Stories tagged with review

The Olympus OM-D E-M10 II is the next evolution of an already impressive camera. The E-M10 II introduces 5-axis stabilization to the entry-level OM-D line, while it maintains the 16.1MP Live MOS sensor and TruePic VII engine of its predecessor. A number of ergnomic and feature upgrades make the E-M10 II an enticing little ILC at a nice price. Does it deliver? Read more

While most of the rugged cameras we covered in last year's roundup have received minor upgrades, the Olympus Tough TG-4 brings something big to the table: Raw support. Does adding Raw put the TG-4 at the top of its class? Read more

The Fujifilm X-T10 puts many of the X-T1's capabilities into a smaller, less expensive body. It uses the same 16MP X-Trans CMOS sensor and EXR Processor II and, despite a more compact body, offers an additional custom function button and even squeezes in a pop-up flash. Is the X-T10 capable of holding its own against APS-C competitors? Read our full analysis. Read more

PhotoKeeper aims to provide photographers with safe cloud storage and easy access to their images from anywhere. While there's no shortage of websites providing free storage for photos, PhotoKeeper goes beyond the standard offerings and tailors its product to photographers. Are its features worth the price? Read review

Sony defined a category when it rolled out the enthusiast-focused Cyber-shot DSC-RX100. This shirt pocketable compact's fourth iteration brings a new 20MP 1"-type stacked CMOS sensor to the table, maintaining an F1.8-2.8, 24-70mm equivalent zoom lens from the preceding model. Our full review analyzes its performance in the field and in our studio. Read more 

Capture One Pro is a software package designed to perform as a Raw processing application as well as a host for those who like to shoot tethered. Created by Phase One, which also makes medium format backs, cameras and lenses, the application emerged first in the professional studio environment. Having expanded into the consumer market, it can handle Raw files from over 300 cameras. We tested out some of its newer capabilities. Read more

The LG G4 follows on last year's G3, and like its predecessor puts a lot of emphasis on camera specification. The 16MP 1/2.6-inch CMOS sensor is a touch larger than the 1/3-inch sensors in many other phones, and the F1.8 aperture is the fastest among the current crop of high-end mobile devices. We put its mobile imaging capabilities to the test. Read more

Panasonic's newest DSLR-styled mirrorless camera is the Panasonic Lumix G7, offering a 16MP Four Thirds sensor capable of 4K video recording. It boasts an improved autofocus system, 2.36 million-dot EVF and a fully articulated 3" 1.04 million-dot touch-sensitive LCD. It's a strong feature set on paper, but how does it perform in real-world and studio testing? Read more

Many services exist that allow non-developers to create their own websites without too much hassle, but only a handful cater specifically to photographers. The service Photographers.pro aims to stand out by offering an all-inclusive package for photographers that provides a website (including a custom domain address and email) for a yearly fee of $70. Does it distinguish itself from other options available to photographers? We recently took it for a spin to find out. Read more

The Canon EOS Rebel T6i (750D) bears a passing resemblance to its Rebel T6s (760D) sibling, but it's a different enough camera to warrant a separate review. Although it shares the same 24.2MP APS-C sensor and 19-point all cross-type AF module as its more expensive sibling, its Hybrid CMOS AF III implementation lacks continuous AF in live view. It also doesn't offer the higher-end controls of the T6s. Does the Rebel T6i hit all the right notes for a beginning photographer? Read more

With a 16MP BSI CMOS sensor, faster F1.9 lens and the addition of an optical image stabilization system the Samsung Galaxy S6 Edge camera is, at least on paper, a clear improvement on the already very well performing module in the Galaxy S5. Our full review takes a look at the device from a photographer's perspective. Read review

Canon's EOS Rebel T6s (760D) is easily the most advanced model yet to enter the company's beginner-friendly DSLR lineup. It offers a new 24.2MP sensor and improved AF and metering systems compared to its predecessor. Its top plate LCD display, quick control dial and continuous AF in live view elevate it above its near-twin, the T6i, while Wi-Fi/NFC round out a solid set of features. We put its improvements to the test in our lab and in the real world. Read review

Following up the success of Nikon's D7100 is no easy task, but the D7200 promises some notable feature upgrades. Its 24.2MP APS-C sensor is complemented by an updated 51-point AF system that claims sensitivity down to -3EV. Other enhancements include an increased buffer depth, 1080/60p video, built-in Wi-Fi with NFC and improved battery life. We've put Nikon's claims to the test in our in-depth review. Read more

Panasonic's Lumix DMC-CM1 smartphone goes above and beyond the typical mobile device camera specs with a 20MP 1"-type sensor, F2.8 lens and 4K video capture. With its impressive camera specification and unusual design it's the closest thing to a true hybrid device we've seen yet in the current marketplace. Read on to find out how it performs in our full review. Read more

