Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
The X-Men band together to find a mutant assassin who has made an attempt on the President's life, while the Mutant Academy is attacked by military forces.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
A cyborg, identical to the one who failed to kill Sarah Connor, must now protect her teenage son, John, from a more advanced cyborg, made out of liquid metal.
Director:
James Cameron
Stars:
Arnold Schwarzenegger,
Linda Hamilton,
Edward Furlong
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Director:
James Cameron
Stars:
Arnold Schwarzenegger,
Linda Hamilton,
Michael Biehn
Dr. Bruce Banner, thanks to a gamma ray experiment gone wrong, transforms into a giant green-skinned hulk whenever his pulse rate gets too high. Meanwhile, a soldier uses the same technology to become an evil version of the original.
An ancient struggle between two Cybertronian races, the heroic Autobots and the evil Decepticons, comes to Earth, with a clue to the ultimate power held by a teenager.
Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
A man goes on the run after he discovers that he is actually a "harvestable being", and is being kept as a source of replacement parts, along with others, in a Utopian facility.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Akira Takarada:
An immigration officer. Takarada starred in the original Gojira (1954) and appeared in numerous sequels. His scene was cut from the theatrical release, but will appear in DVD. See more »
Goofs
During the battle between Godzilla and the two MUTOs, many of San Francisco's skyscrapers, such as the Grand Hyatt Hotel, are destroyed multiple times, then reappear after their collapse. See more »
Quotes
[first lines]
Boyd:
Dr. Serizawa? Jerry Boyd. Just to warn you, it's a mess. A total mess.
See more »
Crazy Credits
The opening credits are a montage of Monarch documents and 1950s videos. All text on these documents are blacked out except for the names cast/crew members. The montage ends with a nuclear bomb going off, which causes a white-out in which the film title appears. See more »
Godzilla has found a true admirer in Gareth Edwards. Someone who set out not only to envision a new future for Godzilla but to protect the previous Godzilla's long 60 year history, a man capable of delivering a Godzilla for our time. After seeing Gareth Edward's 'Godzilla' it is my opinion that he has succeeded in mastering the vision for the monster that Tomoyuki Tanaka had in mind 60 years ago. Even though the original Godzilla will always be just that - the original, Gareth Edward's Godzilla is for me the first TRUE and complete representation of the vision of Godzilla. Executed in the most masterful of ways in direction by Gareth Edwards and in overall story by Max Borenstein. In delivering the picture that he has Gareth Edwards has completely put to shame directors such as Michael Bay, Roland Emmerich, Zack Snyder and the other go-to blockbuster directors. Injecting a surprising amount of suspense into this 'Godzilla' Gareth's Godzilla will have you on the edge of your seat and holding your breath in anticipation of what is next to come - something a Godzilla movie has not done since 1984. Unlike many of the reviews that I have read, I found the pacing of this movie to be absolutely fine, in fact I would have personally preferred a few more opportunities to catch my breath and gather my wits. Gareth Edwards has clearly given Godzilla the strongest opportunity for continued box office presence that he has ever had in the United States (although the burden of that task in my opinion seems almost insurmountable - and in all honesty - I would prefer to see this 'Godzilla' remain as it is, a superior standalone). A rebirth of epic (but not overwhelming) proportions this Godzilla harks back to the radiated and devastated scenes of Tokyo in Tomoyuki Tanaka and Ishiro Honda's original 1954 'Gojira' capturing with somber respect and sadness the human toll in stark contrast to most summer blockbuster movies in recent memory (especially 'Man of Steel' and 'Star Trek Into Darkness') Gareth Edwards and Max Borenstein can now rightfully join the likes of Tomoyuki Tanaka, Ishiro Honda, Akira Ifukube and Eiji Tsuburaya as masters of Godzilla.
191 of 341 people found this review helpful.
Was this review helpful to you?
Godzilla has found a true admirer in Gareth Edwards. Someone who set out not only to envision a new future for Godzilla but to protect the previous Godzilla's long 60 year history, a man capable of delivering a Godzilla for our time. After seeing Gareth Edward's 'Godzilla' it is my opinion that he has succeeded in mastering the vision for the monster that Tomoyuki Tanaka had in mind 60 years ago. Even though the original Godzilla will always be just that - the original, Gareth Edward's Godzilla is for me the first TRUE and complete representation of the vision of Godzilla. Executed in the most masterful of ways in direction by Gareth Edwards and in overall story by Max Borenstein. In delivering the picture that he has Gareth Edwards has completely put to shame directors such as Michael Bay, Roland Emmerich, Zack Snyder and the other go-to blockbuster directors. Injecting a surprising amount of suspense into this 'Godzilla' Gareth's Godzilla will have you on the edge of your seat and holding your breath in anticipation of what is next to come - something a Godzilla movie has not done since 1984. Unlike many of the reviews that I have read, I found the pacing of this movie to be absolutely fine, in fact I would have personally preferred a few more opportunities to catch my breath and gather my wits. Gareth Edwards has clearly given Godzilla the strongest opportunity for continued box office presence that he has ever had in the United States (although the burden of that task in my opinion seems almost insurmountable - and in all honesty - I would prefer to see this 'Godzilla' remain as it is, a superior standalone). A rebirth of epic (but not overwhelming) proportions this Godzilla harks back to the radiated and devastated scenes of Tokyo in Tomoyuki Tanaka and Ishiro Honda's original 1954 'Gojira' capturing with somber respect and sadness the human toll in stark contrast to most summer blockbuster movies in recent memory (especially 'Man of Steel' and 'Star Trek Into Darkness') Gareth Edwards and Max Borenstein can now rightfully join the likes of Tomoyuki Tanaka, Ishiro Honda, Akira Ifukube and Eiji Tsuburaya as masters of Godzilla.