Locked away from society in an apartment on the Lower East Side of Manhattan, the Angulo brothers learn about the outside world through the films that they watch. Nicknamed, 'The Wolfpack,'... See full summary »
High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.
'Best of Enemies' is a documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative ... See full summary »
'Welcome to Leith' is a feature documentary chronicling the attempted takeover of a small town in North Dakota by notorious white supremacist Craig Cobb. Filmed in the days leading up to ... See full summary »
Directors:
Michael Beach Nichols,
Christopher K. Walker
Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly interesting as the night goes on.
Director:
Patrick Brice
Stars:
Adam Scott,
Taylor Schilling,
Jason Schwartzman
Life changes for Malcolm, a geek who's surviving life in a tough neighborhood, after a chance invitation to an underground party leads him and his friends into a Los Angeles adventure.
Director:
Rick Famuyiwa
Stars:
Shameik Moore,
Tony Revolori,
Kiersey Clemons
In the 1960s, Beach Boys leader Brian Wilson struggles with emerging psychosis as he attempts to craft his avant-garde pop masterpiece. In the 1980s, he is a broken, confused man under the 24-hour watch of shady therapist Dr. Eugene Landy.
With unprecedented access, CARTEL LAND is a riveting, on-the-ground look at the journeys of two modern-day vigilante groups and their shared enemy - the murderous Mexican drug cartels. In ... See full summary »
Successful businesswoman Maria has achieved everything except what she wants the most - a baby of her own. She decides to deal with the matter by herself and embarks on a desperate and dangerous journey in order to make her dream come true.
Director:
Anders Morgenthaler
Stars:
Kim Basinger,
Jordan Prentice,
Sebastian Schipper
A heart-racing documentary portrait of Carl Boenish, the father of the BASE jumping movement, whose early passion for skydiving led him to ever more spectacular -and dangerous- feats of foot-launched human flight.
Director:
Marah Strauch
Stars:
Carl Boenish,
John B. Macaulay,
Cecilie Bull
Locked away from society in an apartment on the Lower East Side of Manhattan, the Angulo brothers learn about the outside world through the films that they watch. Nicknamed, 'The Wolfpack,' the brothers spend their childhood reenacting their favorite films using elaborate homemade props and costumes. Their world is shaken up when one of the brothers escapes and everything changes. Written by
Anonymous
Greetings again from the darkness - from the Dallas International Film Festival. In what is one of the oddest real life stories I have ever seen, director Crystal Moselle takes her camera inside the Lower East Side apartment of the Angulo family 6 brothers, one sister, and their parents. In their spare time, the kids re-enact movies within the apartment using elaborate costumes, sets and props. And no, that's not the odd part.
Despite being mostly teenagers, these siblings have only left their apartment a few times in their life a very few times maybe once or twice a year, and not at all one year. They have been home schooled by their mother and are quite charming and articulate, despite the quasi-prison environment. The kids are not abused in the physical sense, but an argument can be made that mental anguish is in play here.
Their movie scenes are fun to watch, especially given their Tarantino leanings with Reservoir Dogs and Pulp Fiction. Ms. Moselle manages to capture a significant amount within the confines of the apartment. Her interviews with the boys are enlightening, but it's the mother that provides the most context. Her regrets and dashed dreams for her kids cause her much pain, and it's quite clear that the dad has some type of psychological vice grip on the family. The dad raises some eyebrows when he states "My power is influencing people". As viewers, we don't see this, but there is physical proof to his claim.
With no shortage of powerful moments, there are still two that jump off the screen. The first occurs as the boys head out on their own to watch their first movie in a real theatre, and then have such a fan boy moment after watching The Fighter. The second involves the mom having a conversation with her mother after not speaking for more than two decades. It's an emotional moment.
We can't help but like the boys and pull for them to find some normalcy outside the walls of the apartment. Their final film project needs no additional commentary as the lead character watches various emotions travel past his window fitting since a NYC apartment window provided this family its only glances at the real world for so many years.
19 of 26 people found this review helpful.
Was this review helpful to you?
Greetings again from the darkness - from the Dallas International Film Festival. In what is one of the oddest real life stories I have ever seen, director Crystal Moselle takes her camera inside the Lower East Side apartment of the Angulo family 6 brothers, one sister, and their parents. In their spare time, the kids re-enact movies within the apartment using elaborate costumes, sets and props. And no, that's not the odd part.
Despite being mostly teenagers, these siblings have only left their apartment a few times in their life a very few times maybe once or twice a year, and not at all one year. They have been home schooled by their mother and are quite charming and articulate, despite the quasi-prison environment. The kids are not abused in the physical sense, but an argument can be made that mental anguish is in play here.
Their movie scenes are fun to watch, especially given their Tarantino leanings with Reservoir Dogs and Pulp Fiction. Ms. Moselle manages to capture a significant amount within the confines of the apartment. Her interviews with the boys are enlightening, but it's the mother that provides the most context. Her regrets and dashed dreams for her kids cause her much pain, and it's quite clear that the dad has some type of psychological vice grip on the family. The dad raises some eyebrows when he states "My power is influencing people". As viewers, we don't see this, but there is physical proof to his claim.
With no shortage of powerful moments, there are still two that jump off the screen. The first occurs as the boys head out on their own to watch their first movie in a real theatre, and then have such a fan boy moment after watching The Fighter. The second involves the mom having a conversation with her mother after not speaking for more than two decades. It's an emotional moment.
We can't help but like the boys and pull for them to find some normalcy outside the walls of the apartment. Their final film project needs no additional commentary as the lead character watches various emotions travel past his window fitting since a NYC apartment window provided this family its only glances at the real world for so many years.