A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
After a near-fatal plane crash in WWII, Olympian Louis Zamperini spends a harrowing 47 days in a raft with two fellow crewmen before he's caught by the Japanese navy and sent to a prisoner-of-war camp.
Director:
Angelina Jolie
Stars:
Jack O'Connell,
Takamasa Ishihara,
Domhnall Gleeson
Lit professor and gambler Jim Bennett's debt causes him to borrow money from his mother and a loan shark. Further complicating his situation is his relationship with one of his students. Will Bennett risk his life for a second chance?
Navy SEAL sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
The greatest Olympic Wrestling Champion brother team joins Team Foxcatcher lead by multimillionaire sponsor John E. du Pont as they train for the 1988 games in Seoul - a union that leads to unlikely circumstances.
A washed-up actor who once played an iconic superhero must overcome his ego and family trouble as he mounts a Broadway play in a bid to reclaim his past glory.
Director:
Alejandro González Iñárritu
Stars:
Michael Keaton,
Zach Galifianakis,
Edward Norton
Alice Howland, happily married with three grown children, is a renowned linguistics professor who starts to forget words. When she receives a devastating diagnosis, Alice and her family find their bonds tested.
A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
This cast only features actors that Tim Burton has not worked with before, which is unusual. The last time this happened was in Beetlejuice (1988). See more »
Call me crazy, Tim Burton's newest dramedy "Big Eyes" starring five- time Academy Award nominee Amy Adams and two-time Oscar-winner Christoph Waltz is a witty, satirical, and thoroughly enjoyable romp at the movies. This is Burton's best since "Big Fish."
From screenwriters Larry Karaszewski and Scott Alexander, "Big Eyes" offers big laughs, harmless fun, and a simple take on a most outrageous story. The film tells the story of Margaret Keane, a painter whose husband took credit for all her works in the 1950's and early 1960's. The script is well-paced, though sluggish in spots, and it offers just the right amount of drama and comedy to entertain the audience. There are some opportunities where both the writers and Burton could have offered more development of characters, and the time. If you can get past the tom-foolery of the events that transpired, than you should be able to stick with the elements just fine.
Freshly colored with an array of set pieces, this is one of Burton's most aesthetically pleasing films of his career. Danny Elfman's score is the signature touch that we await in all of Burton's works. It's subtle yet apparent in nearly all the right ways. Same goes for the stunning costume work by Colleen Atwood, a strong contender for another Academy Award nomination.
Amy Adams is richly immersed in one of her finest and daring turns yet. Her performance is much more internalized than what we've come to expect with outlandish roles like "Junebug" and "Enchanted" under her belt. She fixates on the fragility of Margaret and the vulnerability of living in someone else's shadow.
Christoph Waltz is infectious nearly throughout, with funny tics and beats that add to the film's nuance. From the surface, it looks as though Waltz may be doing his same shtick but he offers much more than that as the narrative moves on. Similar to his underrated work in "Carnage," Waltz plays the sleazy, underhanded Walter Keane to pure and menacing results. I'd argue even better than his work in "Django Unchained."
Co-stars Danny Huston, Krysten Ritter, and Terence Stamp are virtually unused except for a few story beats, which is unfortunate given their considerable talents.
"Big Eyes" is a great family film for the holidays. Crafted in an interesting and bizarre story, which offers a vivid and visually compelling film in parts. It's one of the surprise successes of 2014.
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Call me crazy, Tim Burton's newest dramedy "Big Eyes" starring five- time Academy Award nominee Amy Adams and two-time Oscar-winner Christoph Waltz is a witty, satirical, and thoroughly enjoyable romp at the movies. This is Burton's best since "Big Fish."
From screenwriters Larry Karaszewski and Scott Alexander, "Big Eyes" offers big laughs, harmless fun, and a simple take on a most outrageous story. The film tells the story of Margaret Keane, a painter whose husband took credit for all her works in the 1950's and early 1960's. The script is well-paced, though sluggish in spots, and it offers just the right amount of drama and comedy to entertain the audience. There are some opportunities where both the writers and Burton could have offered more development of characters, and the time. If you can get past the tom-foolery of the events that transpired, than you should be able to stick with the elements just fine.
Freshly colored with an array of set pieces, this is one of Burton's most aesthetically pleasing films of his career. Danny Elfman's score is the signature touch that we await in all of Burton's works. It's subtle yet apparent in nearly all the right ways. Same goes for the stunning costume work by Colleen Atwood, a strong contender for another Academy Award nomination.
Amy Adams is richly immersed in one of her finest and daring turns yet. Her performance is much more internalized than what we've come to expect with outlandish roles like "Junebug" and "Enchanted" under her belt. She fixates on the fragility of Margaret and the vulnerability of living in someone else's shadow.
Christoph Waltz is infectious nearly throughout, with funny tics and beats that add to the film's nuance. From the surface, it looks as though Waltz may be doing his same shtick but he offers much more than that as the narrative moves on. Similar to his underrated work in "Carnage," Waltz plays the sleazy, underhanded Walter Keane to pure and menacing results. I'd argue even better than his work in "Django Unchained."
Co-stars Danny Huston, Krysten Ritter, and Terence Stamp are virtually unused except for a few story beats, which is unfortunate given their considerable talents.
"Big Eyes" is a great family film for the holidays. Crafted in an interesting and bizarre story, which offers a vivid and visually compelling film in parts. It's one of the surprise successes of 2014.