New superhero movie is overly long, but always gripping.
New superhero movie is overly long, but always gripping.
Fourteen years after 2002 hit, rehashed sequel arrives with too little to laugh at, too late.
Comedy-drama generates unexpected empathy for a character who’s hard to listen to.
French rom-com centers features a love triangle between a mother, her lover and her son.
Actress Krisha Fairchild shines in a strong performance, despite an overly familiar premise.
Film portrays the ruthless criminal patriarch of the real-life Puccio family.
Documentary profiles the Pulitzer Prize-winning food critic Jonathan Gold.
Good performances are squandered in this drearily rote superhero exercise.
The first half of the two-part finale to the series based on the Veronica Roth books is disappointing.
Film overlooks character development in its pell-mell rush toward infantile humor.
Atom Egoyan’s slow-burning thriller subverts expectation at every turn.
Actress brings radiance and depth to a gratingly quirky heroine.
Helen Mirren dominates this calculatingly effective breakdown of a drone strike.
Third installment in dystopian sci-fi franchise feels both overly familiar and overwrought.
Movie misses the opportunity for social critique, settling on a superficial hook-ups.
Clive Owen anchors drama of life on the margins by “Nebraska” screenwriter Bob Nelson.
Its only selling point? A ridiculously acrobatic three-minute sex scene.
Thin melodrama is based on Christy Beam’s memoir of her daughter’s unexplained cure.
The thriller produced by J.J. Abrams is a more grown-up, nuanced answer to the 2008 creature feature “Cloverfield.”
