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Margaret (I) (2011) 6.4
Ratings:
6.4/10 from 8,789 users
Metascore: 61/100
Reviews: 105 user | 110 critic | 27 from Metacritic.com A young woman witnesses a bus accident, and is caught up in the aftermath, where the question of whether or not it was intentional affects many people's lives. Director:Kenneth LonerganWriter:Kenneth Lonergan |
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Cast
| Cast overview, first billed only: | |||
| Anna Paquin | ... | ||
| J. Smith-Cameron | ... | ||
| Mark Ruffalo | ... | ||
| Jeannie Berlin | ... | ||
| Jean Reno | ... | ||
| Sarah Steele | ... | ||
| John Gallagher Jr. | ... | ||
|
|
Cyrus Hernstadt | ... | |
| Allison Janney | ... | ||
| Kieran Culkin | ... | ||
| Matt Damon | ... | ||
| Stephen Adly Guirgis | ... | ||
| Betsy Aidem | ... | ||
| Adam Rose | ... | ||
|
|
Nicholas Theodore Grodin | ... |
Matthew
(as Nick Grodin)
|
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Plot Summary
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Add Synopsis
Storyline
Margaret centers on a 17-year-old New York City high-school student who feels certain that she inadvertently played a role in a traffic accident that has claimed a woman's life. In her attempts to set things right she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course against the realities and compromises of the adult world. Written by Anonymous
Genres:
DramaMotion Picture Rating (MPAA)
Rated R for strong language, sexuality, some drug use and disturbing images | See all certifications »Parents Guide:
View content advisory »
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See full technical specs »
Details
Country:
USALanguage:
EnglishRelease Date:
1 June 2012 (Italy) See more »Filming Locations:
New York City, New York, USABox Office
Budget:
$14,000,000 (estimated)Opening Weekend:
$7,525 (USA) (30 September 2011)Gross:
$46,495 (USA) (21 October 2011)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
| (extended cut)Sound Mix:
DolbyColor:
ColorAspect Ratio:
1.85 : 1
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Written by Ariel Rechtshaid, Josh Kessler and Jesse Shatkin
Performed by Mc Azziel and D.J. Shakin
Courtesy of Marc Ferrari/MasterSource
See more »
Did You Know?
Trivia
Despite Kenneth Lonergan's extensive and troubled editing process, studio Fox Searchlight was not willing to fire the "final cut"-director, because they didn't want to destroy their reputation among other directors. See more »Goofs
The front and back of the door to the driver's house do not match. See more »Quotes
Emily: Because... this isn't an opera! And we are not all supporting characters to the drama of your amazing life!See more »
Soundtracks
No ProblemsWritten by Ariel Rechtshaid, Josh Kessler and Jesse Shatkin
Performed by Mc Azziel and D.J. Shakin
Courtesy of Marc Ferrari/MasterSource
See more »
The travails involved in getting this movie released at all are well enough known by now that the fact that it is a flawed masterpiece shouldn't come as a surprise. Above all, it is a masterclass in how to write dialogue. Virtually every character is given a credible and compelling voice, from the bus driver to the lawyer, from the mother's suitor to Lisa's "boyfriend". As the father of a daughter, now in her early 20's, I can say that Lisa Cohen's character is as realistic a portrayal of the insecurities and self-righteousness of female adolescence as I have seen. All aspiring screenwriters should be forced to watch this movie and then be given a 3-hour oral and written exam before being allowed to put pen to paper (or finger to keyboard).
The acting is also superb. The feel is more of a stage play, an ensemble piece, than a film. Perhaps the fact that one of the characters - Lisa's mother - is a stage actress struggling to support her daughter is partially responsible. But you can tell that this team of seasoned actors relished the opportunity to stretch out with an intelligent well-written script and a supportive director.
The only flaw in Margaret has already been well expressed by others. The film does meander and, while I recognize that this is partly the point of the exercise, there are times at which you long for a more conventional, and taut, storyline. I would gladly have spent more time in the company of these well-drawn, articulate and interesting people. Maybe next time HBO wants to do a miniseries it will let Kenneth Lonergan loose on a story rather than subject us to another preachy, wordy effort from Aaron Sorkin.