The Sony SLT-A77 II uses that company's translucent mirror technology in combination with an AF system that Sony claims is dramatically improved over its predecessor. It boasts 12fps continuous shooting with AF, not to mention a 24MP sensor, built-in Wi-Fi with NFC, 2.4M dot OLED viewfinder and a tiliting/swiveling LCD. We put its impressive AF claims to the test. Read review

The Note 4 is the latest iteration of Samsung's top-end line of so-called 'phablets'. In terms of design the new model is very close to its predecessor, the Galaxy Note 3, but under the hood, things have been upgraded significantly. A 1/2.6-inch 16MP BSI CMOS image sensor and F2.2 maximum aperture are shared with the Galaxy S5 but the Note 4 has gained an optical image stabilization system which makes it the first Samsung smartphone with this feature. Read our full review at connect.dpreview.com

Samsung's NX1 seemed to offer pretty much every feature possible when we were first briefed about it last year. Its 28.2MP APS-C BSI sensor, hybrid AF system, 4K video and 15 fps continuous shooting with AF have continued to impress us throughout our extensive testing. Can such an innovative on-paper feature set make it a serious competitor to well-established brands in the DSLR and mirrorless worlds? Read review

Slightly smaller and lighter than its predecessor, the Nikon D5500 continues to offer a proven 24.2MP APS-C sensor in a body that's more approachable than a D7000-series DSLR. It offers a fully articulated 3.2" touchscreen, 1080/60p HD video, a new EXPEED 4 processor and built-in Wi-Fi. Can it compete in ever more crowded class? Read more

The Sony Alpha 7 II provides a number of features and ergonomic enhancements over its predecessor, but its standout feature is the 5-axis image stabilization system surrounding its 24.3MP full-frame CMOS sensor. Sony also claims improvements to the camera's hybrid AF system, and it also sports a redesigned grip. Find out all about the a7 II's added features and see what difference they make. Read review

The X30 is the latest iteration of Fujifilm's line of premium compact cameras. Featuring a 12MP X-Trans sensor coupled with a 28-112mm equivalent fast zoom, the X30 is a capable camera, made more enjoyable compared to its predecessors by the addition of a high-resolution electronic viewfinder. Our man in England, Damien Demolder has been shooting with one and shares his take. Read review

The Fujifilm X100T offers seemingly small improvements on its predecessors, the cult classic X100 and X100S. Its 16MP X-Trans CMOS II sensor and fixed 35mm equiv. f/2 lens are now accompanied by an all electronic shutter mode with increased 1/32000sec maximum speed, redesigned hybrid viewfinder and an upgraded 1.04m dot rear LCD. Find out how much of an impact these incremental updates make. Read review

The Olympus OM-D E-M5 II follows-up on the groundbreaking original E-M5 and brings extra control points (a lot of them) a 40MP high-res mode, better video, improved image stabilization and a host of other refinements, large and small. We've been shooting a lot with the E-M5 II over the past few weeks, and that work has culminated in a full review, with our usual combination of studio and real-world tests. Click through to see what we think

The Sony Alpha 7S is a full-frame interchangeable lens camera sporting a 12.2MP CMOS sensor. It is identical in body design to the Sony a7 and Sony a7R, but don't let that fool you. Unlike the other two, the a7S is specially geared toward video and low-light shooters. It's capable of 1080/60p video with full-sensor readout and can turn out uncompressed 4K footage to an external recorder over HDMI. Read review

The Samsung Galaxy Camera 2 is the second iteration of that manufacturer's ultra-connected camera running full Android OS. It's a 16MP camera with a 23-483mm equivalent lens that also happens to run Android 4.3 Jelly Bean, though it lacks the 3G/4G connectivity of its predecessor and offers only Wi-Fi. Is this hybrid the best of both worlds, or does it come up short in the imaging department? Read review

The Panasonic Lumix GM5 is an almost unthinkably small Micro Four Thirds camera with a 16MP sensor, 3" 921k-dot touch screen, 1080/60p HD video and built-in Wi-Fi. It follows in the already tiny footsteps of the GM1, adding a built-in EVF and more external controls to that camera's point-and-shoot approach. Does it stand tall in a competitive enthusiast mirrorless class? Read more

The D750 is Nikon's newest FX-format camera, offering a number of features from the D810 in combination with a 24MP sensor. It also boasts a faster frame rate than any non-professional full-frame Nikon DSLR since the D700. Aimed squarely at enthusiasts and full-frame upgraders the D750 boasts a comprehensive video and still photography specification - see how it performed in the field and in our extensive studio tests. Read review

