SLR Magic, a company known for making affordable optics and accessories for filmmakers, has announced a new set of anamorphic cinema lenses that can be adapted to a variety of lens mounts. The PL mount ANAMORPHOT-CINE line of lenses includes the 35mm T2.4, the 50mm T2.8 and the 70mm T4, all of which can be adapted for Canon EF, Nikon F, Micro Four Thirds and Sony E-mount. Read more
Articles tagged "lens-news"
Korean lens manufacturer Samyang has added two new wide angle lenses to its Xeen series of full-frame video lenses. The new focal lengths are 14mm and 35mm, and while the 35mm conforms to the family-standard maximum aperture of T1.5, the 14mm opens only to T3.1. The Xeen system now contains a total of five lenses as these two join the existing 24mm, 50mm and 85mm. Read more
Sony has created a new lineup of lenses for its full-frame cameras known as G Master (GM). These are the company's high-end lenses that sit above its 'G-series' lenses and, as you might imagine, command a premium price. The first three GM lenses include FE 24-70 F2.8, FE 85mm F1.4 and FE 70-200 F2.8. In addition to the lenses, Sony also released a pair of 1.4x and 2x teleconverters. Read more
Lomography has resurrected another classic Russian lens to sit next to its Petzval 85mm and 58mm lenses. This time, the company has revived one of the Jupiter designs that are so popular in our Adapted Lens Talk forum. The 50mm F1.5 lens is offered in L39 mount with an included M-mount adapter. Read more
Fujifilm has officially announced its Fujinon XF 100-400mm F4.5-5.6 R LM OIS WR lens, which has been on the company's roadmap since early 2015. This weather-sealed lens, equivalent to 152-609mm when mounted on an X-series body, has nine rounded aperture blades, 5 ED and 1 Super ED elements, and a fluorine coating. It also features a 5-stop image stabilization system and a linear motor. Read more
German camera brand Leica has introduced upgraded versions of three of its wide-angle M lenses that offer improvements to both build and performance, according to the company. The trio of reportage favorites are the Leica Summicron-M 35mm F2 ASPH, the Leica Summicron-M 28mm F2 ASPH and the Leica Elmarit-M 28mm F2.8 ASPH. Each is a direct replacement for the current equivalent model. Read more
Lensbaby has announced that its Edge 50 Optic lens is now available to existing Muse and Composer owners for pre-order. Previously sold only in combination with the Composer II lens body, the Edge 50 Optic is part of Lensbaby’s Optic Swap System for Muse and Composer series lenses, and was released in October 2015. Read more
Olympus has launched the M.Zuiko Digital ED 300mm F4 IS Pro, which it claims it the sharpest lens in its lineup. The 600mm equivalent prime lens features built-in IS that also works in conjunction with the OM-D E-M1 and E-M5 II bodies to offer 6 stops of stabilization, measured to CIPA standards - the best we've yet encountered. Olympus says it expects the lens to be used for bird photography, landscape and sports. Read more
Panasonic is adding a high-end super telephoto zoom lens to the Micro Four Thirds lineup: the Leica DG Vario-Elmar 100-400mm F4-6.3 ASPH. This lens is equivalent to a whopping 200-800mm when attached to a MFT body and features much-needed 'Power' optical image stabilization to keep things steady. The lens has several aspherical and extra low dispersion elements, a nine-blade aperture, and a minimum focus distance of 1.3m. The lens also features a compact tripod collar that rotates with the camera and it's weather-sealed, too. More details
Nikon is bringing stepping motors to its DSLR lens lineup for the first time with a pair of 'AF-P' lenses, both of which are collapsable 18-55mm zooms (one with vibration reduction, the other without). Nikon says that its stepping motor lenses are both faster and quieter than their predecessors, making them quite appealing for video recording. These lenses have two aspherical elements as well as a Super Integrated Coating, with the VR model reducing shake by 4 stops. Read more
Kenko Tokina has launched the Tokina AT-X 14-20mm F2 Pro DX lens for Canon and Nikon DSLRs with APS-C sensors. This ultra-wide zoom has a pair of super low dispersion elements, nine aperture blades, a one-touch focus clutch mechanism and internal focusing. Read more.
