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Index | 35 reviews in total |
Don't let ANYONE spoil you ANYTHING about the film.
Don't see the trailer when it comes out.
Avoid clips and any promo materials they may release in the future.
Go in knowing as little as possible.
Just know that watching Green Room is like getting a shot of adrenaline
that doesn't let up until the very end.
It's fantastic, tense, and entertaining.
Take my word for it.
But also...
Don't get too caught up in the hype.
See the film when it comes out.
You'll be glad you did.
P.S. Jeremy Saulnier is definitely someone to look out for.
A punk band made up of poor friends tours in a broken van, playing
their songs at hole-in-the-wall places. They unknowingly are sent to
play a gig at a neo-nazi commune. It goes "OK" until they accidentally
enter a room where a girl has just been murdered, and are locked inside
by the neo-Nazis. A mostly-enclosed game of cat- and-mouse ensues
between the band members and the skinheads.
I liked so many things about this film, I will probably forget to
mention half of them. The slow beginning which really lets you get a
feel for the characters, the progression into an enclosed-location
movie for a lot of its running time (I love one-location movies), the
"opening a can of worms" moment that just makes everything descend into
chaos, and the very funny one-liners which are fortunately very
infrequent so they don't hinder the serious mood one bit (quality over
quantity). It tried to circumvent some genre conventions and
expectations, while still staying true to itself, with thrill scene
after thrill scene. It was just flat out entertaining but also very
well-made, with unconventional editing between scenes, very interesting
sound design, and amazing acting by every cast member. They were all so
likable!
I can't really complain about anything on display here, just see this
film, it deserves it.
"Green Room" follows a vagabond punk band traveling through Oregon,
where they book a show at what they come to find out is a neo-nazi
skinhead punk club. The show goes well enough, but after they become
witnesses to a murder, the groupalong with a female regular at the
club are held hostage at the instruction of the community's head
honcho.
I went into "Green Room" with little expectations, unsure of what
exactly to expect; I'd heard good things about it, and the fact that it
was filmed in the area I grew up in further piqued my interest. The
film undoubtedly deserves the critical and public attention it's
gotten, especially from horror fans, though I'm hesitant to necessarily
label it a "horror" film. It's more a suspense-thriller akin to
something like "Panic Room," except with a starkly different setting
and a group of twenty-something punksters in place of the family home
invasion prototype.
What is perhaps most jarring about the film is that its entire premise
springs out of a wrong-place-at-the-wrong-time scenario that spirals
entirely out of control. The script and direction lend an increasing
oppressiveness that comes on like a vice grip; the audience can easily
sympathize with the arbitrariness of the entire premise, and the
claustrophobic sense of inescapability is well-drawn out on screen. The
film is nicely shot with emphasis on darkness and its titular color,
and the photography of the landscapes effectively capture the
ominousness of rainy Oregon backcountry.
Solid performances from all involved further elevate the film. For a
film that's plot is so constricted, the material demands solid
performers, and we get that from the young cast, with Patrick Stewart
effectively playing counterpoint as the aloof villain-in-charge with an
army of intimidating henchmen. The film's finale is extremely
effective, and, barring a few convenient plot devices, is more or less
believable.
Overall, "Green Room" was one of more tense experiences I've had at the
movies in quite awhile. The way writer/director Jeremy Saulnier is able
to spin such an arbitrary, unfortunate situation into an oppressive,
character-driven splatter thriller is remarkable. It may not be enough
to turn off punks from their waking-up-in-urine-and-beer lifestyle, but
it's enough to make any prospective venues in the Pacific Northwest
backwoods seem at the very least questionable. A recommended nailbiter.
9/10.
I have seen some crazy violent films from cannibal holocaust to a
Serbian film but no other film that comes to mind executes violence as
un settling as this. For me I mean this in a positive way for others
the violence could be the very thing to turn them off to it and
possibly ruin the movie. May this be a forewarning for some and a
recommendation for those who might be interested.
To start with the usual things to look at as far as acting and writing
I would say this film does an excellent job. The acting from all is
believable and extremely convincing. The writing is good with some
humor and plenty of good dialogue. What the film masters completely is
tension. Jeremy has truly shown his talent as a director with this one.
The tension and situations that spawn violence are all very believable
and realistic only adding to the tension and overall tone. Speaking of
tone they set it incredibly well with one of the first acts of violence
which will stick with me for a long long time.
