www.fgks.org   »   [go: up one dir, main page]

"Email" is the e-mail address you used when you registered.

"Password" is case sensitive.

If you need additional assistance, please contact .

Enter the e-mail address you used when enrolling for Britannica Premium Service and we will e-mail your password to you.

Niccolò Machiavelli

The Discourses on Livy

Like The Prince, the Discourses on Livy admits of various interpretations. One view, elaborated separately in works by the political theorists J.G.A. Pocock and Quentin Skinner in the 1970s, stresses the work’s republicanism and locates Machiavelli in a republican tradition that starts with Aristotle (384–322 bc) and continues through the organization of the medieval city-states, the renewal of classical political philosophy in Renaissance humanism, and the establishment of the contemporary American republic. This interpretation focuses on Machiavelli’s various pro-republican remarks, such as his statement that the multitude is wiser and more constant than a prince and his emphasis in the Discourses on Livy on the republican virtue of self-sacrifice as a way of combating corruption. Yet Machiavelli’s republicanism does not rest on the usual republican premise that power is safer in the hands of many than it is in the hands of one. To the contrary, he asserts that, to found or reform a republic, it is necessary to “be alone.” Any ordering must depend on a single mind; thus, Romulus “deserves excuse” for killing Remus, his brother and partner in the founding of Rome, because it was for the common good. This statement is as close as Machiavelli ever came to saying “the end justifies the means,” a phrase closely associated with interpretations of The Prince.

Republics need the kind of leaders that Machiavelli describes in The Prince. These “princes in a republic” cannot govern in accordance with justice, because those who get what they deserve from them do not feel any obligation. Nor do those who are left alone feel grateful. Thus, a prince in a republic will have no “partisan friends” unless he learns “to kill the sons of Brutus,” using violence to make examples of enemies of the republic and, not incidentally, of himself. To reform a corrupt state presupposes a good man, but to become a prince presupposes a bad man. Good men, Machiavelli claims, will almost never get power, and bad men will almost never use power for a good end. Yet, since republics become corrupt when the people lose the fear that compels them to obey, the people must be led back to their original virtue by sensational executions reminding them of punishment and reviving their fear. The apparent solution to the problem is to let bad men gain glory through actions that have a good outcome, if not a good motive.

In the Discourses on Livy, Machiavelli favours the deeds of the ancients above their philosophy; he reproaches his contemporaries for consulting ancient jurists for political wisdom rather than looking to the actual history of Rome. He argues that the factional tumults of the Roman republic, which were condemned by many ancient writers, actually made Rome free and great. Moreover, although Machiavelli was a product of the Renaissance—and is often portrayed as its leading exponent (e.g., by 19th-century Swiss historian Jacob Burckhardt)—he also criticized it, particularly for the humanism it derived from Plato, Aristotle, and the Roman orator Cicero (106–43 bc). He called for “new modes and orders” and compared himself to the explorers of unknown lands in his time. His emphasis on the effectual truth led him to seek the hidden springs of politics in fraud and conspiracy, examples of which he discussed with apparent relish. It is notable that, in both The Prince and the Discourses on Livy, the longest chapters are on conspiracy.

Throughout his two chief works, Machiavelli sees politics as defined by the difference between the ancients and the moderns: the ancients are strong, the moderns weak. The moderns are weak because they have been formed by Christianity, and, in three places in the Discourses on Livy, Machiavelli boldly and impudently criticizes the Roman Catholic church and Christianity itself. For Machiavelli the church is the cause of Italy’s disunity; the clergy is dishonest and leads people to believe “that it is evil to say evil of evil”; and Christianity glorifies suffering and makes the world effeminate. But Machiavelli leaves it unclear whether he prefers atheism, paganism, or a reformed Christianity, writing later, in a letter dated April 16, 1527 (only two months before his death): “I love my fatherland more than my soul.”

LINKS
Other Britannica Sites

Articles from Britannica encyclopedias for elementary and high school students.

