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Countess Dracula's Orgy of Blood (2004)Southern California 1897: While Dumas is in the parlor cleaning his gun, his sister Roxanne is in the bedroom being seduced by the lusty vampiress... See full synopsis » Director:Donald F. GlutWriter:Donald F. Glut |
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Cast
| Cast overview, first billed only: | |||
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Paul Naschy | ... |
Padre Jacinto
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Glori-Anne Gilbert | ... |
Diana
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| Arthur Roberts | ... |
Lord Ruthven
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| Danielle Petty | ... |
Roxanne
(as Kennedy Johnston)
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Eyana Barsky | ... |
Martine
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Tony Clay | ... | |
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Del Howison | ... | |
| Jana Thompson | ... |
Valerie
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Lolana | ... |
Lilith
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| Belinda Gavin | ... |
Anne
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| Mark Bedell | ... |
Dumas
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Jason Peters | ... |
Mal
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Marina Yaloyan | ... |
Natasha
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Bella Diona | ... |
Hooker #1
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Olga Hammerstein | ... |
Hooker #2
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Plot Synopsis
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Storyline
Southern California 1897: While Dumas is in the parlor cleaning his gun, his sister Roxanne is in the bedroom being seduced by the lusty vampiress... See full synopsis »
Plot Keywords:
stripper | lesbian vampire | breast implant | fake breasts | threesome |Taglines:
Lust is Eternal!Genres:
HorrorParents Guide:
View content advisory »
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See full technical specs »
Details
Country:
USARelease Date:
8 June 2004 (USA) See more »Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Sound Mix:
Dolby DigitalColor:
ColorAspect Ratio:
1.78 : 1
Edit
Writer director Donald Glut is currently the last man standing in imaginative and intelligent erotic horror. His unfortunately titled "Countess Dracula's Orgy of Blood" brings expertise and reverence to the vampire genre, plus a welcome heterosexuality that has been drained (pun intended) by the likes of Ann Rice, Clive Barker, David DeCoteau, and their imitators. Unlike the horror-ignorant productions from Seduction Cinema, Troma, Playboy Films, and lesser filmmakers that exploit the vampire form for dull, formulaic T&A; or the PC feminism of "Buffy" and "Angel"; Glut's eroticism rises FROM the sub-genre's conventions. He essentially brings out the sexuality which the Universal and even Hammer films could only hint at, making it delightfully profane. To that end he is wonderfully assisted by an amazing Glori Ann-Gilbert, whose unrestrained performance as a sexually insatiable, erotically beautiful vampire hits every fantasy mark. There is also a fleeting turn by iconic Spanish Horror star Paul Naschy as a tortured monk that provides a rewarding link to the past and reflects Glut's appreciation for it. Though the movie is hampered by low-budget realities and some unnecessary intentional campiness, it's the best erotic horror film in years, and a key step in Glut's ascent to major minor filmmaker.