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(1995)

Critic Reviews

76

Metascore

Based on 22 critic reviews provided by Metacritic.com
100
A sleek, accomplished piece of work, meticulously controlled and completely involving. The dark end of the street doesn't get much more inviting than this.
100
USA Today
Heat is in the cop-movie pantheon with Akira Kurosawa's "High and Low," and that's as "right" as the genre gets.
100
One of the most intelligent crime-thrillers to come along in years.
88
Chicago Sun-Times
Above all, the dialogue is complex enough to allow the characters to say what they're thinking: They are eloquent, insightful, fanciful, poetic when necessary. They're not trapped with cliches.
88
Chicago Tribune
A love-hate poem to L.A., and when Mann takes in the streets, the freeways and LAX, he doesn't give us shiny "Lethal Weapon"-style travelogues. He shows us an L.A. that's grim, bare, a bit smoggy and ruled by street smarts. [15 Dec 1995]
88
The Globe and Mail (Toronto)
No, the film may not be quite as luminous as the cast, but it's good - very good, in fact.
80
It didn't sound like fun to us, either, but we were wrong; Heat scores on many fronts...The plot, though it seems to ramble, builds suspense with deft precision, and the action set pieces are triumphs.
75
It's a monster of a movie, and it gets unwieldy.
67
Entertainment Weekly
We're not watching McCauley and Hanna anymore; we're watching De Niro and Pacino trying to out-insinuate each other. For a few moments, Heat truly has some.
50
Christian Science Monitor
The performances are persuasive but the plot rattles on much too long.
50
There isn't much to recommend this movie until Pacino and De Niro finally share the first of their two scenes together.
50
ReelViews
I lost track of how many times I checked my watch during the nearly three interminable hours it took Heat to play itself to a predictable conclusion of a chase scene and a shoot-out.

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