The Haskala, or Enlightenment
In central Europe
The most outstanding figure of the 18th-century Jewish Enlightenment was the philosopher Moses Mendelssohn (1729–86), a devoted adherent of traditional Judaism who turned away from the historic Jewish preoccupation with the Talmud and its literature to the intellectual world of the European Enlightenment. Mendelssohn did not attempt a philosophical defense of Judaism until pressed to do so by Christians who questioned how he could remain faithful to what they saw as an unenlightened religion. In his response, Jerusalem, published in 1783, Mendelssohn defended the validity of Judaism as the inherited faith of the Jews by defining it as revealed divine legislation, and he declared himself at the same time to be a believer in the universal religion of reason, of which Judaism was but one historical manifestation. Aware that he was accepted by Gentile society as an “exceptional Jew” who had embraced Western culture, Mendelssohn’s message to his own community was to become Westerners, to seek out the culture of the Enlightenment. To that end he joined with a poet, Naphtali Herz (Hartwig) Wessely (1725–1805), in translating the Torah into German, combining Hebrew characters with modern German phonetics in an effort to displace Yiddish, and wrote a modern biblical commentary in Hebrew, the Beʾur (“Commentary”). Within a generation, Mendelssohn’s Bible was to be found in almost every literate Jewish home in central Europe, serving to introduce its readers to German culture. Through his personal example and his life’s work, Mendelssohn made it possible for his fellow Jews to join the Western world without sacrificing their Judaism; indeed, he convinced them that Judaism is compatible with an intellectual commitment to universal reason.
Mendelssohn’s work was carried on by the Berlin Haskala, a group of Jewish intellectuals who had gathered around Mendelssohn during his lifetime; the Haskala was most active in the 20 years following his death. In the pages of their Hebrew-language periodical, Ha-Meʾassef (“The Collector”), they preached the virtues of secular culture and publicized the need for secular education. In response to the Edict of Toleration promulgated in 1781 by the Holy Roman emperor Joseph II (reigned 1765–90), Naphtali Wessely issued an urgent call for the reform of Jewish education as a prelude to full emancipation. Secular subjects—mathematics, German, and world history and literature—were to take precedence over traditional Jewish studies. The study of the Bible, because it was generally acknowledged to be a fundamental part of Western culture, was to be emphasized at the expense of the customary focus on the Talmud. Following this model, modern Jewish schools were established by Jewish intellectuals and businessmen in several German cities, among them Frankfurt and Hamburg. As its educational activities began to bear fruit in the wide dissemination of secular culture, the Berlin Haskala abandoned the use of Hebrew for German and gradually disintegrated. Unlike Mendelssohn himself, his immediate intellectual descendants, including his own children, were unable to strike a balance between Jewish and secular culture; their Western education undermined their religious faith, and they saw themselves as Europeans rather than as Jews.
One of Mendelssohn’s disciples, David Friedlaender, offered to convert to Christianity without accepting Christian dogma or Christian rites; he felt that both Judaism and Christianity shared the same religious truth but that there was no relation at all between that truth and Judaism’s ceremonial law. The offer was refused because Friedlaender would not acknowledge the superiority of Christianity and make an unconditional commitment to it. Unlike Friedlaender, many other followers of Mendelssohn chose to leave the Jewish faith as the only way to win full acceptance in European society.
In eastern Europe
Thus, the Haskala was quickly played out in central Europe; as an idea, its further career was to continue in eastern Europe, particularly in the Russian Empire, where it flourished in the middle third of the 19th century until, as a result of the pogroms of 1881, Jews lost faith in the willingness of Russians to accept “enlightened” Jews. It was a tenet of the Russian Haskala that the tsar was a benevolent leader who would bestow emancipation upon his Jewish subjects as soon as they proved themselves worthy of it. A goal of the Russian Haskala, therefore, was for the Jews to transform themselves into model citizens—enlightened, unsuperstitious, devoted to secular learning and productive occupations. Following the example of the Berlin Haskala, a Russian Hebrew-language writer, Isaac Baer Levinsohn (1788–1860), published a pamphlet, Teʿuda be-Yisrael (“Testimony in Israel”), extolling the benefits of secular education. At the same time, writers such as Joseph Perl (1774–1839) and Isaac Erter (1792–1851), though traditional Jews themselves, attacked in virulent satire the superstitious folk customs of the masses, thereby opening the way to the anticlericalism that became characteristic of the Russian Haskala.
In the 1840s and ’50s the group’s emphasis shifted from satirical attacks on the cultural parochialism of the Pale of Settlement (the regions to which the Jews were restricted) to romanticization of life outside the Pale, including periods of the Jewish past. Thus, Hebrew poets and novelists in Russia, such as Micah Judah Lebensohn (1828–52) and Abraham Mapu (1808–67), contributed to the creation of a modern Hebrew literature. In the 1860s the Russian Haskala, reflecting the larger political climate, entered a “positivist” phase, calling for practical social and economic reforms. Hebrew-language journals were established, and the Hebrew essay and didactic poetry, calling for religious and cultural reforms, came into their own, particularly in the hands of the poet Judah Leib Gordon (1830–92) and the essayist Moses Leib Lilienblum (1843–1910). Abandoning the original Hebrew and German orientation of the Russian Haskala, a number of Jewish intellectuals—the most prominent of whom were Yoachim Tarnopol (1810–1900), Osip Rabinovich (1817–69), and Lev Levanda (1835–88)—became Russifiers, founding Russian-language Jewish weeklies devoted to “patriotism, emancipation, modernism.” Like their contemporary fellow Jews in western Europe, they declared themselves to be Russians by nationality and Jews by religious belief alone. In 1863 a group of wealthy Jews in St. Petersburg and Odessa created the Society for the Promotion of Culture Among the Jews of Russia for the purpose of educating Russian Jewry into “readiness for citizenship.” The goal of all segments of the Russian Haskala in the 1860s and ’70s was to turn Jews into good Russians and to make their Jewishness a matter of personal choice. But the hopes of the Haskala were upset by the reaction of Russians following the assassination of Tsar Alexander II in 1881. Several Jewish communities were destroyed in pogroms, which often received the tacit approval of the governing authorities. Jewish economic life was severely curtailed, and quotas for Jewish students were put in place in secular educational institutions. The bright optimism of Russian-Jewish intellectuals faded.