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The strange pleasures of I MARRIED A WITCH and THE DEVIL AND DANIEL WEBSTER.
Plus: Godard among the Palestinians, Carlo Chatrian on Sam Peckinpa...
Plus Adrian Martin, Jonathan Rosenbaum, J. Hoberman and more....
What could possibly connect the dots between early seventies softcore sexploitation, mid-seventies blaxploitation and late-seventies giallo horror?
‘Inspiration is everywhere. You just have to keep your eyes and your mind open.’
The groundbreaking epic’s second section appreciates—and explodes—Bollywood cinema itself.
Come for the revenge, stay for the tangents. GANGS OF WASSEYPUR mixes Sergio Leone, Tarantino touches into volatile epic.
Taking a cinematic travelogue through a century’s broad social realignments.
With a 2015 lineup as strong as any they’ve assembled in recent memory.
Four film critics share highlights from one of the world’s most exceptionally curated and uniquely enjoyable film events, the nonfiction True/False Film Festival.
Comedy, deconstructed: Rick Alverson’s ENTERTAINMENT, now at SXSW, follows THE COMEDY in breaking down the laugh track.
THE ITALIAN STRAW HAT and many more films by Rene Clair prove the filmmaker could find humor in any situation.
Joel Potrykus takes an abiding interest in the depravity of American capitalism and its reflection in angry white young men.
Jessica Hausner’s AMOUR FOU and Eric Rohmer’s THE MARQUISE OF O
As the Ross Brothers’ WESTERN heads to SXSW, the filmmakers talk about filming two fractured communities on the Texas-Mexican border.