Continuing his "legendary adventures of awesomeness", Po must face two hugely epic, but different threats: one supernatural and the other a little closer to his home.
Directors:
Alessandro Carloni,
Jennifer Yuh Nelson
Riley, now 12, who is hanging out with her parents at home when potential trouble comes knocking. Mom's and Dad's Emotions find themselves forced to deal with Riley going on her first date.
The special bond that develops between plus-sized inflatable robot Baymax, and prodigy Hiro Hamada, who team up with a group of friends to form a band of high-tech heroes.
When the newly crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister, Anna, teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions - Joy, Fear, Anger, Disgust and Sadness - conflict on how best to navigate a new city, house, and school.
The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.
In the Valley of Peace, Po the Panda finds himself chosen as the Dragon Warrior despite the fact that he is obese and a complete novice at martial arts.
From the largest elephant to the smallest shrew, the city of Zootopia is a mammal metropolis where various animals live and thrive. When Judy Hopps becomes the first rabbit to join the police force, she quickly learns how tough it is to enforce the law. Determined to prove herself, Judy jumps at the opportunity to solve a mysterious case. Unfortunately, that means working with Nick Wilde, a wily fox who makes her job even harder. Written by
Jwelch5742
Originally, the film revolved around Nick Wilde (voiced by Jason Bateman ). However, test audiences reported that they had a hard time connecting with him emotionally and instead found themselves drawn to Judy Hopps (voiced by Ginnifer Goodwin ), so the story was changed. See more »
Goofs
During the school play, one of the animals says when he grows up he wants to "find tax exemptions" and therefore be "an Actuary". While an actuary's primary job function is to assess financial and other risks, finding tax deductions in order to minimize financial losses is a part of their job. (Leaving aside, of course, that this is a small child talking about his dream job. Factual accuracy can be a bit erratic.) See more »
Quotes
[from trailer]
Judy Hopps:
Is that Mr. Big?
Nick Wilde:
Stop talking, stop talking!
[One polar bear turns Mr. Big's chair to reveal that he is an arctic shrew]
Judy Hopps:
Huh.
Mr. Big:
Ice 'em.
[the polar bears are about to ice Judy and Nick]
Fru Fru:
Daddy!
[sees the polar bears about to ice Judy and Nick]
Fru Fru:
What did we say? No icing anyone at my wedding!
[...] See more »
Crazy Credits
The last bit of the end credits and the film's closing logos feature safari noises in the background. See more »
Some movies perfectly personifies the past (Saving Private Ryan), some movies predict the future (Fight Club), and some (like this one) perfectly nail the current issues so accurately you feel like they financed, wrote, and filmed the movie yesterday. Read the following sentence slowly because you might not believe it the first time you glance through it: Zootopia is the best film under the Walt Disney Animation Studios banner since Emperor's New Groove, and is arguably the most important animated film since Princess and the Frog. Yes, the clock has to reach back 16 years before you can find a Disney Studios animated film as strong as this one. Between the layers of intense subject matter and a surprisingly strong mystery plot lies a beautiful message for the kids and tweens that needs to be heard, especially today.
Nothing on the surface can actually prepare you for what happens once you enter the setting of Zootopia. However, the surface is quite delightful to look at. The animation is spectacularly detailed and contributes mightily to the storyline about animals living together. The main city itself branches off into several subdivisions, each with its own distinctive personality. Unlike most Disney films, Zootopia itself is so massive its practically begging for continuations through film and television. It's an expansive visual feast of colors and colorful characters, similar to the creative world of Wreck-It Ralph. However, once the movie gets going you will quickly realize that although it is a children's movie, there is plenty for teenagers and even adults to laugh at and to be moved by. The mystery is slightly more mature than what is expected, and we even reach quite dark territory once the second half kicks into play. This is a children's movie, but has an incredible script full of heart, soul, drama, and necessary comedy to offset the bleakness. Using Pixar's collective creativity technique (which has been rusting lately), we have three directors and nearly a dozen writing credits attached (two wrote the screenplay, many others contributed to the story). It is a miracle that so many contributors to a single script made a film that flowed so well.
Disney and Pixar are the best at coming up with the required vocal talents to bring the animated films to life, and this is no exception. Jennifer Goodwin and Jason Bateman are absolutely perfect for each other and play to their strengths: Goodwin with her charming all-American bubbliness and Bateman's sly hustling ways. They dominate the film but luckily you'll learn to love them immediately through their strengths and their flaws. And in keeping with recent tradition, you won't know who the true villain is until later as the stakes start getting higher.
Rich Moore (most experienced of the three-director team) should be a bigger name because his directing credits includes the early 90s Simpsons and some of Futurama's greatest episodes. What those shows and this film has in common is the electric mix of well-paced story, strong characters, and shades of drama and commentary that speaks to the current issues. Zootopia explores racism, sexism, classism, and diversity fears better than any of the trailblazing Disney animated films before it. That being said, it's not a knock on Princess and the Frog, Mulan, or Hunchback of Notre Dame---the truth is Zootopia would have never been fully greenlit by Disney in the 90s, and perhaps even the 2000s.
