This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.
German-American Dieter Dengler discusses his service as an American naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Vietcong, recreating many events for the camera.
Director:
Werner Herzog
Stars:
Dieter Dengler,
Werner Herzog,
Eugene Deatrick
Through examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind... See full summary »
About the daring adventure of exploring rainforest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur Falls... See full summary »
Director:
Werner Herzog
Stars:
Werner Herzog,
Graham Dorrington,
Dieter Plage
In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
Director:
Werner Herzog
Stars:
Werner Herzog,
Klaus Kinski,
Claudia Cardinale
Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave. Herzog ... See full summary »
An alien narrates the story of his dying planet, his and his people's visits to Earth and Earth's man-made demise, while human astronauts attempt to find an alternate planet for surviving humans to live on.
This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.
Director Werner Herzog cheerfully admitted that the quote at the end of the film, allegedly by Pascal, was completely made up and falsely attributed to give it more weight. See more »
Goofs
In an aerial shot, the shadow of the camera's helicopter is visible (about 10 minutes, 8 seconds into the film). See more »
Quotes
Narrator:
Two figures are approaching an oil well. One of them holds a lighted torch. What are they up to? Are they going to rekindle the blaze? Is life without fire become unbearable for them?... Others, seized by madness, follow suit. Now they are content. Now there is something to extinguish again.
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Some eastern sea that lay heavily in the dawn, attended in its farthest far horizon by titanic walls of smoke and crowned by spires of fire and hot gouts of burning oil arching in the air. This deceptive sea reflecting the sky above made of crude oil. Werner Herzog mounts his camera on a helicopter and takes us through the desolate landscape of Kuwait's oil fields yet there's no politics involved, no topical Gulf War content. These oil fires the result of the scorched earth policy of Iraqi military forces retreating from Kuwait in 1991 after conquering the country but being driven out by Coalition military forces. In a truly apocalyptic manner, Herzog simply invites us to "come and see" the works of man. Reciting short passages from the book of the Apocalypse as sweeping aerial shot after sweeping aerial shot expose a land ravaged by war, the earth tarred far as the eye can see, a vast steppe of black tending to the rim of the world, the skies charred by enormous fires and billows of smoke. This is really a documentary on the apocalypse, on some end to the world, the Gulf War a paradigm of all wars to end it with. A truly awe-inspiring spectacle of destruction and abandonment that mirrors man's insubstantiality when measured up against nature in his own power to destroy it. Not a documentary in the traditional sense but mostly a plot less 60 minute expedition in the deep recesses of a wartorn desert that lets the grandeur of its visuals see it through with Kubrickian aplomb. In the end the workers reignite some of the oil wells they previously extinguished. Herzog muses in his voice-over: "Now they are content. Now they have something to extinguish again".
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Some eastern sea that lay heavily in the dawn, attended in its farthest far horizon by titanic walls of smoke and crowned by spires of fire and hot gouts of burning oil arching in the air. This deceptive sea reflecting the sky above made of crude oil. Werner Herzog mounts his camera on a helicopter and takes us through the desolate landscape of Kuwait's oil fields yet there's no politics involved, no topical Gulf War content. These oil fires the result of the scorched earth policy of Iraqi military forces retreating from Kuwait in 1991 after conquering the country but being driven out by Coalition military forces. In a truly apocalyptic manner, Herzog simply invites us to "come and see" the works of man. Reciting short passages from the book of the Apocalypse as sweeping aerial shot after sweeping aerial shot expose a land ravaged by war, the earth tarred far as the eye can see, a vast steppe of black tending to the rim of the world, the skies charred by enormous fires and billows of smoke. This is really a documentary on the apocalypse, on some end to the world, the Gulf War a paradigm of all wars to end it with. A truly awe-inspiring spectacle of destruction and abandonment that mirrors man's insubstantiality when measured up against nature in his own power to destroy it. Not a documentary in the traditional sense but mostly a plot less 60 minute expedition in the deep recesses of a wartorn desert that lets the grandeur of its visuals see it through with Kubrickian aplomb. In the end the workers reignite some of the oil wells they previously extinguished. Herzog muses in his voice-over: "Now they are content. Now they have something to extinguish again".