Before distilleries used glass bottles, many of them offered liquor stores branded ceramic jugs that could be filled and sold to customers. This pair of George Dickel jugs was used around 1900. From The Art of American Whiskey by Noah Rothbaum.
Courtesy of Ten Speed Press/Diageo
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Courtesy of Ten Speed Press/Diageo
Museumgoers play in the 10,000-square-foot exhibition called "The Beach" at the National Building Museum in Washington, D.C.
Noah Kalina/National Building Museum
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Noah Kalina/National Building Museum
Standing in their backyard in Cochas Grande, Peru, Katya and Blanca Cantos, hold the fruit of their labor. The gourd at left shows scenes from a potato harvest. The just-started gourd at right will tell the story of an ancestor's epic trek.
Josh Cogan/Ralph Rinzler Folklife Archive, Smithsonian Institution
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Art of the people: Fill a glass with hope, a butter sculpture crafted by Jim Victor and Marie Pelton. "People don't understand how [the sculpting] is done -- it's like magic and just appears," Victor says. "But people understand butter."
Courtesy of Jim Victor and Marie Pelton
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Who? by Sharon Yang, 10, a fifth-grader in Brooklyn. Of this work, she says: "I put a lot of effort in my artwork to make the texture on the tree and the feathers on the owl."
Isaak Liptzin/WNYC
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George Caleb Bingham's The Jolly Flatboatmen (1846) became wildly popular after an East Coast art union bought it and started disseminating it as a print.
National Gallery of Art
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Boston Public Library President Amy Ryan, left, and Conservation Officer Lauren Shott hold the recovered prints by Albrecht Durer and Rembrandt van Rijn.
Courtesy of Boston Public Library
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Rekha is one of the many caged prostitutes Mary Ellen Mark came to know as she photographed in the red-light district of Mumbai.
Courtesy of Mary Ellen Mark Studio and Library
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Courtesy of Mary Ellen Mark Studio and Library
Photographer Gabriel Garcia Roman's "Queer Icons" series portrays queer people of color as saints and warriors. Jahmal Golden is a poet and a student at The New School.
Courtesy of Gabriel Garcia Roman
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Carrot pullers from Texas, Oklahoma, Missouri, Arkansas and Mexico. "We come from all states and we can't make a dollar in this field noways. [sic] Working from seven in the morning until twelve noon, we earn an average of thirty-five cents." California, February 1937
Dorothea Lange/Library of Congress
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Dorothea Lange/Library of Congress
Photographer Mary Ellen Mark attends the Leica Los Angeles grand opening on June 20, 2013. Mark died Monday. She was 75.
Todd Williamson/Invision for Leica
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Todd Williamson/Invision for Leica
A blind visitor to Spain's Prado Museum runs his fingers across a 3-D copy of the Mona Lisa, painted by an apprenticeto Leonardo da Vinci.
Ignacio Hernando Rodriguez/Courtesy of Prado Museum
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Ignacio Hernando Rodriguez/Courtesy of Prado Museum