Sigma has created an all-new protective filter, the Sigma Water Repellent (WR) Ceramic Protector, using Clear Glass Ceramic with water and oil repellent coating. This is the first filter to use such a material in its construction. It promises both lighter weight and higher strength than normal protective filters with minimal effects on transmittance and sharpness.
Panasonic has released firmware updates for five Lumix G lenses, adding support for the maker's Dual IS technology. The feature was introduced in the Lumix DMC-GX8 camera; with this update, a total of eleven lenses are compatible with that model’s Dual IS system, including the Leica DG Macro-Elmarit 24mm F2.8 Macro and collapsible Lumix G Vario 12-32mm F3.5-5.6. Read more
German/Chinese optics brand HandeVision is set to introduce five new lenses next year that are designed for full-frame mirrorless cameras. Each with a maximum aperture of F2.4, the focal lengths the company is planning to release in its Iberit series will be 24mm, 35mm, 50mm, 75mm and 90mm. Read more
Hong Kong-based SLR Magic has announced a 50mm F1.1 CINE lens for Sony E mount. Planned for early December 2015 availability, the FE lens will cover a full-frame sensor. Read more
Ricoh has announced a new wide-angle prime for its Pentax 645D/645Z medium format digital bodies. This lens' name is a mouthful: HD PENTAX-D FA645 35mm F3.5 AL [IF]. The top-line specs are that it acts as a 27.5mm (in 35mm terms) on a digital 645 body, has a minimum focus distance of 0.3m, giving a maximum magnification ratio of 0.25x. Read more
Lensbaby has announced new additions to its lens lineup with the Composer Pro II and Edge 50 Optic. The Composer Pro II houses the swap-able optic, updating the original Composer with an 'upgraded' metal body, and the 50mm equivalent F3.2 Edge optic provides a tilt shift effect slice of focus that can be moved around the frame. Read more
Fujifilm has added another lens to its X-mount, this one being a low-cost Fujinon XF 35mm F2 prime. This compact lens features a nearly silent internal AF system, 9-blade circular aperture, 2 ED elements, and is sealed against moisture and dust. Also announced is a 1.4x teleconverter, which is currently only compatible with the XF 50-140mm F2.8 zoom. It will, however, be compatible with future lenses, including the XF 100-400mm super telephoto lens expected next year. Read more.
ZY Optics, a Chinese company that sells lenses under brand name Mitakon, teased a massive lens on the Chinese social network Weibo over the weekend, the Mitakon Speedmaster 135mm F1.4. While the company revealed a few details at the time, it didn't specify when the lens would be available for pre-order. That changed on Monday, and the company is now offering $500 non-refundable deposits to reserve a unit for shipping in early 2016. Read more
Lens manufacturer Sigma has introduced a new lens to its Art range of premium optics that it claims is the fastest 20mm in the world. The new 20mm F1.4 DG HSM | Art is designed for full frame cameras and will be available in mounts for Canon EF, Nikon F and Sigma models. Read more
German optical manufacturer Zeiss has announced it is to introduce a wide angle to its Otus family of lenses designed for full frame SLR cameras. The Zeiss Otus 1.4/28 is a 28mm lens with a maximum aperture of f/1.4, and will be available with ZE and ZF.2 mounts for Canon EOS and Nikon F cameras. Read more
ZEISS has introduced the 21mm F2.8 to its Loxia lineup for full-frame Sony E-mount cameras, joining the 35mm F2 and 50mm F2. Like its siblings, the 2.8/21 allows the user to de-click the aperture ring for video recording. Read more
Voigtländer has introduced three new lenses that will be released in Spring 2016: the 10mm F5.6 Hyper-Wide-Heliar, 12mm F5.6 Ultra-Wide-Heliar, and 15mm F4.5 Super-Wide-Heliar. All three lenses will feature a Sony E-mount for use with full-frame Sony cameras without an adapter. Read more
We're still waiting for the much-teased full-frame DSLR, but Ricoh has today announced another full-frame zoom lens - the HD PENTAX-D FA 24-70mm F2.8 ED SDM WR, which features a weatherproof design and bright, constant maximum aperture. Read more
