Production Companies
Distributors
- Andes Films (2016) (Chile) (theatrical)
- Columbia Pictures (2016) (Philippines) (theatrical)
- Toho-Towa (2016) (Japan) (theatrical)
- United International Pictures (UIP) (2016) (Argentina) (theatrical)
- United International Pictures (UIP) (2016) (Indonesia) (theatrical)
- United International Pictures (UIP) (2016) (Singapore) (theatrical)
- Universal Pictures International (UPI) (2016) (Belgium) (theatrical)
- Universal Pictures International (UPI) (2016) (Germany) (theatrical)
- Universal Pictures International (UPI) (2016) (Finland) (theatrical)
- Universal Pictures International (UPI) (2016) (France) (theatrical)
- Universal Pictures International (UPI) (2016) (Netherlands) (theatrical)
- Universal Pictures (2016) (USA) (theatrical)
Special Effects
- Digital Domain
- Double Negative
- Evolution FX
- Nvizage (pre-visualization)
Other Companies
- ARRI Rental (ALEXA 65 provided by)
- Audiolink Radio Communications (cell phone rentals) (uncredited)
- Audiolink Radio Communications (walkie talkies) (uncredited)
- Back Lot Music (soundtrack)
- Brandon Thatchers Film Services (thatching services) (uncredited)
- Casting Collective (extras casting)
- Codex Digital (digital recording equipment)
- E2 (post-production sound services)
- Flying Pictures (aerial film services)
- Helicopter Film Services (aerial filming)
- Helicopter Film Services (drone)
- Love High Speed (camera equipment provided by)
- Oh So Small Productions (short, dwarf and tall actors agency)
- Panavision (camera equipment provided by) (as Panavision London)
- Pinewood MBS Lighting (grip and lighting equipment)