Credited cast: | |||
|
Omkar Das Manikpuri | ... |
Nathadas Manikpuri
|
|
Raghuvir Yadav | ... |
Budhia Manikpuri
|
|
Shalini Vatsa | ... |
Dhaniya N. Manikpuri
|
|
Farrukh Jaffar | ... |
Mrs. Manikpuri /
Amma
|
Malaika Shenoy | ... |
Nandita Malik
|
|
|
Vishal Om Prakash | ... |
Kumar Deepak
(as Vishal Sharma)
|
Nawazuddin Siddiqui | ... |
Rakesh
|
|
|
Sitaram Panchal | ... |
Bhai Thakur
|
Naseeruddin Shah | ... |
Salim Kidwai - Agricultural Minister
|
|
|
Aamir Bashir | ... |
Vivek
|
|
Pravin Singh Sisodia | ... |
Gudda Babu
|
Rest of cast listed alphabetically: | |||
|
Masood Akhtar | ... |
Editor
|
|
Maxima Basu | ... |
Lady Reporter
|
Avijit Dutt | ... |
Boss of English TV Channel
|
|
|
Dan Husain | ... |
Vijay Ranjan Prasad
|
In the lead up to state elections in the Indian village of Peepli, two poor farmers, Natha and Budhia, face losing their land over an unpaid bank loan. Desperate, they seek help from an apathetic local politician, who scornfully suggests they commit suicide to benefit from a government program that aids the families of indebted deceased farmers. When a journalist overhears Budhia urge Natha to "do what needs to be done" for the sake of their families, a media frenzy ignites around whether or not Natha will commit suicide. Written by Sundance Film Festival
I'm a native American and saw this movie in a theater with maybe 30 Indians (sorry, I'm old enough to find multiple ironies in that sentence). Anyway, I went into this movie with no expectations. Though I've seen a number of Indian movies over the last few years, I knew nothing of this author or director. I laughed out loud more than I have for any Hollywood movie this year. My cohorts found it even funnier than I, but I guarantee you that you don't need to know that much about Indian politics or media to get most of this satire.
It starts with a farmer deciding to commit suicide to get his family the $2000 that may save his farm from foreclosure. From there, the media and government turn it into a circus, stepping all over themselves in their self-serving ways.
It suffers only in minor ways from a few slow spots and odd shifts in tone, but these are worth sitting through. It's currently showing here only at a suburban Atlanta theater that shows a combination of H-wood and B-wood. This should have been picked up by some American distributer when it showed at Sundance. Hopefully, enough people will see it and generate the buzz to get it to a wider audience.