| Runtime | 2 hr 31 min (151 min) |
| Sound Mix | Dolby Atmos | Datasat | 12-Track Digital Sound | Dolby Surround 7.1 | IMAX 6-Track |
| Color | Color |
| Aspect Ratio |
1.44 : 1
(some scenes: IMAX 70 mm and Laser versions)
1.90 : 1 (some scenes: IMAX digital version) 2.20 : 1 (70 mm version) 2.35 : 1 |
| Camera |
Arri Alexa XT
Arriflex 416 Arriflex 435, Panavision C- and E-Series Lenses Canon EOS 5D GoPro HD Hero 4 IMAX MKIII, Zeiss Lenses IMAX MSM 9802, Hasselblad Lenses Panavision Panaflex Millennium XL2, Panavision Primo, C-, E-Series, ATZ and AWZ2 Lenses Panavision Panaflex System 65 Studio, Panavision System 65 Lenses |
| Laboratory |
Company 3, Los Angeles (CA), USA
(digital intermediate)
FotoKem Laboratory, Burbank (CA), USA (dailies) |
| Negative Format |
16 mm
(Kodak Vision3 500T 7219)
35 mm (Kodak Vision3 500T 5219) 65 mm (also horizontal) (Kodak Vision3 500T 5219) Codex Codex ARRIRAW HD |
| Cinematographic Process |
ARRIRAW (3.4K)
(some shots)
IMAX (source format) (some scenes) Panavision (anamorphic) (source format) Panavision Super 70 (source format) (some shots) Super 16 (source format) (some shots) |
| Printed Film Format |
35 mm
(Kodak Vision 2383)
70 mm (also horizontal) (also IMAX DMR blow-up) (Kodak Vision 2383) D-Cinema (also 3-D version) |
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See also
Full Cast and Crew | Release Dates | Official Sites | Box Office/Business | Company Credits | Filming Locations | Literature