A former Australian policeman is rescued by a tribe of children when he is banished from a desert town and sent into the desert to die by the desert town's evil queen.
In a stark desert landscape where humanity is broken, two rebels just might be able to restore order: Max, a man of action and of few words, and Furiosa, a woman of action who is looking to make it back to her childhood homeland.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Mad Max Renegade follows the further adventures of Max Rockatansky after his desertion from Main Force Patrol in his famed Pursuit Special, more commonly known as the Interceptor.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with a deadly Chinese crimelord trying to get his brother out of prison.
A vision of an apocalyptic future set in the wastelands of Australia. Total social decay is just around the corner in this spectacular cheap budget gang orientated road movie, where the cops do their best to lay down the law and the outlaw gangs try their hardest to defy the system. Leather clad Max Rockatansky husband, father and cop turns judge, juror and executioner after his best friend, wife and baby are killed. Here we see the final days of normality of a man who had everything to live for, and his slip into the abyss of madness. Mad Max is the antihero on the road to vengeance and oblivion. Written by
Cinema_Fan
The film's post-production was done at Kennedy's house, with Wilson and Kennedy editing the film in Byron Kennedy's bedroom on a home-built editing machine that Kennedy's father, an engineer, had designed for them. Wilson and Kennedy also edited the sound there. See more »
Goofs
In the beginning of the movie, the camera pans toward Roop while he is sitting atop the concrete wall looking through the rifle scope, it can be seen that his left pants leg is cut/damaged above the knee. Next scene he is running toward the police car, there is no damage to the pants. See more »
Quotes
Goose:
[via radio]
Max.
Max:
[via radio]
Go ahead.
Goose:
We are 100% SNAFU.
Max:
You ok?
Goose:
Nothin' a year in the tropics wouldn't fix.
Max:
Much damage?
Nightrider:
[via radio]
You should see the damage, bronze. Huh? metal damage, brain damage. Heheheh. You listen bronze. I am the Nightrider. I'm a fuel injected suicide machine. I am the rocker, I am the roller, I am the out-of-controller! I'm the Nightrider, baby,
[unintelligible]
Nightrider:
, and we ain't never comin' back!
See more »
Set somewhere in the future we are privy to a world where the roads are ruled by maniac gangs with souped up cars, and bikers that literally could come from hell. Trying to stop these marauding loons are the overstretched police force who themselves ride in exceptionally fast cars. At the front of this story is Max Rockatansky, a good honest cop trying to hold his own against the chaotic world that is forming around him. After his best friend is burned and left for dead he decides enough is enough and thinks about retiring from the service, but whilst on a vacation with his wife and child things go decidedly bad and Max becomes an avenging force of fury with devastating affect.
When evaluating this film I feel it really needs to be put into perspective just how brilliant a job director George Miller did with next to no cash to work with, in fact Miller edited the film in his own bedroom just to emphasise the low-fi nature of the beast. The costumes are excellent, the cast are terrific, with Mel Gibson as Max particularly impressive, and here we have villains to truly fit the word villainous, but it's the stunts and chase sequences that makes this film a rich rewarding experience. The opening ten minutes alone are pure adrenalin pumping genius, but the film as a whole delivers a crash bang wallop punch that has often been imitated since its release, but rarely bettered, and although the heart of the film is a simple revenge story, it grabs your attention and delivers right to the corking finale, 8/10.
Footnote: Region 2 Users should note that the bargain bucket Mad Max Trilogy flip pack set still contains the foolishly dubbed version of this film, incredibly stupid move from the American distributors.
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Set somewhere in the future we are privy to a world where the roads are ruled by maniac gangs with souped up cars, and bikers that literally could come from hell. Trying to stop these marauding loons are the overstretched police force who themselves ride in exceptionally fast cars. At the front of this story is Max Rockatansky, a good honest cop trying to hold his own against the chaotic world that is forming around him. After his best friend is burned and left for dead he decides enough is enough and thinks about retiring from the service, but whilst on a vacation with his wife and child things go decidedly bad and Max becomes an avenging force of fury with devastating affect.
When evaluating this film I feel it really needs to be put into perspective just how brilliant a job director George Miller did with next to no cash to work with, in fact Miller edited the film in his own bedroom just to emphasise the low-fi nature of the beast. The costumes are excellent, the cast are terrific, with Mel Gibson as Max particularly impressive, and here we have villains to truly fit the word villainous, but it's the stunts and chase sequences that makes this film a rich rewarding experience. The opening ten minutes alone are pure adrenalin pumping genius, but the film as a whole delivers a crash bang wallop punch that has often been imitated since its release, but rarely bettered, and although the heart of the film is a simple revenge story, it grabs your attention and delivers right to the corking finale, 8/10.
Footnote: Region 2 Users should note that the bargain bucket Mad Max Trilogy flip pack set still contains the foolishly dubbed version of this film, incredibly stupid move from the American distributors.