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Fearless optimist Anna teams up with Kristoff in an epic journey, encountering Everest-like conditions, and a hilarious snowman named Olaf in a race to find Anna's sister Elsa, whose icy powers have trapped the kingdom in eternal winter.
When a litter of dalmatian puppies are abducted by the minions of Cruella De Vil, the parents must find them before she uses them for a diabolical fashion statement.
When Blu, a domesticated macaw from small-town Minnesota, meets the fiercely independent Jewel, he takes off on an adventure to Rio de Janeiro with this bird of his dreams.
Director:
Carlos Saldanha
Stars:
Jesse Eisenberg,
Anne Hathaway,
George Lopez
It's a jungle out there for Blu, Jewel and their three kids after they're hurtled Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful ... See full summary »
Director:
Carlos Saldanha
Stars:
Jesse Eisenberg,
Anne Hathaway,
Jemaine Clement
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
A teenager finds herself transported to a deep forest setting where a battle between the forces of good and the forces of evil is taking place. She bands together with a rag-tag group of characters in order to save their world -- and ours.
Manny, Diego, and Sid embark upon another adventure after their continent is set adrift. Using an iceberg as a ship, they encounter sea creatures and battle pirates as they explore a new world.
Mr. Peabody is a business titan, inventor, scientist, gourmand, two-time Olympic medalist and genius...who also happens to be a dog. Using his most ingenious invention, the WABAC machine, Mr. Peabody and his adopted boy Sherman hurtle back in time to experience world-changing events first-hand and interact with some of the greatest characters of all time. But when Sherman breaks the rules of time travel, our two heroes find themselves in a race to repair history and save the future, while Mr. Peabody may face his biggest challenge yet - being a parent. Written by
Juan Diaz
A painting of Bullwinkle the moose (from Rocky and His Friends (1959)) can be seen in Mr. Peabody's apartment. This is a reminder to everyone that "Peabody's Improbable History" was part of this show. See more »
Goofs
Agamemnon wouldn't have referred to Sherman as "Shermanus." That construction is Latin, and as best as history can determine, the Trojan war occurred 300 years before the founding of Rome. See more »
Quotes
[first lines]
Mr. Peabody:
Our story begins in the home of one of the most unlikely explorers the world has ever known: me, Mr. Peabody!
See more »
Crazy Credits
Mr. Peabody and Sherman are shown in the credits in their original drawn design, and shown at the very end walking towards the vanishing point of the screen. See more »
It's quite noticeable that Dreamworks Animation is trying to break visual grounds in their most recent movies, but Mr. Peabody and Sherman gives a little reminder on their original magic. The first half shows how charming the worlds they can bring even without shoving too much spectacles, the characters bursting out absurd personality that may sometimes be senseless yet terribly affable. But of course, it's an adventure traveling through historical events, but it kind of falls short on the concept and rather places those things into a bumpy ride with a dramatic center. Those things could have worked if it was more sincere, but the real enjoyment lies on the basics where you let the mockeries and the humor speak.
There is a nice additional depth behind the quirky and interesting relationship of the two, it makes their reintroduction on screen feel a lot fresh. The growth of their connection kicks in the plot, and that is when it starts becoming a bit forced. It doesn't seem comfortable with heightening the material. Turning things big and emotional is more like a must for the film to have because apparently that is what most animation today usually strive for. None of it actually plummets things down, but the story is probably better off smaller. People should remember the studio is more than trippy visuals and celebrity voices, in the end it's the simple witty humor that provides the genuine color in their movies.
The plot here should have focused more on the intersection between education and parody within the historical settings than building epic proportions in its little plot. The typical elements are still fun. Ty Burrell is dashing as Mr. Peabody even with the seriousness that embodies the character do too sparks a sense of heart. The entire cast delivers the comedy admirably and it really leaves the viewers hungry for more. The zany effects kind of interrupts most of that, but the animation is still great overall. The designs are wonderfully loyal to its cartoony essence which is one of the striking things to pay close attention to.
Mr. Peabody and Sherman is completely fun when it doesn't try following the modern roots of the genre. It's a lot brilliant when it's just traveling time, meeting a caricatured version of a particular historical figure, stopping candles, and let the personalities of the characters develop on their own without being too didactic. The relationship of Peabody and Sherman is already compelling at the start, but they could have think of better choices to justify its center. There are still plenty of strong stuff worth seeing around, it just needs to be cleverer.
8 of 12 people found this review helpful.
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It's quite noticeable that Dreamworks Animation is trying to break visual grounds in their most recent movies, but Mr. Peabody and Sherman gives a little reminder on their original magic. The first half shows how charming the worlds they can bring even without shoving too much spectacles, the characters bursting out absurd personality that may sometimes be senseless yet terribly affable. But of course, it's an adventure traveling through historical events, but it kind of falls short on the concept and rather places those things into a bumpy ride with a dramatic center. Those things could have worked if it was more sincere, but the real enjoyment lies on the basics where you let the mockeries and the humor speak.
There is a nice additional depth behind the quirky and interesting relationship of the two, it makes their reintroduction on screen feel a lot fresh. The growth of their connection kicks in the plot, and that is when it starts becoming a bit forced. It doesn't seem comfortable with heightening the material. Turning things big and emotional is more like a must for the film to have because apparently that is what most animation today usually strive for. None of it actually plummets things down, but the story is probably better off smaller. People should remember the studio is more than trippy visuals and celebrity voices, in the end it's the simple witty humor that provides the genuine color in their movies.
The plot here should have focused more on the intersection between education and parody within the historical settings than building epic proportions in its little plot. The typical elements are still fun. Ty Burrell is dashing as Mr. Peabody even with the seriousness that embodies the character do too sparks a sense of heart. The entire cast delivers the comedy admirably and it really leaves the viewers hungry for more. The zany effects kind of interrupts most of that, but the animation is still great overall. The designs are wonderfully loyal to its cartoony essence which is one of the striking things to pay close attention to.
Mr. Peabody and Sherman is completely fun when it doesn't try following the modern roots of the genre. It's a lot brilliant when it's just traveling time, meeting a caricatured version of a particular historical figure, stopping candles, and let the personalities of the characters develop on their own without being too didactic. The relationship of Peabody and Sherman is already compelling at the start, but they could have think of better choices to justify its center. There are still plenty of strong stuff worth seeing around, it just needs to be cleverer.