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Mary

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The Virgin Adoring the Child, oil on wood panel by Fra Filippo Lippi, …
[Credit: Staatliche Museen Preussischer Kulturbesitz, Berlin]

Mary, also called Saint Mary or Virgin Mary   (flourished beginning of the Christian Era), the mother of Jesus, an object of veneration in the Christian church since the apostolic age, and a favourite subject in Western art, music, and literature. Mary is known from biblical references, which are, however, too sparse to construct a coherent biography. The development of the doctrine of Mary can be traced through titles that have been ascribed to her in the history of the Christian communions—guarantee of the Incarnation, virgin mother, second Eve, mother of God, ever virgin, immaculate, and assumed into heaven.

Virgin and Child, also called the Poligny Virgin, limestone, polychromy, and gilding, attributed …
[Credit: Photograph by AlkaliSoaps. The Metropolitan Museum of Art, New York City, Rogers Fund, 1933 (33.23)]The New Testament account of her humility and obedience to the message of God have made her an exemplar for all ages of Christians. Out of the details supplied in the New Testament by the Gospels about the maid of Galilee, Christian piety and theology have constructed a picture of Mary that fulfills the prediction ascribed to her in the Magnificat (Luke 1:48): “Henceforth all generations will call me blessed.”

Biblical references

The first mention of Mary is the story of the Annunciation, which reports that she was living in Nazareth and was betrothed to Joseph (Luke 1:26 ff.), and the last mention of her (Acts 1:14) includes her in the company of those who devoted themselves to prayer after the ascension of Jesus into heaven. She appears in the following incidents in the Gospels: the Annunciation; the visit with Elizabeth, her kinswoman and the mother of John the Baptist, the precursor of Jesus (Luke 1:39 ff.); the birth of Jesus and the presentation of him in the Temple (Luke 2:1 ff.); the coming of the Magi and the flight to Egypt (Matthew 2:1 ff.); the Passover visit to Jerusalem when Jesus was 12 years old (Luke 2:41 ff.); the marriage at Cana in Galilee, although her name is not used (John 2:1 ff.); the attempt to see Jesus while he was teaching (Mark 3:31 ff.); and the station at the cross, where, apparently widowed, she was entrusted to the disciple John (John 19:26 ff.). Even if one takes these scenes as literal historical accounts, they do not add up to an integrated portrait of Mary. Only in the narratives of the Nativity and the Passion of Christ is her place a significant one: her acceptance of the privilege conferred on her in the Annunciation is the solemn prologue to the Christmas story; not only does she stand at the foot of the Cross, but in the Easter story “the other Mary” who came to the tomb of Jesus (Matthew 28:1) is not she—according to traditional interpretations, because, having kept in her heart what he was to be, she knew that the body of Jesus would not be there. On the other hand, the three incidents that belong to the life of Jesus contain elements of a pronouncedly human character, perhaps even the suggestion that she did not fully understand Jesus’ true mission.

Since the early days of Christianity, however, the themes that these scenes symbolize have been the basis for thought and contemplation about Mary. Christian communions and theologians differ from one another in their interpretations of Mary principally on the basis of where they set the terminal point for such development and expansion—that is, where they maintain that the legitimate development of doctrine may be said to have ended. To a considerable degree, therefore, a historical survey of that development is also an introduction to the state of contemporary Christian thought about Mary.

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apparitions at

commemoration and reverence

doctrines and dogmas

familial relationships

religions

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Mary - Student Encyclopedia (Ages 11 and up)

Through the many centuries of church history, the mother of Jesus achieved a status second only to Jesus himself in the Roman Catholic, Eastern Orthodox, and other churches. She has been the focus of much debate and the subject of some of the greatest art in the Western world. Many of the finest medieval cathedrals are dedicated to her-including the Gothic masterpiece in Chartres, France.

The topic Mary is discussed at the following external Web sites.

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