Cultural life
Armenian written literature began in the 5th century ad, and monasteries became the principal centres of intellectual life. The earliest works were historical, such as Moses of Khoren’s History of Armenia. The masterpiece of classical Armenian is Eznik Koghbatsi’s Eghts aghandots (Refutation of the Sects). The first great Armenian poet (10th century) was St. Gregory Narekatzi, renowned for his mystical poems and hymns. During the 16th to 18th century, popular bards, or troubadours, called ashugh, arose; outstanding among them were Nahapet Kuchak and, especially, Aruthin Sayadian, called Sayat-Nova (d. 1795), whose love songs are still popular. In the 19th and early 20th centuries, Hakob Paronian and Ervand Otian were notable satirical novelists, and Grigor Zohrab wrote realist short stories. Paronian was also a comic playwright, whose plays still entertain Armenian audiences. The most celebrated novelist was Hakob Meliq-Hakobian, called Raffi, and perhaps the best dramatist of recent times was Gabriel Sundukian (d. 1912).
The country boasts a State Academic Theatre of Opera and Ballet, several drama theatres, theatres for children, orchestras, a national dance company, and the Yerevan film studios, which produce feature, documentary, and science films. The traditional folk arts, especially singing, dancing, and artistic crafts, are popular. The 20th-century Armenian composer Aram Khachaturian achieved worldwide renown.
The public libraries include the A.F. Myasnikyan State Public Library and the Matenadaran archives in Yerevan, which contain 10,000 Armenian manuscripts, the largest collection in the world. There are also a number of museums, including the State Historical Museum of Armenia.
Armenian science, like its culture, has its roots in antiquity, but research institutions are a 20th-century development. The Armenian Academy of Sciences is composed of a number of institutes engaged in research problems in natural and social sciences.
The radio broadcasting system has been operating since 1926, and the Yerevan television centre since 1956. Broadcasts and telecasts are conducted in Armenian, Russian, Azerbaijani, and Kurdish. Many newspapers and periodicals are published in Armenia, most of them in the Armenian language.
Ancient and premodern Armenia
The Armenians, an Indo-European people, first appear in history shortly after the end of the 7th century bce. Driving some of the ancient population to the east of Mount Ararat, where they were known to the Greeks as Alarodioi (“Araratians”; i.e., Urartians), the invaders imposed their leadership over regions which, although suffering much from Scythian and Cimmerian depredations, must still have retained elements of a high degree of civilization (e.g., walled towns, irrigation works, and arable fields) upon which the less-advanced newcomers might build.
The Hayk, as the Armenians name themselves (the term Armenian is probably the result of an Iranian or Greek confusion of them with the Aramaeans), were not able to achieve the power and independence of their predecessors and were first rapidly incorporated by Cyaxares into the Median empire and then annexed with Media by Cyrus II (the Great) to form part of the Achaemenian Empire of Persia (c. 550 bce). The country is mentioned as Armina and Armaniya in the Bīsitūn inscription of Darius I (the Great; ruled 522–486 bce) and, according to the 5th-century Greek historian Herodotus, formed part of the 13th satrapy (province) of Persia, the Alarodioi forming part of the 18th. Xenophon’s Anabasis, recounting the adventures of Greek mercenaries in Persia, describes the local government about 400 bce as being in the hands of village headmen, part of whose tribute to the Persian king consisted of horses. Armenia continued to be governed by Persian or native satraps until its absorption into the Macedonian empire of Alexander the Great (331) and its successor, the Seleucid kingdom (301).
For additional information on the ancient peoples and cultures of Armenia and the surrounding region, see Mesopotamia, history of; art and architecture, Mesopotamian.
The Artaxiads
After the defeat of the Seleucid king Antiochus III (the Great) by Rome at the Battle of Magnesia (winter 190–189 bce), his two Armenian satraps, Artaxias (Artashes) and Zariadres (Zareh), established themselves, with Roman consent, as kings of Greater Armenia and Sophene, respectively, thus becoming the creators of an independent Armenia. Artaxias built his capital, Artashat (Artaxata), on the Aras River near modern Yerevan. The Greek geographer Strabo refers to the capital of Sophene as Carcathiocerta. An attempt to end the division of Armenia into an eastern and a western part was made about 165 bce when the Artaxiad ruler sought to suppress his rival, but it was left to his descendant Tigranes II (the Great; 95–55 bce) to establish, by his conquest of Sophene, a unity that was to last almost 500 years.
Under Tigranes, Armenia ascended to a pinnacle of power unique in its history and became, albeit briefly, the strongest state in the Roman east. Extensive territories were taken from the kingdom of Parthia in Iran, which was compelled to sign a treaty of alliance. Iberia (Georgia), Albania, and Atropatene had already accepted Tigranes’ suzerainty when the Syrians, tired of anarchy, offered him their crown (83 bce). Tigranes penetrated as far south as Ptolemais (modern ʿAkko, Israel).
Although Armenian culture at the time of Tigranes was Iranian, as it had been and as it was fundamentally to remain for many centuries, Hellenic scholars and actors found a welcome at the Armenian court. The Armenian empire lasted until Tigranes became involved in the struggle between his father-in-law, Mithradates VI Eupator of Pontus, and Rome. The Roman general Lucius Licinius Lucullus captured Tigranocerta, Tigranes’ new capital, in 69 bce. He failed to reach Artashat, but in 66 bce the legions of Pompey, aided by one of Tigranes’ sons, succeeded, compelling the king to renounce Syria and other conquests in the south and to become an ally of Rome. Armenia became a buffer state, and often a battlefield, between Rome and Parthia. Maneuvering between larger neighbours, the Armenians gained a reputation for deviousness; the Roman historian Tacitus called them an ambigua gens (“ambiguous people”).