Mythology
In Anatolia itself myth seems to have remained on a rather primitive level. Such myths are found embedded in magical or ritual texts, aimed at curing diseases, ensuring good fortune, and the like.
A particularly well-attested type of myth occurs in connection with the invocation of an absent god and tells how the god once disappeared and caused a blight on Earth, how he was sought and found, and eventually returned to restore life and vigour. In one such myth the weather god withdraws in anger and the search is conducted by the sun god (whose messenger is an eagle), the father of the weather god, his grandfather, and his grandmother Hannahanna. In another, it is Telipinu who is angry, and the gods who search are the sun god, the weather god, and Hannahanna, the grandfather being omitted. In both these versions, the missing god is found by a bee sent forth by Hannahanna. In another similar story, the sun god and Telipinu are both missing, not from anger, but because they have been seized by “Torpor,” which has paralyzed nature. In yet another version, the weather god of Nerik is said to have gone down to the netherworld through a hole in the ground, apparently the hole from which the river Marassantiya (modern Kızıl Irmak) gushed forth, which suggests
that this weather god may really have been a god of the underground waters.Another myth, “The Slaying of the Dragon,” connected with the Hattian city Nerik, was apparently recited at a great annual spring festival called Purulli. It tells how the weather god fought the dragon and was at first defeated, but subsequently, by means of a ruse (of which there are two quite distinct versions), succeeded in getting the better of him and killing him.
Other mythological tales of Hittite and Hattian deities existed, but they are too fragmentarily preserved to give any connected story.
The elaborate epic of the struggle against Ullikummi, and the Theogony, though written in Hittite, are Hurrian in origin and refer to Hurrian and even Mesopotamian deities. The Theogony tells of the struggle for kingship among the gods. Alalu, after holding the kingship for nine years, was defeated by Anu (the Babylonian sky god) and went down to the netherworld. Anu in his turn, after nine years, gave way to Kumarbi, a Hurrian god, and went up to heaven. Eventually the weather god Teshub was born, and though the god KAL apparently reigned for a period, and the end of the tale is lost, it is certain that Teshub was the final victor, for there are many allusions to the “former gods” who were banished to the netherworld by him. The conception itself derives from Babylonia.
The “Song of Ullikummi” tells of a plot by Kumarbi to depose Teshub from his supremacy by begetting a monstrous stone as champion. Ullikummi, the stone monster, grows in the sea, which reaches his waist, while his head touches the sky; he stands on the shoulder of Upelluri, an Atlas figure who carries heaven and earth. Teshub is warned of the danger and goes out to battle in his chariot drawn by bulls, but he fails and appeals for help to Ea (Babylonian god of wisdom). The latter orders the “former gods” to produce the ancient tool by which heaven and earth had once been cut apart (the only surviving hint of a Hittite creation myth), and with this he severs Ullikummi from the giant and so destroys his power. Again the end is lost, but it is certain that the final victory went to Teshub.
Religions of successor states
When Hattusa fell, in about 1180 bc, the Luwians moved eastward and southward into Cappadocia, Cilicia, and North Syria. Here they formed a number of small successor kingdoms. Shortly afterward the Phrygians crossed the Bosporus from Thrace and occupied the centre of the Anatolian plateau, cutting off in the extreme southwest a remnant of the Luwian people, who became known as the Lycians and maintained their reverence for the Luwian gods Tarhun, Runda, Arma, and Santa into classical times.
The East Luwians, whose rulers used the Hittite hieroglyphic script to record their deeds, worshiped these same deities; but their chief goddess was Kubaba, who hardly appears in the archives of Hattusa except as the local goddess of Carchemish in Syria. Her prominence was due to political factors, for Carchemish was then the leading Hittite city.
The traditional Hittite iconography survived but was gradually permeated by Aramaic and Assyrian influences. Orthostats (stone slabs set at the base of a wall) from Malatya on the Euphrates show Tarhun in his bull-drawn chariot receiving libations from a king dressed in his traditional robes, and there is a relief showing his battle with the dragon. At Carchemish was found a representation of the winged moon god with the sun god, both standing on a single lion. Kubaba appears enthroned, the throne resting on a lion. Runda (the Hittite Kurunda or KAL) is regularly symbolized by a stag’s head or antler.
Urartu
In the far east of Anatolia, the Hurrian nation formed around Lake Van a new kingdom, which rose to considerable power, from about 900 to 600 bc. With few exceptions, the cuneiform inscriptions of this kingdom of Urartu are historical and reveal nothing of its religion, except the names of deities. The national god was Haldi, and he is associated with a weather god, Tesheba, a sun goddess, Shiwini (compare Hurrian Teshub and Shimegi), and a goddess, Bagbartu (or Bagmashtu). Haldi is represented standing on a lion, Tesheba on a bull, Shiwini holding a winged sun disk above her head. The cult was practiced not only in temples (one of which is shown in detail on an Assyrian relief) but also in front of rock-hewn niches in the form of gates through which the deity was probably believed to manifest himself.