Canon's EOS 7D Mark II was a long time coming. It arrived in time for Photokina 2014, combining a pro-grade AF module with a 20MP APS-C CMOS sensor using Dual-Pixel AF. The 7D II also provides 10 fps continuous shooting, a 150,000 RGB +IR pixel metering sensor and 1080/60p video recording. Our full review takes an in-depth look at its performance. Read review

The Samsung NX mini is truly tiny, offering a 20MP 1" sensor inside a highly compact body which features a 180-degree tilting LCD and extensive connectivity features. The mini's touch-sensitive display is the camera's primary interface for changing shooting settings, and an interchangeable lens mount should make this the ideal combination of versatility and point-and-shoot simplicity. Read our review to find out how it compares

Panasonic's Lumix DMC-LX100 turned a lot of heads when it was introduced at Photokina 2014. That might be because its spec sheet reads like an enthusiast's wish list of compact camera features - a 16MP Four Thirds sensor (albeit a multi-aspect design using 12.7MP), fast 24-75mm equiv. F1.7-2.8 lens, built-in EVF, 4K video recording and Wi-Fi with NFC. The large sensor zoom compact has become an intensely competitive field in recent year, read the review to see how the LX100 compares.

One of the year's most interesting compacts comes in the form of the Canon PowerShot G7 X, which bears a 20MP 1-inch BSI CMOS sensor. It's not just the bigger, likely Sony-branded sensor that's the G7 X's attraction, it's also the 24-100mm equivalent F1.8-2.8 lens. On paper it's a serious rival to Sony's RX100 series, widely considered class leaders in terms of compact camera image quality. Does the G7 X live up to its impressive spec sheet? Read review

The Panasonic Lumix DMC-GH4 puts together a solid stills shooting feature set, including a 16MP Four Thirds sensor, 2.36m dot viewfinder, fully articulating 3-inch LCD and 12 fps continuous shooting. But its headline specs are in the video category - Cinema 4K recording and a host of tools for video shooters like focus peaking and zebra settings. We put its capabilities in stills and video to the test. Read review

The DJI Phantom 2 Vision+ is the company's newest flagship consumer drone, outfitted with a 3-axis gimbal, Adobe DNG RAW capture in addition to HD video recording, and operated by the DJI Vision smartphone application. It's capable of producing 14MP JPEGs and Raw images, and could be an ideal tool for a real estate photographer or independent filmmaker looking for b-roll. Does it rise to the occasion? Read our review

Our comparative review of the Panasonic GH4 and Sony Alpha 7S started with a look at their designs, handling and video spec. They've set new benchmarks for the sophistication of their video capabilities, but they're both potentially very capable stills cameras as well. That brings us to part two of our review, which adds six pages including analysis of image quality and dynamic range. We've also expanded our look at the video modes on each camera. Read more

Though they come with vastly different sensor sizes and price tags, the Panasonic Lumix GH4 and the Sony Alpha 7S are similar in spirit. They're both meant for video recording as much as they are for stills. To that point, the 12.2MP full frame A7S and 16MP Micro Four Thirds GH4 are both capable of 4K video output and offer extensive video features. Our comparative review takes a detailed look at how these cameras perform in terms of video and stills, as well how they stack up against one another. Read part one

If the Sony Cyber-shot DSC-RX10 premium superzoom was a game-changer, the Panasonic Lumix DMC-FZ1000 changed the game yet again when it was introduced last month. With its 1"-type 20.1MP CMOS sensor and 25-400mm equiv. F2.8-4.0 lens it's an ideal candidate for travel, offering a larger-than-average sensor and generous zoom range. With 4K video recording and a lower MSRP, it gave the already-impressive RX10 a run for the money. Read more

We've just completed our full review of the Nikon 1 V3, that manufacturer's enthusiast mirrorless camera. The V3 offers an 18.4 megapixel 1"-type CMOS sensor, a significant gain in resolution over its 14.2 megapixel V2 predecessor. Since its introduction the 1 system has offered impressive auto focus and burst shooting capabilities - see just how well it performed in our testing. Read review

Lomography isn't a company we've historically talked about much on DPReview; with its emphasis on low-fi, 'shoot from the hip' photography using plastic film cameras, it's a long way from the typical interests of our readers. But last year the company came up with an interesting idea: to recreate a classic 19th century portrait lens for modern SLRs. The result is the Petzval 85mm F2.2, which is available now to fit Canon or Nikon SLRs. So what's it like? Read more

The Tamron SP 150-600mm F/5-6.3 Di VC USD is one of a select group of supertelephoto zooms for full frame SLRs that reaches or exceeds 400mm focal length, while still being reasonably portable. Its trump card over its closest competition lies in its longer focal length - at 600mm full zoom, it'll let you get your subjects that bit larger in the frame. But does this result in an unacceptable compromise in optical quality? See the lens test data and our analysis

We've just posted our full review of the Sony Cyber-shot DSC-RX100 III. In this third generation compact, Sony offers a 20.1 megapixel BSI CMOS sensor and a couple of important new features - a faster 24-70mm equiv F1.8-2.8 lens and a pop-up EVF with 1.44M dots. With these additions to what was already an impressive camera, does the RX100 III earn our highest recommendation? See for yourself. Read review

For those of us here in the Northern Hemisphere summer is upon us. We're celebrating the arrival of longer days and seaside vacations with our annual waterproof compact group test. This year's test includes the Canon PowerShot D30, Nikon Coolpix AW120, Olympus Tough TG-3, and Ricoh WG-4 GPS. See which of these rugged compacts came out on top.