Funny thing about this movie is that it's considered a thriller. What I
mean by funny is that as a thriller (which it really is) it is more
chilling and horrifying than most if not all the other horror movies
I've seen recently. There are jump scares but they're done properly.
This isn't a scary due to monsters and ghouls though, it's scary
because of how realistic and effective the violence is to where it
really sticks with you.
As you probably already know this is a film best going in knowing
little to nothing to get the full experience, personally I went in
knowing more than I should have, however, it didn't matter. I was on
the edge of my seat with sweaty palms due to how tense and
unpredictable it is. There is a lot to talk about with this film but a
lot of it cant be discussed without spoilers so all I can say is see it
yourself. If you can't handle violence then I am strongly telling you
to avoid this film. On the other hand this is among the best films I've
seen this year no doubt. As a display of well executed violence and
tension this film will definitely make a name for itself. I hope this
is useful thanks for reading and I hope you enjoy the movie.
Wow. Jeremy Saulnier did it again. Blue Ruin made me a huge fan, and
Greem Room doubled down. Big time. Can't wait to see where he goes
next. I define want to follow this guy's career. Actually he surpassed
himself.
Green Room was the thriller of all thrillers. The horror of horrors.
Just go see it. Don't watch any trailers, don't read any reviews. Just
go and let it take you on a wild ride.
Great editing, great cast of characters, great sound score, and amazing
direction.
And lots of gore. Lots and lots of gore.
Enjoy this jolt of adrenaline.
And please, somebody cast Macon Blair in more stuff. I can't get
enough!
Besides the notable cast, Jeremy Saulnier's Green Room is most likely
closer to his 2007 horror comedy Murder Party than his sleeper 2014
thriller Blue Ruin. One of the most pleasant surprises of last year, it
was very nice to see that Saulnier managed to gather up a follow-up in
a relatively quick time the gap from festival run to general release
date notwithstanding. Green Room continues the vein of comically inept
people in violent situations, but it's too crowded and lacks the
subversiveness that made Blue Ruin so riveting. More characters means
more bloodshed, but it uses that a crutch to get easy thrills rather
than spending time getting us invested. Nevertheless, on concept alone
it's destined for cult status, but lets hope Saulnier has a better idea
up his sleeve next.
Set in a day or two on the frugal tour of a punk band they appear to
be entirely fueled on stealing gas from other cars including Anton
Yelchin, Alia Shawkat, Callum Turner and Joe Coe, they're very young,
semi-talented, with a modest following but very little prospects.
They're just in it for the thrill of the moment onstage. From a tip of
a journalist after a gig is cancelled, they play a show at a neo-nazi
venue just to get by. They tease the crowd with anti- white-supremacist
lyrics, but they're in no real danger until one of the band members
accidentally stumbles upon a murder in the bar's green room. They're
held hostage, helped by a friend of the deceased played by Imogen
Poots, until it becomes clear that the supremacist's only option lead
by Patrick Stewart is to leave no witnesses and frame the band for
everything. Cue a relentless bloodbath and a grudging cleanup.
While the first gore scene is certainly stomach churning, the film
regrettably relies on a palpable sense of dread over taunt tension. Its
ultimate payoffs just have shock value rather than anything more
gratifying, thereby drowning out its small comic elements. This is a
very familiar brand of storytelling, and Saulnier definitely raises it
from feeling pedestrian but it doesn't go much further than that. For
one, I really wish he had shot it himself. While Blue Ruin has much
more patience, Saulnier's own photography in his hands boasted more
cinematic shots than the most expensive and lavish blockbusters. It was
vivid and atmospheric. Instead of atmosphere, we get noise in Green
Room. He trades the camera to Sean Porter, who did an otherwise great
job with this year's Kumiko the Treasure Hunter, but it lacks the
contrasts and focus to make it as effective despite the abundance of
opportunities.
The film makes a wise choice to give every character a hint of
humanity, including the supremacists, as this could have otherwise been
a very unsympathetic batch of characters to follow. However, muddy
motivations make it difficult to latch onto anybody when a few odd
decisions are made. Their mutual efforts to outwit aren't too witty.
The dialogue needed a lot of work, since it wasn't interested in
getting deep under the character's skin, or mostly shredded to give the
actors more breathing room. It's still an engaging film at least. Blue
Ruin's lead Macon Blair is an understated highlight, while Patrick
Stewart clearly channels Heisenberg without forcing it. Anton Yelchin
and Alia Shawkat are the least likely punk rockers, but the latter
makes it work by being the entrepreneurial boss while Yelchin's
vulnerability makes him a natural underdog. Imogen Poots is usually
irritating, but is only mildly irritating here. Unfortunately, Green
Room runs thin the further it goes along, and severely lacks the
potency that made Blue Ruin a treat. It's an average thriller, but an
above average horror film.
