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Directed by | |||
Milos Forman | |||
Writing credits | ||
Lawrence Hauben | (screenplay) and | |
Bo Goldman | (screenplay) | |
Ken Kesey | (based on the novel by) | |
Dale Wasserman | (the play version: "One Flew Over the Cuckoo's Nest" by) |
Produced by | |||
Michael Douglas | .... | producer | |
Martin Fink | .... | associate producer | |
Saul Zaentz | .... | producer | |
Original Music by | |||
Jack Nitzsche | |||
Cinematography by | |||
Haskell Wexler | (director of photography) | ||
Film Editing by | |||
Sheldon Kahn | |||
Lynzee Klingman | |||
Casting by | |||
Jane Feinberg | |||
Mike Fenton | |||
Production Design by | |||
Paul Sylbert | |||
Art Direction by | |||
Edwin O'Donovan | |||
Costume Design by | |||
Aggie Guerard Rodgers | (uncredited) | ||
Makeup Department | |||
Gerry Leetch | .... | hairdresser | |
Fred B. Phillips | .... | makeup artist (as Fred Phillips) | |
Production Management | |||
Joel Douglas | .... | unit production manager | |
Irving Saraf | .... | post-production supervisor | |
Joel Chernoff | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
William Saint John | .... | second assistant director (as William St. John) | |
Irby Smith | .... | first assistant director | |
Art Department | |||
Joe Acord | .... | construction coordinator | |
Tom Bartholomew | .... | production painter | |
Terry E. Lewis | .... | props (as Terry Lewis) | |
Rudy Reachi | .... | assistant property master (uncredited) | |
Sound Department | |||
Mark Berger | .... | post-production sound director | |
Pat Jackson | .... | sound editor | |
Larry Jost | .... | sound recordist (as Lawrence Jost) | |
Mary McGlone | .... | sound editor | |
Philip Rogers | .... | sound restoration | |
Robert R. Rutledge | .... | sound editor (as Robert Rutledge) | |
Kirk Schuler | .... | assistant sound editor | |
Veronica Selver | .... | sound editor | |
Gene Radzik | .... | Dolby consultant: 2001 5.1 remix (uncredited) | |
Stunts | |||
Alan Gibbs | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
Bill Butler | .... | additional photography | |
Dick Colean | .... | camera operator | |
William A. Fraker | .... | additional photography (as William Fraker) | |
Hugh K. Gagnier | .... | camera operator (as Hugh Gagnier) | |
George Hill | .... | key grip | |
Gary Holt | .... | gaffer | |
Dennis Marks | .... | gaffer | |
Walter Nichols | .... | best boy | |
Peter Sorel | .... | still photographer | |
Robert M. Stevens | .... | camera operator (as Robert Stevens) | |
Bill Tenny | .... | gaffer | |
Robert C. Thomas | .... | camera operator (as Robert Thomas) | |
Doug Willis | .... | best boy | |
Kyle T. MacDowell | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
Aggie Guerard Rodgers | .... | costumer (as Agnes Rodgers) | |
Editorial Department | |||
Richard Chew | .... | supervising film editor | |
Arthur Coburn | .... | assistant film editor (as Art Coburn) | |
Constance Field | .... | assistant film editor | |
Bonnie Koehler | .... | assistant film editor | |
Jay Miracle | .... | assistant film editor | |
Music Department | |||
Ted Whitfield | .... | music editor | |
Transportation Department | |||
Tom F. Thomas | .... | transportation captain (as Tom Thomas) | |
Other crew | |||
Natalie Drache | .... | script supervisor | |
Wayne Fitzgerald | .... | title | |
Rhonda Kramer | .... | production office coordinator | |
Leonard Lipton | .... | production assistant | |
Frank Noonan | .... | location auditor | |
Denise Schreiter | .... | location coordinator | |
Jim Young | .... | location auditor | |
Dean R. Brooks | .... | technical advisor (uncredited) | |
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Full cast and crew | Company credits | External reviews |
News articles | IMDb top 250 movies | IMDb Drama section |
IMDb USA section |
What a movie, what an excellent movie!!! That is what first went through my mind after seeing this masterpiece. I've seen many movies, but there aren't much movies which had such an impact on me. Nowadays almost all filmmakers believe they can only make a good movie by adding loads of special effects and lots of huge explosions ... This movie is so good, so convincing without them. The actors played their roles in such a convincing way that you would think these weren't actors at all, but real psychiatric patients.
This movie may be 30 years old, but it hasn't lost any of its relevancy. OK, we don't put our mentally ill people in that kind of prisons anymore, the bars in front of the windows have gone and now we call it hospitals in stead of nut houses. But the treatment hasn't changed all that much. I once worked in such a hospital as a volunteer and still saw things like forced feeding, giving people so much medication until they no longer know who or where they are,...
When the movie first came out, some people were shocked because when you watch the movie, you can't help it feeling more attached to the patients than to the doctors and nurses. This movie shows that cinema can make a difference. It can help to open people's eyes. If there is a movie that should be seen by everyone, this sure is the one. I give it a well deserved 10/10.