Tamrac has a new line of Goblin gear pouches designed for lenses and cameras, as well as larger accessory pouches for storing multiple items together. The product line includes half a dozen lens pouches with drawstring enclosures, three body pouches, two accessory pouches and one memory card wallet. Read more

The CP+ show in Yokohama Japan has just ended and as usual, alongside new cameras, lenses, and elaborate booths, many of the manufacturers were showing off a bunch of things which had been cut in half. So in keeping with CP+ reporting tradition we stopped by some of the major booths and captured a few of the best examples. Take a look at all the things we found at CP+ which had been cut in half, 2016 edition. Read more

Michael Brown is an award-winning director and a pioneer of adventure filmmaking. In his talk from PIX 2015 Michael takes us on a very personal journey to the edges of the world, including climbing Mt. Everest with blind climber Erik Weihenmayer. In the process, he shares important lessons about risks, relationships and the importance of challenging ourselves and mentoring others. Read more

Fujifilm didn't announce any new products at CP+ this year, but the show is the first chance that a lot of Japanese enthusiast photographers have had to get their hands on the X-Pro2 and X70, which were unveiled last month. In an effort to get cameras into photographers' hands, Fujifilm is running a rental service at this year's show, where prospective X-series users can hire gear while they're attending the show. Read more

Once a year, photographers turn their lenses toward Yosemite's Horsetail Fall and hope for the conditions that transform this waterfall into a spectacle known as 'Firefall'. The late February sun casts a blazing orange glow on the water – that is, if the water is flowing, and if the horizon isn't too cloudy. One photographer shares his story capturing the event. Read more

Flash manufacturer Nissin offers some compelling alternatives to on-brand flashes, and they've recently updated their lineup with the i60A, Nissin's second, and smaller, flash that integrates with their 2.4GHz radio wireless control system. Nissin's got their flashes, commanders, and receivers on display here at CP+, and we got our hands on a few of these exciting products. Read more

It's finally here! We're at the CP+ show in Yokohama Japan where we got our hands on the new Pentax K-1. While we were at Ricoh's booth we also got a glimpse into the not-so-humble beginnings of Pentax's flagship full-frame DSLR. Read more

Attendance is up at this year's CP+ show in Yokohama Japan, and that's partly thanks to new products from some of the biggest camera manufacturers, including Nikon. We're at the show, where large crowds are gathering around Nikon's booth to get their hands on the new DL-series compacts, and two new DSLRs, the D5 and D500. Read more

A remote control spinning tripod head that is said to be ideal for shooting panoramas has been launched in the US and UK by Polaroid. The Panorama Eyeball Head fits on a tripod or stands freely on its own feet, and can accommodate DSLRs as well as compacts. The control unit connects with the head via an IR link and manages both the speed and direction of rotation. Read more

There are lots of new products vying for attention at CP+ 2016, including Sony's a6300 and new GM series lenses for its full-frame mirrorless cameras. And they are getting plenty of attention from show attendees, especially those eager to try out the FE 85mm F1.4 GM. We took another look at the a6300 and the GM lenses on display at the buzzing Sony booth in Yokohama. Read more

We've seen established members of the optical industry partner with smartphone makers before – Nokia high-end phones used to come with Carl Zeiss branded lenses, and Schneider Kreuznach optics have been used in various models from Chinese manufacturer Oppo. Now it seems we could soon see Leica-branded lenses and other imaging technology in Huawei smartphones. Read more

As usual at the CP+ show in Yokohama, one of the longest lines can be found at Canon's booth. This year, Canon's EOS 80D and EOS-1D X Mark II were in huge demand from both press and public attendees alike, and we fought our way through the crowd to get hands on with both new models - and the surprisingly nice PowerShot G7 X Mark II. Read more

Just before CP+ 2016, we had the chance to get our hands on preproduction models of Sony's three new G Master lenses that sit above the existing G lenses in Sony's lineup. Our hands-on time on the show floor here at CP+ have allowed us to formulate a better opinion and one thing's becoming clear: we think Sony has good reason to make the recent claims they've made regarding the GM series. Read more

At this year's CP+ show in Yokohama, Japan, Panasonic unveiled the Lumix G Vario 12-60mm F3.5-5.6 ASPH Power O.I.S. lens. Featuring a splash and dustproof design, the 24-120mm equivalent zoom is designed to be a lightweight, versatile companion to Panasonic's Micro Four Thirds cameras. We got our hands on a sample at Panasonic's booth, along with the new Lumix DMC-ZS100. Read more