Rokinon has introduced 21mm F1.4 and 50mm F1.2 fast prime lenses, both of which are up for pre-order now. These new lenses flesh out the maker's existing offerings for mirrorless cameras. Read more
Chinese optics company Shenyang Zhongyi Optical and Electronic has announced that it is adding a super-fast standard lens to its range designed for the Micro Four Thirds system. The new 25mm lens features a maximum aperture of F0.95 but has a very small and lightweight body. Read more
Following a development announcement in July, Panasonic is making good on its promise of a 25mm F1.7 lens. With a seven-blade aperture, it acts as a 50mm equiv. on Micro Four Thirds bodies and takes advantage of Panasonic's 240 fps contrast detection AF system. Read more
Updated Japanese lens manufacturer Tamron has announced it has revamped its SP lens range, starting with the SP 35mm F1.8 Di VC USD and the SP 45mm F1.8 Di VC USD. As a company that usually produces zoom lenses it's surprising to see the first two SP models are fixed focal lengths primes, boasting new design values inside and out according to Tamron. Read more
In a press release on its Japanese website, Nikon has announced that its new AF-S Nikkor 24-70mm F2.8E ED VR lens - announced earlier this month - is being delayed from its original shipping date of 27th August to October. No specific reason for the delay has been given, only that it is necessary to 'satisfy the customer'. Click through for more information
Korean lens brand Samyang has announced a new series of video lenses under the Xeen name. They feature wide apertures and resolution that the company says is aimed at users who shoot 4K and above footage. There will be 24mm, 50mm and 85mm focal lengths initially, and three more to follow next year. Read more
Tamron has updated its 18-200mm all-in-one lens. The 18-200mm F3.5-6.3 Di II VC introduces image stabilization and is the lightest lens in its high-zoom class. Designed for Canon, Nikon, and Sony APS-C camera bodies, it covers a 28-310mm equivalent range. Read more
Nikon has released three new full-frame lenses, including a prime and both standard zoom and super telephoto zooms. The one that will likely garner the most attention is the replacement for the venerable 24-70mm F2.8. The latest version adds Vibration Reduction, electromagnetic aperture control, a new optical construction and more. Also introduced is a 24mm F1.8 prime and a 200-500mm F5.6 super telephoto. More details
Alongside two camera announcements, Panasonic has gone public with plans for a new post-focus feature for selected cameras and two new lenses. Enabled by 4K video capture and its DFD (Depth From Defocus) technology, Post Focus will allow users to select a focus point after capture. New lenses on the way include a Leica DG 100-400mm F4-6.3 zoom and Lumix G 25mm F1.7 prime. Read more
Korean lens manufacturer Samyang has announced two versions of a new 100mm macro lens. The 100mm F2.8 ED UMC Macro is designed for stills photographers, while the 100mm T3.1 VDSLR ED UMC Macro is aimed at those shooting video. The lenses are essentially the same internally, using 15 elements in 12 groups but the VDSLR version is fitted with an uncoupled aperture ring and gears around both aperture and focus controls. Read more
Nikon has introduced the AF-S DX Nikkor 16-80mm F2.8-4E ED VR, designed to provide an enthusiast photographer with a wide range of options. Covering a 24-120mm equivalent range on Nikon's APS-C bodies, it offers Nano Crystal Coating for the first time in a DX lens. Read more
Nikon has announced a pair of super telephoto FX prime lenses: the AF-S Nikkor 500mm F4E FL ED VR and 600mm F4E FL ED VR. Both are significantly lighter than the versions that preceded them and each use an electromagnetic diaphragm for more consistent exposure control during burst shooting. Read more
