The Broadway smash “Hamilton,” which has been cheered for reclaiming the nation’s founding story by a multicultural cast, has oddly come under fire for specifically seeking “nonwhite men and women” for upcoming roles in future versions.
The Broadway smash “Hamilton,” which has been cheered for reclaiming the nation’s founding story by a multicultural cast, has oddly come under fire for specifically seeking “nonwhite men and women” for upcoming roles in future versions.
Getting its world premiere at Mosaic, Motti Lerner’s drama exposes toxic fissures in Israeli society.
Barbara Cook’s return to a New York stage in a show about her life has been postponed.
Tony Award-nominee Rory O’Malley, whose bid to return to Broadway this season in “Nerds” failed, has found another way — in the mega-success “Hamilton.”
As Julie Kent plans overhaul of Washington Ballet, she bids farewell to ABT and looks forward to passing on what she’s learned there.
Motti Lerner has found a powerful ally outside his native Israel in Washington’s Ari Roth.
Ballet by Stephen Mills skims the surface of the play.
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Washington Stage Guild is producing Scott Carter’s play about the three historical figures.
REVIEW || If you like your musicals sugary and sentimental, this is the one for you.
British actor Ben Whishaw has found himself to be a magnet for important roles. They even come back every few years.
Musical based on the Green Day album follows three friends in post-9/11 America.
David Grossman’s novel “Falling Out of Time” weighs heavily onstage.
Step into Akosua Busia’s tiny dressing room on Broadway and you walk into a little corner of happy calm.
Deirdre Kinahan’s exactingly detailed play gets an exemplary cast at Studio Theatre.
“The Curious Incident of the Dog in the Night-Time” will end its two-year run on Broadway this fall.
A new website hopes to help theatergoers with disabilities find Broadway shows that offer services they may need, from wheelchair ramps to American Sign Language interpreters to autism-friendly performances.
Christopher Morgan’s multimedia “Pohaku” fuses hula and modern moves, video, storytelling.
Washington Ballet to perform Stephen Mills’s third Shakespearean adaptation.
After tough luck in D.C., the troupe performed works by contemporary choreographers.
Fans of “Aladdin” on Broadway have gotten their wish — the show’s Genie and its leading actors will be sticking around.
