Groundhog Day (1993)

Phil Connors, a cynical and unbearable journalist goes like every year in a small town in Pennsylvania to report on "Groundhog Day", it means the beginning of the spring. But, he is out of luck because due to the bad weather, he and his crew (including the pretty Rita) he is compelled to stay at his work place for the night. The following day, he awakes and lives exactly the same day again but he is the only one to realize it. It is like this, the next days again and again! What should Phil do to stop this? Maybe an improvement of his personality would be the wisest solution.

You can easily imagine what a filmmaker like Frank Capra would have done with such a topic but Harold Ramis managed very well and he signs here his most beautiful success to date and one of the finest comedies of the nineties. The main strength of "Groundhog Day" comes from a strong and inventive screenplay which enables Bill Murray to go through all the different states which is logical because if tomorrow is the same day, anything goes for him! The script also draws its comical force from the repetition. This process gives delightful sequences, notably in the first part of the movie. You have to see Murray live the same day again, faced with the same situations and as he despises people, it can only make the spectator laugh. Moreover, Ramis described his main character by mocking at him a little.

Of course, the evolution followed by Murray is a little predictable (scornful at the beginning, he will succeed in becoming nice at the end of the film and in finding love with Rita) and you easily guess the message that Ramis tries to put across. But it remains nevertheless warm and deeply humane. However that may be, the director gave us a pleasant, sometimes funny sometimes moving movie to watch. And it is one of Bill Murray's best performances: fair, never bombastic. What more could you ask from him?