Disney has gotten gutsier and ballsier in recent years with the Too Big to Fail attitude; and although the company definitely remains officially mum on the current political turmoil, Zootopia can and should be its resume and cover letter concerning what side of the fight they are on. Zootopia is a daring animated film that will frighten you (especially the youngsters), will emotionally hurt you, and will leave you thinking long after Shakira's gazelle character lets out her final note. It's the perfect concoction of mystery, comedy, action, and social commentary that not only allows it to become an early entry for Best Animated Feature, but (dare I say it), a Best Picture nomination.
Zootopia on the surface, beneath the surface, and everywhere in between is essentially flawless. It has something for everyone, although the youngest ones will struggle as it gets darker. Through its importance as well as the engaging, ever-revolving plot, I give this film the highest marks. Zootopia will stand as one of the best in all of 2016, and among the best works of animation this entire decade. Disney has unveiled its stance through adorable animals while simultaneously proving that it remains the animation king of the world.
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Some movies perfectly personifies the past (Saving Private Ryan), some movies predict the future (Fight Club), and some (like this one) perfectly nail the current issues so accurately you feel like they financed, wrote, and filmed the movie yesterday. Read the following sentence slowly because you might not believe it the first time you glance through it: Zootopia is the best film under the Walt Disney Animation Studios banner since Emperor's New Groove, and is arguably the most important animated film since Princess and the Frog. Yes, the clock has to reach back 16 years before you can find a Disney Studios animated film as strong as this one. Between the layers of intense subject matter and a surprisingly strong mystery plot lies a beautiful message for the kids and tweens that needs to be heard, especially today.
Nothing on the surface can actually prepare you for what happens once you enter the setting of Zootopia. However, the surface is quite delightful to look at. The animation is spectacularly detailed and contributes mightily to the storyline about animals living together. The main city itself branches off into several subdivisions, each with its own distinctive personality. Unlike most Disney films, Zootopia itself is so massive its practically begging for continuations through film and television. It's an expansive visual feast of colors and colorful characters, similar to the creative world of Wreck-It Ralph. However, once the movie gets going you will quickly realize that although it is a children's movie, there is plenty for teenagers and even adults to laugh at and to be moved by. The mystery is slightly more mature than what is expected, and we even reach quite dark territory once the second half kicks into play. This is a children's movie, but has an incredible script full of heart, soul, drama, and necessary comedy to offset the bleakness. Using Pixar's collective creativity technique (which has been rusting lately), we have three directors and nearly a dozen writing credits attached (two wrote the screenplay, many others contributed to the story). It is a miracle that so many contributors to a single script made a film that flowed so well.
Disney and Pixar are the best at coming up with the required vocal talents to bring the animated films to life, and this is no exception. Jennifer Goodwin and Jason Bateman are absolutely perfect for each other and play to their strengths: Goodwin with her charming all-American bubbliness and Bateman's sly hustling ways. They dominate the film but luckily you'll learn to love them immediately through their strengths and their flaws. And in keeping with recent tradition, you won't know who the true villain is until later as the stakes start getting higher.
Rich Moore (most experienced of the three-director team) should be a bigger name because his directing credits includes the early 90s Simpsons and some of Futurama's greatest episodes. What those shows and this film has in common is the electric mix of well-paced story, strong characters, and shades of drama and commentary that speaks to the current issues. Zootopia explores racism, sexism, classism, and diversity fears better than any of the trailblazing Disney animated films before it. That being said, it's not a knock on Princess and the Frog, Mulan, or Hunchback of Notre Dame---the truth is Zootopia would have never been fully greenlit by Disney in the 90s, and perhaps even the 2000s.
Disney has gotten gutsier and ballsier in recent years with the Too Big to Fail attitude; and although the company definitely remains officially mum on the current political turmoil, Zootopia can and should be its resume and cover letter concerning what side of the fight they are on. Zootopia is a daring animated film that will frighten you (especially the youngsters), will emotionally hurt you, and will leave you thinking long after Shakira's gazelle character lets out her final note. It's the perfect concoction of mystery, comedy, action, and social commentary that not only allows it to become an early entry for Best Animated Feature, but (dare I say it), a Best Picture nomination.
Zootopia on the surface, beneath the surface, and everywhere in between is essentially flawless. It has something for everyone, although the youngest ones will struggle as it gets darker. Through its importance as well as the engaging, ever-revolving plot, I give this film the highest marks. Zootopia will stand as one of the best in all of 2016, and among the best works of animation this entire decade. Disney has unveiled its stance through adorable animals while simultaneously proving that it remains the animation king of the world.