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Storyline
Rosalind, the daughter of Duke Senior (the banished duke), is raised at the court of Duke Frederick (who is younger brother to Duke Senior and took over his dukedom), with her cousin Celia (daughter to Duke Frederick). She falls in love with a young man named Orlando, but before she can even think twice about it, she is banished by Duke Frederick, who threatens death if she comes near the court again. Celia, being Rosalind's best friend, goes with Rosalind (who is disguised as a boy, Ganymede) and Touchstone, the court's fool, to the forest of Arden. Upon their arrival in the forest, they happen upon Orlando and his manservant, who are fleeing the wrath of Orlando's eldest brother. What follows is an elaborate scheme devised by the cross-dressing Rosalind to find out the verity of Orlando's supposed passion for her, and to further capture his heart, through the witty and mischievous façade of Ganymede. Written by
Jess D.
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Taglines:
Romance...or something like it.
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Did You Know?
Trivia
Filmed in Wakehurst Place, a botanical expert from Kew Gardens was on hand in order to check the ground to ensure endangered plants were not damaged during filming. Cast and crew literally were told where they could and couldn't step when off footpaths.
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Quotes
Rosalind:
Nay, an you be so tardy, come no more in my sight: I had as lief be wooed of a snail.
Orlando De Boys:
Of a snail?
Rosalind:
Ay, of a snail; for though he comes slowly, he carries his house on his head; a better jointure, I think, than you make a woman: besides he brings his destiny with him.
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Crazy Credits
The character "Sir Oliver Martext" (he is the "vicar" who is supposed to marry Audrey and Touchstone) appears in this film, but is not listed as Oliver Martext in the credits. The reason for this is that in this film, the vicar is actually the shepherd Corin (who is listed in the credits) in disguise.
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Soundtracks
Under the Greenwood Tree
Composed by
Patrick Doyle
Lyrics by
William Shakespeare
Performed by
Patrick Doyle and
London Symphony Orchestra See more »
For me, Keneth Branagh's film adaptation of Shakespeare's As You Like It was a sublime experience. It was late at night, my wife out of town visiting her family, and me, nothing much to do but fall asleep on the couch. But I stumbled upon HBO's broadcast of As You Like It, and I am transported. The setting was not Elizabethan England, but 19th century Japan. Why? Frankly, I don't know, but it worked for me, as I was immediately pulled in to this mythical land of families divided between those of hearts hardened by war and those who courageously broke away from unhappy dysfunction seeking the pure promise of passion and love. I found the setting equally striking with the dark brown colors of the warlord's house contrasted with the lush, magical, green forest of those longing for their lovers. I found the acting exuberant and joyful, not at all overdone, but appropriate for the subjects at hand: love, passion, melancholy, and the tearful reconciliation between waring brothers. For me, this was a beautiful work of art, and Branagh deserves nothing but praise for it all.