Tamron is showing off two brand new lenses at CP+ this year - the SP 85mm F1.8 Di VC USD and SP 90mm F2.8 Di VC USD 1:1 Macro. The 'SP' in the model names stands for 'Super Performance' - a designation that Tamron reserves for its high-end optics. We headed to the Tamron booth today and got our hands on the new lenses, and Tamron's upcoming TAP-in Console. Read more

It's all well and good to imagine what Nikon's trio of 1"-type sensor compacts might be like based on spec, but there's nothing like getting them in your hands. See what the buzz is all about – straight from the show floor of CP+ in Yokohama, Japan. Read more

Sigma announced several products at CP+ 2016, including two new cameras. The interchangeable lens SD Quattro And SD Quattro H represent a departure for the company in two senses - both are mirrorless cameras, and the 'H' features an APS-H format sensor. More conventional are a 50-100mm F1.8 DC HSM Art zoom and 30mm F1.4 DC DN Contemporary prime for mirrorless cameras. Read more

The Leica SL 24-90mm F2.8-4 may not break any new technical ground, but when the SL's 'kit' lens made its way to LensRentals headquarters, the team endeavored to take a careful look inside. With the solidly constructed lens partially disassembled, they got a closer look at its impressive number of moving elements. Read more

DPReview is at the CP+ 2016 show in Yokohama, Japan, where Nikon announced three new compact cameras. The 'DL' range is distinct from the established Coolpix and 1-series lineups, and consists of three cameras built around the same 20MP 1"-type sensor. We headed straight to Nikon's booth to get hands-on time with the DL 18-50, DL 24-85 and DL 24-500. Read more

Lens manufacturer SLR Magic has announced 'significant' changes to the optical and mechanical specification of its Anamorphot-Cine 1.33x anamorphic lenses, which it says are now available. The lens set was first shown at IBC at the end of last year, but the company says the latest versions have crucial differences – although they don’t say exactly what those differences are. Read more

Chinese smartphone manufacturer Oppo has a history of launching smartphone models with novel camera features and concepts, and has just launched the first sensor-based image stabilization system for smartphones at MWC. Oppo calls it the smallest image stabilizer of its kind, and claims it's able to correct for shake with greater precision than current optical stabilization systems. Read more

With the start of CP+ 2016 just one day away, Panasonic is introducing the Lumix G Vario 12-60mm F3.5-5.6 ASPH Power O.I.S. to its family of Micro Four Thirds lenses. Featuring a splash and dustproof design, the lens is compatible with Panasonic's Dual IS feature, currently available on the Lumix DMC-GX8. Read more

Sigma has announced two mirrorless ILCs: the Sigma sd Quattro and the sd Quattro H. Both cameras use the company's full-depth SA lens mount as used in its SLRs, and are built around APS-C and APS-H sized sensors, respectively. Both use the company's Foveon technology that captures different color information at different depths in the sensor. Read more

Sigma has announced a more powerful external flash for DSLRs, the EF-630. It updates the existing EF-610 flash units by covering a 24mm to 200mm focal range (as wide as 17mm with the built-in Wide Panel), with an auto zooming function. Based on Sigma's naming conventions it's safe to assume the EF-630 offers a guide number of 63. It's also able to tilt upward by 90°, left/right by 180° and downward by 7°. Read more

Nikon has arrived a little late to the 1" sensor compact party but it's turned up mob-handed. It's announced three DL models: two fast-lens compact cameras with a choice of wide or standard zoom range, and a 21x superzoom model. Click through to read about the specifics of the DL18-50, DL24-85 and DL24-500, and where they sit among the competition.

Sigma has added two new fast-aperture lenses to its Art and Contemporary lineups. For owners of Canon, Nikon and Sigma APS-C bodies there's the 50-100mm F1.8 DC HSM Art, which is equivalent to 75-150mm. This lens has a redesigned Hyper Sonic Motor, nine-blade rounded aperture and internal zoom. The other lens is for Sony E-mount and Micro Four Thirds bodies, and it's a fast 30mm F1.4 prime, equivalent to 45mm and 60mm, respectively. Read more

Sigma has announced an adapter for Sony E-mount cameras, making it possible to use Sigma's most recent lenses in Canon and Sigma mount on full-frame or APS-C E-mount bodies. The MC-11 is able to use phase detect AF with adapted lenses, and makes use of both camera and lens stabilization when present. Read more

