying adventure of pure excitement. Written by
commanderblue
Chris Columbus wrote a couple of drafts. His first draft, dated May 3, 1985, changed the main plot device to a Garden of Immortal Peaches. It begins in 1937, with Indiana battling the murderous ghost of Baron Seamus Seagrove III in Scotland. Indiana travels to Mozambique to aid Dr. Clare Clarke (a Katharine Hepburn type according to George Lucas), who has found a 200-year-old pygmy. The pygmy is kidnapped by the Nazis during a boat chase, and Indiana, Clare and Scraggy Brier-an old friend of Indiana-travel up the Zambezi river to rescue him. Indiana is killed in the climactic battle but is resurrected by the Monkey King. Other characters include a cannibalistic African tribe; Nazi Sergeant Gutterbuhg, who has a mechanical arm; Betsy, a stowaway student who is suicidally in love with Indiana; and a pirate leader named Kezure (described as a Toshiro Mifune type), who dies eating a peach because he is not pure of heart. His second draft, dated August 6, 1985, removed Betsy and featured Dash - an expatriate bar owner for whom the Nazis work - and the Monkey King as villains. The Monkey King forces Indiana and Dash to play chess with real people and disintegrates each person who is captured. Indiana subsequently battles the undead, destroys the Monkey King's rod, and marries Clare. Location scouting commenced in Africa but Steven Spielberg and Lucas abandoned Monkey King because of its negative depiction of African natives, and because the script was too unrealistic. Spielberg acknowledged that it made him "...feel very old, too old to direct it." However, the tank chase sequence in the film was taken from one of his drafts. See more »
Goofs
Indy and Jones Sr. embrace after the tank falls of the cliff, Indy is then dropped to the ground as Marcus, Sallah. and Sr. head off. You can clearly see Indy wearing kneepads under his trousers. See more »
My opinion of Indiana Jones and the Last Crusade could be deemed slightly biased. It is the first film I ever saw in theaters and it's also the first movie I purchased on video. I even own the same, worn-down, beat-up copy (and look upon it even more fondly than the widescreen edition, for sentimental reasons, of course) (but nothing beats the pristine quality DVD). I think it's fair to say it's this movie that cemented my love of cinema, the high regard I hold for great escapism, which is sorely lacking from today's cinema; movies that should be fun now drag or bludgeon themselves with relentlessly awful scripts or MTV-style direction that turns relatively simple scenes into chaotic blurs. The Last Crusade may only be thirteen years old, but I think I can safely say they don't make them like they used to.
The film stars, of course, Harrison Ford as Indy Jones, the archaeologist/adventurer who's on yet another quest, this time to find his father, who'd been searching for the Holy Grail. Said Dad is played by none other than Sean Connery, whose highly charismatic performance is quick to place this film, acting-wise, above the others in the trilogy by giving Ford a genuine acting equal (let me put it this way, he's only half a notch below Harrison Ford/Indy in charisma and appeal if that tells you anything). The rest of the film focuses on this ongoing journey between father and son (eventually joined along by Sallah and Marcus Brody), complete with amazing action and stunt sequences, clever humor, and nasty (but fun) surprises.
The script, by Jeffrey Boam, takes a few cues from Raiders of the Lost Ark, but actually improves upon that story by paying more attention to characterization. The delightful opening scene (all three movies really open with a bang, don't they?); which details how young Indy got his scar, whip, hat, and fear of snakes; makes for a better prequel than Temple of Doom (and any of The Adventure of Young Indiana Jones, for that matter).
The story is engrossing because there's a lot of fun clues offered towards the location of the Grail and, thus, there's a lot of engaging little discoveries (love the "X marks the spot" scene). I'm quite certain, like with Raiders of the Lost Ark, the plot has a few holes, but they're fairly hard to notice, and I've seen this movie quite a few times, but maybe it's just my enjoyment of the film clouding that up. Either way, it speaks volumes in favor of Spielberg's direction and the performances.
Given that action and adventure is the series' selling point, you can expect the thrills and wondrous delight of discovery delivered in spades. The action scenes are terrific (and matched well with John Williams' rousing, memorable score, also the best of the trilogy), the best being a fantastic ten-minute chase sequence on board (and in) a tank, possibly the best action sequence of Spielberg's career. I also loved the motorcycle chase and the Zeppelin setpiece, where the heroes go about dispatching of two enemy fighters in unexpected, but quite hilarious, fashion. The climax, complete with frightening booby traps, is a suspenseful venture into the unknown.
The Last Crusade is far more humor-oriented than its predecessors, but part of the movie's effectiveness is that it's able to deliver belly laughs without defusing the tension during the action sequences. Some of the jokes are just brilliant, including one with Indy armed with a Luger in confrontation with a trio of Nazis on board a tank that's even funnier than the swordsman scene in Raiders (well, to me, at least).