Niccolò Machiavelli - Student Encyclopedia (Ages 11 and up)

(1469-1527).The term Machiavellian refers to someone who is unscrupulous, cunning, cynical, and unprincipled. The adjective would have dismayed Niccolo Machiavelli, from whose name it is derived. He was one of the brightest lights of the Italian Renaissance, a writer of powerful, influential, and thoughtful prose who was devoted to truth and to the freedom of Florence, the city he loved. He has been so misunderstood because the motives and language of his chief works-The Prince and Discourses on Livy, both published in 1513-have been seriously misinterpreted. Machiavelli had a tragic sense of human wickedness and despaired of seeing virtue triumph. This pessimism often led him to express himself more bluntly than he might otherwise have done. He was, above all, a realist when it came to understanding human nature. His reflections on mankind and its past made him a founder of the philosophy of history.

The topic Niccolò Machiavelli is discussed at the following external Web sites.

Citations

To cite this page:

MLA Style:

"Niccolò Machiavelli." Encyclopaedia Britannica. Encyclopaedia Britannica Online. Encyclopædia Britannica Inc., 2014. Web. 22 Oct. 2014. <http://www.britannica.com/EBchecked/topic/354571/Niccolo-Machiavelli>.

APA Style:

Niccolò Machiavelli. (2014). In Encyclopaedia Britannica. Retrieved from http://www.britannica.com/EBchecked/topic/354571/Niccolo-Machiavelli

Harvard Style:

Niccolò Machiavelli 2014. Encyclopædia Britannica Online. Retrieved 22 October, 2014, from http://www.britannica.com/EBchecked/topic/354571/Niccolo-Machiavelli

Chicago Manual of Style:

Encyclopædia Britannica Online, s. v. "Niccolò Machiavelli," accessed October 22, 2014, http://www.britannica.com/EBchecked/topic/354571/Niccolo-Machiavelli.

 This feature allows you to export a Britannica citation in the RIS format used by many citation management software programs.
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.

Britannica's Web Search provides an algorithm that improves the results of a standard web search.

Try searching the web for the topic Niccolo Machiavelli.

No results found.
Type a word or double click on any word to see a definition from the Merriam-Webster Online Dictionary.
Type a word or double click on any word to see a definition from the Merriam-Webster Online Dictionary.
No results found.
Type a word to see synonyms from the Merriam-Webster Online Thesaurus.
Type a word to see synonyms from the Merriam-Webster Online Thesaurus.
  • All of the media associated with this article appears on the left. Click an item to view it.
  • Mouse over the caption, credit, links or citations to learn more.
  • You can mouse over some images to magnify, or click on them to view full-screen.
  • Click on the Expand button to view this full-screen. Press Escape to return.
  • Click on audio player controls to interact.
JOIN COMMUNITY LOGIN
Join Free Community

Please join our community in order to save your work, create a new document, upload media files, recommend an article or submit changes to our editors.

Log In

"Email" is the e-mail address you used when you registered. "Password" is case sensitive.

If you need additional assistance, please contact customer support.

Enter the e-mail address you used when registering and we will e-mail your password to you. (or click on Cancel to go back).

Save to My Workspace
Share the full text of this article with your friends, associates, or readers by linking to it from your web site or social networking page.

Permalink
Copy Link
Britannica needs you! Become a part of more than two centuries of publishing tradition by contributing to this article. If your submission is accepted by our editors, you'll become a Britannica contributor and your name will appear along with the other people who have contributed to this article. View Submission Guidelines
View Changes:
Revised:
By:
Share
Feedback

Send us feedback about this topic, and one of our Editors will review your comments.

(Please limit to 900 characters)
(Please limit to 900 characters) Send

Copy and paste the HTML below to include this widget on your Web page.

Apply proxy prefix (optional):
Copy Link
The Britannica Store

Share This

Other users can view this at the following URL:
Copy

Create New Project

Done

Rename This Project

Done

Add or Remove from Projects

Add to project:
Add
Remove from Project:
Remove

Copy This Project

Copy

Import Projects

Please enter your user name and password
that you use to sign in to your workspace account on
Britannica Online Academic.
Quantcast