Following a successful Kickstar campaign, German optical manufacturer Meyer Optik is set to reintroduce a lens from 1916 that was famous for its unique 'soap-bubble' bokeh. The company hoped to raise $50,000 to fund production of a new Trioplan 100mm F2.8 lens, but at the time of writing pledges have reached $124,000 with the best part of a month still to go. Read more
Tamron and Sigma have both announced updates for their lenses to provide full compatibility with Canon's EOS 5DS and 5DS R models. Both firmware updates refer to behavior in live view shooting, something that has also caused problems in the Rebel T6s and T6i. This suggests that Canon's latest models feature a change in the way they drive lenses. Read more
Chinese lens manufacturer Anhui ChangGeng Optical Technology Company Limited has introduced what it describes as the world's widest 1:1 macro lens. The Venus Optics Laowa 15mm F4 is designed for full frame sensor cameras and can focus down to just 12cm from the front element, and is equipped with a +/-6mm shift function for architectural work at normal focusing distances. Read more
Sigma has announced the 24-35mm F2 DG HSM Art, a constant wide-aperture, wide-angle zoom for full frame cameras. Part of the company's high-end 'Art' range, Sigma suggests the lens can play the same role as a 24, 28 and 35mm set of prime lenses. The lens has a minimum focusing distance of 28cm, giving a maximum magnification ratio of 1:4.4. Click through for more details
Ricoh has announced it is to push back the availability date of its premium Pentax-D 70-200mm lens, as it needs more time to ensure it meets the standards required for a member of the Star-lens series. Initially due this Spring, the HD Pentax-D FA* 70-200mm F2.8ED DC AW is now set to arrive in Autumn. Read more
SLR Magic has introduced its HyperPrime Cine 50mm T0.95 standard lens for Micro Four Thirds cameras. The HyperPrime Lens gives a 100mm equivalent focal length and offers a T0.95 maximum aperture, black anodized finish and weighs 620g/1.4lb. Also introduced is the SLR Magic-Rangefinder Cine Adapter with an integrated focus ring. Read more
Lensbaby has announced availability of several of its most popular lenses for Fujifilm's X mount. The Composer Pro with Sweet 35 Optic, Composer Pro with Sweet 50 Optic, Circular Fisheye and Velvet 56 are all now available for Fujifilm's mirrorless interchangeable lens cameras. Read more
Lomography has launched its new Petzval 58 Bokeh Control Art Lens, the second lens it has introduced based on the Petzval optic invented by Joseph Petzval in 1840. This newest Petzval lens features Russian glass optics, is constructed by hand, and is offered in a brass finish. The lens results in photographs with a 'swirly bokeh,' and the strength of the effect can be controlled via a Bokeh Control Ring, a feature not available in Lomography's existing 85mm Petzval. Read more
Leica has announced the forthcoming availability of its fastest ever 28mm lens for the M-system of rangefinder cameras. The Leica Summilux-M 28mm F1.4 ASPH will arrive in stores from June 22nd, and will be priced at £3975/$5950. Read more
Fujifilm has formally announced the 90mm F2 R LM WR, a lens we saw in prototype at this year's CP+ show in Japan. It gives a 137mm equivalent view on Fuji's APS-C camera bodies, a popular focal length with portrait and event photographers. The lens uses 11 elements in 8 groups and offers a new Quad Linear Motor with four magnets for higher torque in autofocus. Read more
Olympus has announced two additions to its Micro Four Thirds 'Pro' lens series, the M.Zuiko Digital ED 7-14mm F2.8 and 8mm F1.8 Fisheye PRO. Both are weather and dust resistant and lighter than their competitors, according to the company, and both are slated to become available in June. Read more
Canon has announced its EF 50mm F1.8 STM lens, which uses a stepper motor for quieter and more responsive autofocus compared to its 'Mark II' predecessor. It also features a 7-blade circular aperture and minimum focus distance of 35cm - both improvements over the Mark II. The lens is just 39mm long and weighs 160g, has a metal mount, and supports an optional integrated hood. Read more
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