7/10
A punk band that needs cash and then arriving at the wrong-place at the
wrong-time.
It is the most frightening, action-packed thriller that I have seen
this year so far. Out of all of the films I had the opportunity to
watch at Sundance, this one stuck with me the most. When you watch this
film you are trapped with no escape for you or the characters. And I
say "when" because you really need to watch this movie.
The Sundance Programmer that introduced Director Jeremy Saulnier, told
us that the movie was, "PUNK AS S**T!!" We all laughed because we
didn't really know what he meant; and then the film started. IF you
don't already know what a green room is, it's a place in a theater
back-stage where the performers can relax and have their own
safe-space. Green Room takes the place of safety, and rips it apart
during the 94 minutes of pure terrifying ecstasy. It will take you to
the edge of your seat and then throw you to the other side of the room.
The director has an incredible talent of telling the story as it
unfolds. Trust me when I say this: You've never seen anything like
Green Room before.
NO SPOILERS AT ALL ! I waited a couple of months to see this movie. I was dying to see it. I got a chance to see it in a festival. First of all, it's not a horror movie. A thriller for sure. Everything is great about this movie. The violent scenes are extremely intense! The bloody scenes are EXTREMELY realistic...! Those scenes are pretty short like 2 sec. so it's not very disturbing. The movie has 1-2 minus points but I won't tell. I highly recommend this amazing thriller movie! A total edge of seat movie! See it in theatres!! One of the best thriller movies ever made.. 9/10! Watch Blue Ruin from the same director. It's a masterpiece! Cannot wait to see the directors next movie!
GREEN ROOM is intense and terrifying. It's like 'American History X'
and 'Deliverance' gave birth to a messed up up baby. Patrick Stewart is
absolutely scary. Whatever previous ideas of Patrick Stewart you may
have either from his "Star Trek" or "X-Men" years immediately goes out
the window once you see his performance in this film, I really didn't
think he had it in him, what an excellent performance.
Written and directed by Jeremy Saulnier, the story is pretty simple,
it's about a struggling punk rock band in the Pacific Northwest, they
do a small concert in a small white power bar, and what's supposed to
be a quick gig turns into a nightmare when they stumble upon a murder.
At the wrong place at the wrong time is where they are and so now
they're forced to bust their way out of the bar that's been surrounded
by the lethal skinheads who want to eliminate any trace of evidence and
witnesses.
The minute the terror kicks in, GREEN ROOM's level of tension shoots up
and remains there throughout the entire film, the violence keeps on
humming, you just never know what sort of maniacal actions or
retaliations that may occur, this is one of those films that
consistently shocks you, leaving you to wonder who among the characters
would survive because your guess is as good as the next person's. I
think what Jeremy Saulnier has crafted here is a survival story within
confined spaces, despite what you may or may not think about neo-Nazis,
your stance on that becomes irrelevant when it all boils down to just a
matter of escaping. It's part horror, part thriller, with excellent
cinematography, GREEN ROOM is a relentless, unpredictable bloodbath of
a film.
-- Rama's Screen --
From the team that brought the world 'Blue Ruin', Jeremy Saulnier goes
back to basics with 'Green Room.' A Punk-Rock band, in desperation of
making some decent money while on the other side of the country, takes
a gig at a somewhat desolate venue that frequents Neo-Nazis. When they
witness a murder in the Green Room, then the classic Horror/Thriller
movie romp ramps up.
The film opened TIFF's 2015 Midnight Madness category to great
reactions. The film definitely had a few hearts pumping. People who are
fans of 'Blue Ruin' will be quick to compare, but it's important to
understand -- and Saulnier clearly indicated this post-show -- that it
goes back to Horror film roots that 'Ruin' steered course of, and
that's 100% okay. Think of the typical stuck-in-a-room slasher flick.
'Green Room' is plenty more gory, so be prepared. The film garnered a
good cast, including Patrick Stewart and Imogen Poots, and of course,
Macon Blair.
Well-executed action and horror. Did a good job at leaving people
shaking and then eventually applauding. Only major gripe was the
Stewart and Blair's dialogue were a bit difficult to hear at times.
See this in a packed-house cinema if you can.
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