Nikon is entering the 1"-type premium compact market in a big way, introducing three new models that cover pretty much every focal length. The guts of all three 'DL' models are the same, in that they have 20.8MP BSI CMOS sensors, Hybrid AF with 20 fps burst shooting with continuous AF, and 4K video support. The DL18-50 has an 18-50mm equiv. F1.8-2.8 lens and a tilting touchscreen display, while the DL24-85 has a 24-85mm equiv. F1.8-2.8 lens and no built-in flash. The DL24-500 is the long zoom model, with a 24-500mm equiv. F2.8-5.6 lens, fully articulating display and built-in EVF. More details

Nikon has announced three new superzoom cameras. The Coolpix A900 is the compact one of the bunch, offering a 20MP BSI CMOS sensor, 24-840mm equiv. lens, tilting LCD and 4K capture. The Coolpix B500 is an inexpensive bridge camera with a 22.5-900mm lens, 16MP sensor and tilting display. It uses AA batteries - a rarity these days - but cannot capture 4K. Its big brother, the B900 does, and it also comes with a 20MP sensor, 24-1440mm lens, electronic viewfinder and fully articulating LCD. Read more

Ricoh has announced the WG-M2, an update to the WG-M1, its original rugged action camera, adding 4K video at 30 fps. It's capable of diving to depths of up to 19.8m/65ft, an improvement over the prior model's 9.8m/32ft waterproof rating, and is 40% smaller than the WG-M1. The WG-M2 is also able to operate in temperatures as low as -10°C/14°F and will survive falls up to 2m/6.5ft. Read more

It's not just the Ricoh GR II getting the special treatment. To commemorate the company's 80th anniversary, Ricoh has announced it will produce a version of its Pentax K-3 II with a textured, silver finish. Just 500 units will be produced in total, and will be sold online exclusively for $999.95. Read more

SanDisk has introduced the Extreme PRO microSDXC UHS-II card, calling it the fastest microSD card in the world. The new Extreme PRO will be offered in 64GB and 128GB capacities, and features transfer speeds up to 275MB/sec with Class 10 and UHS Speed Class 3 (U3) ratings. Read more

Together with its new Galaxy S7 and S7 edge flagship phones, Samsung has announced the Galaxy Gear 360 camera at the Mobile World Congress in Barcelona. The Gear 360 is a ball-shaped device that uses two 15MP cameras with F2.0 fisheye-lenses to record 30MP spherical still images or 360-degree video with a resolution of 3840 x 1920 pixels. Read more

Adobe has released a major update to its Photoshop Lightroom for Android mobile app, now achieving feature parity with its iOS counterpart — and even surpassing it in one major way. A brand new in-app camera lets you shoot in Adobe Camera Raw DNG format. Read more

The Leica DG Vario-Elmar 100-400mm F4-6.3 ASPH offers a heck of a lot of reach for not much size. Plus, the rotating buttons on the tripod collar are a smart feature. We took the lens out with the Panasonic GX8 and Olympus E-M1 to see if this new tele option for the Micro Four Thirds system is as serious as its name. Read more

Third party lens-maker Tamron has released a pair of new full-frame, stabilized primes. First is an 85mm F1.8 Di VC USD which has LD and XLD elements, 9 circular aperture blades, a fluorine coating to keep moisture off of the front element and 3.5 stops of shake reduction. Lens number two is a 90mm F2.8 Di VC USD Macro which has many of the same specs as the 85mm but allows for life-size close-ups. Both lenses are weather-sealed and will be available for Canon, Nikon and Sony mounts. Read more

Tamron has announced the TAP-in console, enabling firmware updates and customized setup for select SP-series lenses. Much like the Sigma Dock for Sigma lenses, Tamron's console mounts to the back of compatible lenses and connects to a PC/Mac utility, allowing users to optimize focus calibration, set focus limiters and optimize vibration compensation on lenses that support these functions. Read more

Samsung has launched the Galaxy S7 and S7 edge, the successors to the flagship models Galaxy S6 and S6 edge. Despite only fairly moderate design changes, a lot of new technology is incorporated. In the camera department pixel count has been reduced to 12MP for larger 1.4um pixels which means a 56 percent increase in size compared to the Galaxy S6. Samsung has also introduced a new AF system it calls Dual-Pixels, which splits every single pixel into two photodiodes for on-chip phase detection. Read more

A photographer from the UK has collected £7500 along with the title International Garden Photographer of the Year as the results of the ninth competition have been announced. Richard Bloom took the first prize with a picture of a field of lupins he came across while in New Zealand in the summer of 2015. See his photo and other category winners here. Read more