History of Christian myth and legend
Hellenistic Judaism had already reinterpreted many Gentile motifs and set them within a biblical context. From Jewish sources Christians adopted and adapted some mythical themes: the creation of the world, the end of the paradisal condition and the fall of humankind, the assumption of human form by a god, the saved saviour, the cataclysm at the end of time, and the final judgment. Christians reframed these motifs within their new images of history and their doctrines concerning the nature of God, sin, and redemption. As it spread beyond Palestine and ... (100 of 126,827 words)
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Christ as Ruler, with the Apostles and Evangelists (represented by the beasts). The female figures are believed to be either Santa Pudenziana and Santa Práxedes or symbols of the Jewish and Gentile churches. Mosaic in the apse of Santa Pudenziana basilica, Rome, ad 401–417.
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Detail from Expulsion of Adam and Eve, fresco by Masaccio, c. 1427; in the Brancacci Chapel, Church of Santa Maria del Carmine, Florence.
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Moses expounding the law, illuminated manuscript page from the Bury Bible, about 1130. In Corpus Christi College, Cambridge.
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Greek Bible. Page from The Gospel According to Matthew, 6th century ad.
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Statue of Diocletian’s tetrarchy, red porphyry, c. ad 300, brought to Venice in 1258.
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Marble colossal head of Constantine the Great, part of the remains of a giant statue from the Basilica of Constantine, in the Roman Forum, c. ad 313.
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Apse of the church of St. Apollinare in Classe, Ravenna, Italy, second half of the 6th century.
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World distribution of Christianity, c. 2000.
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Communion of the Apostles, panel by Justus of Ghent, c. 1473–74; in the Palazzo Ducale, Urbino, Italy.
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St. Augustine, fresco by Sandro Botticelli, 1480; in the Church of the Ognissanti, Florence.