Parsons School of Design graduate Lucy Jones created Seated Design, a collection of clothing for people who use wheelchairs. The clothes include extra fabric at the elbows for greater mobility. Courtesy of Lucy Jones hide caption
The hand-colored photo, titled "Reclining young lady," is of Stella Osarhiere Gbinigie when she was 16. Solomon Osagie Alonge/Franko Khoury/National Museum of African Art hide caption
From left: Portraits of Vladimir Putin, Donald Trump and Ruth Bader Ginsburg Courtesy of Lauren Garfinkel hide caption
"Winter is better. You can't get nothing on a summer day. You can't get no help in the summer. I don't have no place to stay, but I sleep out here sometimes on the streets. I try to make a little money to buy me a little something to eat because I don't like eating out of trash cans. That makes me sick." Joe Rubino/Close Up Baltimore hide caption
Chiharu Shiota takes over an entire townhouse for her 2013 work Trace of Memory. It's one of the many unusual installations at The Mattress Factory in Pittsburgh. Courtesy of The Mattress Factory hide caption
Caillebotte's 1875 painting The Floor Scrapers was rejected by the elite Salon, but it was the work that launched his career. RMN-Grand Palais/Art Resour/Courtesy National Gallery of Art hide caption
The parklet on K Street Northwest in Washington, D.C., opened officially on July 14. It's the first parklet of its kind in the city. Lydia Thompson/NPR hide caption
Nicholas Herrera sits in his studio, surrounded by his carvings. (Photos are courtesy of David Michael Kennedy, another El Rito artist, who was featured on NPR in 2011.) Courtesy of David Michael Kennedy hide caption
On the day that he announced his resignation, Richard Nixon ordered cottage cheese, pineapple slices and a glass of milk. Robert Knudsen/Nixon Library hide caption
Designer Thom Browne says he usually shows his men's collections in Paris, but he felt it was important to support the first Fashion Week for men in New York. Jacki Lyden hide caption
Quilts from the Bill and Camille Cosby collection hang at the Smithsonian's National Museum of African Art in Washington, D.C., in this Nov. 6, 2014, photo. Evan Vucci/AP hide caption
Ritchy Issac (left) and Myles Linton (right) consider themselves part of sneaker culture, the subject of an exhibit now on display at the Brooklyn Museum. Ilya Marritz/WNYC hide caption
Before distilleries used glass bottles, many of them offered liquor stores branded ceramic jugs that could be filled and sold to customers. This pair of George Dickel jugs was used around 1900. From The Art of American Whiskey by Noah Rothbaum. Courtesy of Ten Speed Press/Diageo hide caption
Museumgoers play in the 10,000-square-foot exhibition called "The Beach" at the National Building Museum in Washington, D.C. Noah Kalina/National Building Museum hide caption
"Monky" silk screens posters for some of Peru's top chicha bands. Joshua Cogan hide caption
Standing in their backyard in Cochas Grande, Peru, Katya and Blanca Cantos, hold the fruit of their labor. The gourd at left shows scenes from a potato harvest. The just-started gourd at right will tell the story of an ancestor's epic trek. Josh Cogan/Ralph Rinzler Folklife Archive, Smithsonian Institution hide caption
Art of the people: Fill a glass with hope, a butter sculpture crafted by Jim Victor and Marie Pelton. "People don't understand how [the sculpting] is done -- it's like magic and just appears," Victor says. "But people understand butter." Courtesy of Jim Victor and Marie Pelton hide caption
The flamingo ornament was one of hundreds of items that Donald Featherstone made for the Union Products plastics company. Amy Sancetta/AP hide caption
Adele Block-Bauer, photographed circa 1915, was from a prominent Jewish family in Vienna. IMAGNO/Austrian Archives hide caption
Who? by Sharon Yang, 10, a fifth-grader in Brooklyn. Of this work, she says: "I put a lot of effort in my artwork to make the texture on the tree and the feathers on the owl." Isaak Liptzin/WNYC hide caption
George Caleb Bingham's The Jolly Flatboatmen (1846) became wildly popular after an East Coast art union bought it and started disseminating it as a print. National Gallery of Art hide caption