KLO82

Thanks a lot for re testing, and making correction. It takes a lot of courage to admit own mistake, I have to say. The problem with 50mm f1.8 II is it's focusing. It is very very unreliable. Also ...

These are prosumer lenses. Usually film makers/ professionals rent these lenses for movie or some other video productions. May be these professionals know what they want. And these lenses are ...

I was checking out this page . These are Panavision V lenses made for digital cinematography. From that page: "The image from a Primo V has sharper corners, a flatter field, and exhibits greater ...

Actually that is what I am saying, the simulations are adjusted for different white balance, whereas shooting the film would give different result as WB could not be changed (unless you use ...

Well, I don't know if these simulations really look like the original films (I use DXO), because I don't have much experience with films. But I love Fuji Astia 100F and Provia 100F simulations. ...

+1 One more advantage of 24-70f4: if you believe in Dxomark lens tests, 24-70 f4IS has 4 T stops and 24-105mm f4 IS is T5.1. [I find the T4 rating of the f4 zoom, which has lots of elements and ...

1. AF and metering that will be able to track faces and expose giving faces more priority. 2. At least 11 cross points. 3. Auto brightness control for LCD

My wishlist: 1. EOS Scene Detection System with RGB+IR Metering Sensor + iTR AF (From 5Ds specs: The EOS camera has an amazing iSA Intelligent Scene Analysis system that employs an independent ...

Lots of informative replies, thanks a lot. The reason I wanted new coatings with no newly designed lens is it would be less expensive less, like the current one. With a complete redesign, Canon ...

I like the 24-105mm f4 very much with my 6D. Yes it has it's shortcomings - high distortion at wide end, but it does not bother me much as it is easily correctable with software. But one thing ...

A full frame camera with super duper fast face and eye detection autofocus. And the jpeg processing will also be intelligent, it will process photos with emphasizing people in the photos. And a ...

Well, what I am seeing here mostly is wide angle shots with very shallow DoF, which gives an illusion of 3D ness. I can't understand why that feel cannot be replicated by other cameras and lenses....

From my understanding, color depth is related to chroma noise. That is, more color depth = less chroma noise and vice versa. As it is relatively easy to remove chroma noise (though that process ...

What lenses did you use with 6x6 that provided shallower DoF than FF 35mm?

I shoot raw, but I find it important to get a good starting point for further processing. Even with lightroom, I find Canon "standard" and "landscape" styles a good starting point for me.

@Rishi: I too like wide angle portraiture for the reason you mentioned. But I would not shoot with wider than 35mm though - 24 mm looks too wide for me, but of course it is a personal preference....

You are assuming a lots of things from my question. First of all, I do not think that capturing more DR is not better than capturing less DR. And I also am not denying that there are already ...

I can access it without any problem. Go to this page and you will find the pic at the bottom: http://www.dpreview.com/previews/canon-eos-5ds-sr/7 . Click on the photo to see the full sized version.

So I was checking out this shot by dpreview/ Rishi Sanyal: http://www.dpreview.com/files/p/articles/3673531883/5DS-TulipSunrise-FullSize.jpeg I t visually demonstrates the limit of dynamic range of ...

Movies are shot in a very planned way, they have the time to choose the background of the scene. Moreover, high budget movies spend a lots of money on set designing, and they want to show these ...