The supporting cast is all-around superb; John Rhys-Davies is back as Sallah, wonderful as ever and displaying a bit more enthusiasm searching for the Grail than he did digging up the Ark of the Covenant. The late Denholm Elliot also returns as Marcus Brody, the most lovable goof of a museum curator. Alison Doody is interesting as Elsa, the blonde historian whom Indy falls for; a twist involving her character and her actions towards the climax make her not as one-dimensional as she may initially appear. Julian Glover is the best of the main Indy villains, he's far more menacing than Paul Freeman's Belloq and less over-the-top but equally enjoyable as Amrish Pruri's Mola Ram. I also enjoyed Michael Byrne's performance as the Jones hating Colonel Vogel, who relishes in torturing Indy and his father. When it comes to pure delightfully nasty villainy, Byrne is even more fun to watch than Glover.
Harrison Ford delivers his best Indy performance (maybe even his best performance, period) in this particular adventure. With the addition of Connery as his father, it reveals a personal side to Indy we haven't seen before. It's his rapport with Connery that separates this film from the rest of the genre. They craft an uncannily touching, funny, and genuine bond. That, coupled with the superb action and thrills, solidifies The Last Crusade as the pinnacle of high adventure summer entertainment.
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Rating: **** out of ****
My opinion of Indiana Jones and the Last Crusade could be deemed slightly biased. It is the first film I ever saw in theaters and it's also the first movie I purchased on video. I even own the same, worn-down, beat-up copy (and look upon it even more fondly than the widescreen edition, for sentimental reasons, of course) (but nothing beats the pristine quality DVD). I think it's fair to say it's this movie that cemented my love of cinema, the high regard I hold for great escapism, which is sorely lacking from today's cinema; movies that should be fun now drag or bludgeon themselves with relentlessly awful scripts or MTV-style direction that turns relatively simple scenes into chaotic blurs. The Last Crusade may only be thirteen years old, but I think I can safely say they don't make them like they used to.
The film stars, of course, Harrison Ford as Indy Jones, the archaeologist/adventurer who's on yet another quest, this time to find his father, who'd been searching for the Holy Grail. Said Dad is played by none other than Sean Connery, whose highly charismatic performance is quick to place this film, acting-wise, above the others in the trilogy by giving Ford a genuine acting equal (let me put it this way, he's only half a notch below Harrison Ford/Indy in charisma and appeal if that tells you anything). The rest of the film focuses on this ongoing journey between father and son (eventually joined along by Sallah and Marcus Brody), complete with amazing action and stunt sequences, clever humor, and nasty (but fun) surprises.
The script, by Jeffrey Boam, takes a few cues from Raiders of the Lost Ark, but actually improves upon that story by paying more attention to characterization. The delightful opening scene (all three movies really open with a bang, don't they?); which details how young Indy got his scar, whip, hat, and fear of snakes; makes for a better prequel than Temple of Doom (and any of The Adventure of Young Indiana Jones, for that matter).
The story is engrossing because there's a lot of fun clues offered towards the location of the Grail and, thus, there's a lot of engaging little discoveries (love the "X marks the spot" scene). I'm quite certain, like with Raiders of the Lost Ark, the plot has a few holes, but they're fairly hard to notice, and I've seen this movie quite a few times, but maybe it's just my enjoyment of the film clouding that up. Either way, it speaks volumes in favor of Spielberg's direction and the performances.
Given that action and adventure is the series' selling point, you can expect the thrills and wondrous delight of discovery delivered in spades. The action scenes are terrific (and matched well with John Williams' rousing, memorable score, also the best of the trilogy), the best being a fantastic ten-minute chase sequence on board (and in) a tank, possibly the best action sequence of Spielberg's career. I also loved the motorcycle chase and the Zeppelin setpiece, where the heroes go about dispatching of two enemy fighters in unexpected, but quite hilarious, fashion. The climax, complete with frightening booby traps, is a suspenseful venture into the unknown.
The Last Crusade is far more humor-oriented than its predecessors, but part of the movie's effectiveness is that it's able to deliver belly laughs without defusing the tension during the action sequences. Some of the jokes are just brilliant, including one with Indy armed with a Luger in confrontation with a trio of Nazis on board a tank that's even funnier than the swordsman scene in Raiders (well, to me, at least).
The supporting cast is all-around superb; John Rhys-Davies is back as Sallah, wonderful as ever and displaying a bit more enthusiasm searching for the Grail than he did digging up the Ark of the Covenant. The late Denholm Elliot also returns as Marcus Brody, the most lovable goof of a museum curator. Alison Doody is interesting as Elsa, the blonde historian whom Indy falls for; a twist involving her character and her actions towards the climax make her not as one-dimensional as she may initially appear. Julian Glover is the best of the main Indy villains, he's far more menacing than Paul Freeman's Belloq and less over-the-top but equally enjoyable as Amrish Pruri's Mola Ram. I also enjoyed Michael Byrne's performance as the Jones hating Colonel Vogel, who relishes in torturing Indy and his father. When it comes to pure delightfully nasty villainy, Byrne is even more fun to watch than Glover.
Harrison Ford delivers his best Indy performance (maybe even his best performance, period) in this particular adventure. With the addition of Connery as his father, it reveals a personal side to Indy we haven't seen before. It's his rapport with Connery that separates this film from the rest of the genre. They craft an uncannily touching, funny, and genuine bond. That, coupled with the superb action and thrills, solidifies The Last Crusade as the pinnacle of high adventure summer entertainment.