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  • ‘Severance’

    Apple TV Plus' "Severance" stars Adam Scott, Christopher Walken and Patricia Arquette in an eerie corporate nightmare directed by Ben Stiller.

  • ‘Space Force’ Season 2

    "Space Force" got another season to adjust — and so it has, with enough self-awareness this time to make better on its initial promise.

  • ‘Lincoln’s Dilemma’

    "Lincoln's Dilemma" uses various techniques to illustrate the life and legacy of the 16th president, and the problems he faced while in office.

  • ‘Dog’

    What could have been a basic man-and-dog road movie goes deeper than expected, exploring the damage military service does to two ex-Rangers.

  • ‘Uncharted’

    The Tom Holland-Mark Wahlberg buddy movie is watchable in a thin "Raiders of the Lost National Treasure of the Fast & Furious Caribbean" way.

  • Critics Pick

    ‘Kimi’

    Zoë Kravitz excels as a fragile millennial tech worker who stumbles onto the recording of a murder.

  • Mitski’s ‘Laurel Hell’

    Mitski has returned from a hiatus with "Laurel Hell," an album that conveys mixed emotions about how happy the indie rocker is to be back.

  • Cat Power’s ‘Covers’

    On her third album of covers, Cat Power serves up barely recognizable versions of songs by Frank Ocean, Billie Holiday, Iggy Pop and more.

  • The Weeknd’s ‘Dawn FM’

    With "Dawn FM," the Weeknd has made the most upbeat album of his career, a solid progression with splashes of new wave and Michael Jackson.

  • ‘The Music Man’

    Hugh Jackman and Sutton Foster lead the cast of this starry Broadway revival of Meredith Willson's "The Music Man," directed by Jerry Zaks.

  • ‘MJ’

    Staged by Christopher Wheeldon and written by Lynn Nottage, this slick show plays like a surface-skimming rehabilitation tour.

  • ‘Intimate Apparel’

    The play's tight construction makes it a natural for a chamber opera with music by Ricky Ian Gordon and direction by Bartlett Sher.

  • ‘Skeleton Crew’

    Under the direction of Ruben Santiago-Hudson, the play's layered storytelling moves the audience to audibly engage.

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