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An entomologist searching for insects by the seaside is trapped by local villagers into living with a widow whose life task is digging up sand for them, and eventually develops strong feelings for her.
British agent Alec Leamas refuses to come in from the cold war during the 1960s, choosing to face another mission, which may prove to be his final one.
A horrific car accident connects three stories, each involving characters dealing with loss, regret, and life's harsh realities, all in the name of love.
Director:
Alejandro González Iñárritu
Stars:
Emilio Echevarría,
Gael García Bernal,
Goya Toledo
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
Director:
Florian Henckel von Donnersmarck
Stars:
Ulrich Mühe,
Martina Gedeck,
Sebastian Koch
A graduate history student is unwittingly caught in the middle of an international conspiracy involving stolen diamonds, an exiled Nazi war criminal, and a rogue government agent.
Director:
John Schlesinger
Stars:
Dustin Hoffman,
Laurence Olivier,
Roy Scheider
An unlikely friendship between a dour, working class butcher and a repressed schoolteacher coincides with a grisly series of Ripper-type murders in a provincial French town.
Director:
Claude Chabrol
Stars:
Stéphane Audran,
Jean Yanne,
Antonio Passalia
For two weeks, 20 male participants are hired to play prisoners and guards in a prison. The "prisoners" have to follow seemingly mild rules, and the "guards" are told to retain order without using physical violence.
Director:
Oliver Hirschbiegel
Stars:
Moritz Bleibtreu,
Christian Berkel,
Oliver Stokowski
In the South American jungle supplies of nitroglycerin are needed at a remote oil field. The oil company pays four men to deliver the supplies in two trucks. A tense rivalry develops between the two sets of drivers and on the rough remote roads the slightest jolt can result in death. Written by
&view=simple&sort=alpha&ref_=tt_stry_pl">Col Needham <col@imdb.com>
Filming began on 27 August 1951 and was scheduled to run for nine weeks. Numerous problems plagued the production, however. The south of France had an unusually rainy season that year, causing vehicles to bog down, cranes to fall over and sets to be ruined. Director Henri-Georges Clouzot broke his ankle. Véra Clouzot fell ill. The production was 50 million francs over budget. By the end of November, only half the film was completed. With the days growing short from winter, production shut down for six months. The second half of the film was finally completed in the summer of 1952. See more »
Goofs
Near the end of the film, when Jo is leaning against Mario in the cab of the truck, the oil smear on Mario's right cheek changes between shots. See more »
Quotes
Bill O'Brien:
The Hell with the Union! There's plenty of tramps in town, all volunteers. I'm not worried. To get that bonus, they'll carry the entire charge on their backs.
Bradley:
You mean you're gonna put those bums to work?
Bill O'Brien:
Yes, Mr. Bradley, because those bums don't have any union, nor any families. And if they blow up, nobody'll come around bothering me for any contribution.
See more »
Georges Arnaud's novel LE SALAIRE DE LA PEUR has been filmed twice, by Henri-Georges Clouzot as THE WAGES OF FEAR (1953) and by William Friedkin as SORCERER (1977). While both films are worth seeing, the earlier version is the one regarded as a classic, and rightly so. Although SORCERER goes into more detail about the political climate and the various misdeeds that led the four desperate protagonists to the South American hellhole where they accept high-paying but life-risking jobs driving nitroglycerin through treacherous terrain, WAGES... distinguishes the men's personalities better, giving the audience more rooting interest in them. Both films have excellent casts, with charismatic leads in Yves Montand (WAGES...) and Roy Scheider (SORCERER), plus WAGES... also provides feminine charm in the form of beguiling Vera Clouzot as the café waitress who loves Montand. Both films have tense action sequences as well, but somehow for all the staging and skillful editing, SORCERER's action scenes seem strangely slow, slogging along in the mud just like the protagonists in their less-than-state-of-the-art trucks. Both versions have enough good things in them to be worth a look, but if you only have the time and resources to check out one of them, it's WAGES... that really pays off!
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Georges Arnaud's novel LE SALAIRE DE LA PEUR has been filmed twice, by Henri-Georges Clouzot as THE WAGES OF FEAR (1953) and by William Friedkin as SORCERER (1977). While both films are worth seeing, the earlier version is the one regarded as a classic, and rightly so. Although SORCERER goes into more detail about the political climate and the various misdeeds that led the four desperate protagonists to the South American hellhole where they accept high-paying but life-risking jobs driving nitroglycerin through treacherous terrain, WAGES... distinguishes the men's personalities better, giving the audience more rooting interest in them. Both films have excellent casts, with charismatic leads in Yves Montand (WAGES...) and Roy Scheider (SORCERER), plus WAGES... also provides feminine charm in the form of beguiling Vera Clouzot as the café waitress who loves Montand. Both films have tense action sequences as well, but somehow for all the staging and skillful editing, SORCERER's action scenes seem strangely slow, slogging along in the mud just like the protagonists in their less-than-state-of-the-art trucks. Both versions have enough good things in them to be worth a look, but if you only have the time and resources to check out one of them, it's WAGES... that really pays off!