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I Killed My Mother (2009)
"J'ai tué ma mère" (original title)

Not Rated  |   |  Drama  |  15 July 2009 (France)
7.5
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Ratings: 7.5/10 from 13,727 users   Metascore: 83/100
Reviews: 23 user | 89 critic | 4 from Metacritic.com

A semi-autobiographical story about Hubert as a young homosexual at odds with his mother.

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(screenplay), (dialogue)
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Cast

Cast overview, first billed only:
...
...
...
...
Julie Cloutier
Patricia Tulasne ...
Hélène Rimbaud
...
Éric
Monique Spaziani ...
Denise
Pierre Chagnon ...
Richard Minel
Justin Caron ...
Jeune Hubert
Benoît Gouin ...
Directeur du pensionnat
Johanne-Marie Tremblay ...
Enseignante au pensionnat
Hugolin Chevrette-Landesque ...
Pensionnaire agressif #1 (as Hugolin Chevrette)
Francis Ducharme ...
Pensionnaire agressif #2
Pascale Audrey ...
Professeur d'arts
Émile Mailhiot ...
Élève #1 (as Émile Mailhot)
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Storyline

Teenager Hubert haughtily regards his mother with contempt, and only sees her tacky sweaters and kitsch decorations. In addition to these irritating surface details, there is also his parent's cherished mechanisms of manipulation and guilt. Confused by this love/hate relationship that obsesses him more and more each day, Hubert drifts through the mysteries of adolescence - artistic discoveries, illicit experiences, the opening-up to friendship, and ostracism. The turbulent relationship between mother and son unfolds with a compelling combination of savage fury and melting affection. The stunning, semi-autobiographical directing debut of 20-year-old actor Xavier Dolan. Written by Warsaw Film Festival

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 July 2009 (France)  »

Also Known As:

I Killed My Mother  »

Filming Locations:

 »

Box Office

Budget:

CAD 800,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Canada's official submission to 82nd Academy Award's Foreign Language in 2010. See more »

Quotes

Hubert Minel: I wasn't born to have a mother.
Julie: Maybe your mother wasn't born to have a son.
See more »

Crazy Credits

The 'special thanks' section of the credits begins with a thank-you to all of the extras who participated in the making of the film. See more »

Connections

References The 400 Blows (1959) See more »

Soundtracks

Swarm
Composed by François Graham & Dave Douville
Performed by Surface of Atlantic
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User Reviews

 
Mommy Dearest
18 January 2011 | by (Toronto, Canada) – See all my reviews

"J'ai tue ma mere" seems a little rough around the edges and Xavier Dolan doesn't frame his shots so that they're picture perfect, but it seemed to suit the story. More to the point, what was happening inside the frame was much too interesting, and often moving, and I watched the movie in its entirety from beginning to end.

"J'ai tue ma mere" is the story of a gay teenager and his mother in a single-parent household. Man, do I know that territory well! I don't like the word "dysfunctional" - it's coined psycho-babble. The household depicted here is about as real as I've ever seen in a film. It functions as well as it can given the tight quarters mother and son share. They're continually sparring. Hubert, wary, entirely self-centred and quite the drama queen, goes on rants and tries to push his mother's buttons and test her love, but when he needs a favour, it's back to calling her "mommy". I loved her philosophical stoicism, an attitude she developed, I would guess, to protect herself from hurt, and I was touched by Hubert's back-pedalling when he thinks he's gone too far. Both sweet and raw, this is is a relationship of love. I smiled during the scene when mom brings up his homosexuality and he's caught off-guard. Actually, I smiled for a number of reasons, one of which was because, for once, Hubert was speechless.

The film is open-ended, the way life is, and the way the young view life, far-reaching and full of possibilities. It's a lovely film - warm, frank and not without a little self-deprecating humour and genuine wit (the shot of the Virgin Mary, within a specific context). I was left with the feeling that this was a chapter in a life, a relationship, and I felt optimistic. Perhaps, one day, Xavier Dolan will continue the story on film. I look forward to it.


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