The AF-S Nikkor 35mm f/1.8G is Nikon's latest moderate wideangle prime, designed for full frame SLRs like the D610. It sits in the lineup between the budget, DX-only AF-S Nikkor 35mm f/1.8G and the premium, half-stop faster AF-S Nikkor 35mm f/1.4G. It also faces stiff competition from the highly-regarded Sigma 35mm F1.4 DG HSM. So how does it measure up in terms of optical quality? See the lens test data and our analysis

Panasonic's new Lumix DMC-FZ100 offers a compelling feature set and solid performance that sets it above conventional superzoom cameras. Editor Barnaby Britton spent a day shooting with the FZ1000 earlier this week, and shares his impressions.

The Sony a6000 offers some considerable advantages over its Sony NEX-6 predecessor. It has a 24.3 megapixel APS-C sensor and an updated hybrid AF system with 179 phase-detect and 25 contrast-detect points. Also included is a built-in 1.44 million-dot EVF and a tilting 3.0-inch display with 921,600 dots. With an impressive AF system, fast 11 fps continuous shooting with subject tracking and lots of extras, the a6000 is poised very competitively in the mirrorless class. Read the review

The Sigma 50mm F1.4 DG HSM 'Art' is a fast normal prime for full frame cameras, with an unusually complex optical design. However at $950 / £850 it's substantially more expensive than either its predecessor, or Canon and Nikon's 50mm F1.4 lenses. We've already published lab test data showing that it's optically excellent, but what does this mean in real-world use? Read our detailed review to find out.

The NX30 uses the same 20MP, Samsung-designed CMOS sensor and Hybrid AF system as the more compact NX300, but puts it into an SLR-style body with a pull-out, tilting electronic viewfinder and generous hand grip. Add in Wi-Fi and NFC connectivity options, a 3" AMOLED display and 1080/60p video, and the NX30 is arguably Samsung's most enthusiast-oriented camera yet. But does it offer anything to standout from other high-performing cameras in its class? Find out in our review

The Canon PowerShot G1 X Mark II is an ambitious product that addresses some of the shortcomings of its predecessor by adding a 24-120mm F2.0-3.9 lens, faster AF system, tilting LCD, and 5.2 fps continuous shooting. Its 1.5"-type CMOS sensor also allows for image quality that should rival consumer or midrange interchangeable lens cameras. But do these improvements make the G1 X Mark II the large-sensor compact for enthusiasts? Read full review

Nikon's introduction of the D3300 at this year's CES didn't shake up the industry, but it was still a noteworthy launch. The entry-level 3000 series have been popular with consumers looking to making a first step into more advanced photography, and the 24 megapixel D3300 is the latest generation in that popular line. With 1080/60p HD video capture, 5 fps burst shooting and 700-shot battery life it provides a beginner with some useful tools to experiment with. Is it a clear winner in the entry-level class? Read our full review

The Fujifilm X-T1 is surely one of the most desirable cameras of the year so far, with its SLR-like styling, huge electronic viewfinder, and wealth of external controls on its compact, weathersealed body. It also promises class-leading autofocus performance, including the ability to track focus on moving subjects -  something that's traditionally eluded this type of camera. But is this enthusiast-oriented mirrorless model really a match for a traditional SLR? Read our in-depth review to find out.

Pentax cameras have always been innovative, and Ricoh has upped the ante with the K-3. Its image stabilization system not only reduces shake, but it can also simulate an anti-aliasing filter. The K-3 marks the latest evolution of one of the best-handling DSLRs in its class. It features a new autofocus system, 24 megapixel CMOS sensor, 8.3 fps continuous shooting, and USB 3.0 support. Has Ricoh put together a top-notch DSLR in the K-3? Read our review to find out

The Sony Cyber-shot DSC-RX10 looks at first glance a bit like a high-end superzoom with its 24-200mm equivalent F2.8 lens. That's a fairly modest range by modern standards, but then the camera's 1" sensor is very large compared to conventional superzooms. Sony has put a lot of effort into the camera's video capabilities and tools, making it more than just a stills shooter, but are the sum of these parts enough to make the whole worth $1300? Find out in our review