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Storyline
In 1989, the boy Martin Bristol has congenital insensitivity to pain with anhidrosis (CIPA), a rare neural disorder, in which the patient does not feel pain, heat or cold. He is abducted by the deranged serial-killer Graham Sutter (Brett Rickaby) and brought to the Sutter Meat & Poultry, an abandoned meat-packing plant in Minersville, Pennsylvania, where Graham slaughters young women that he kidnaps. Five years later, the stubborn seventeen year-old teenager Allison Miller loses her parents and moves to the house of her uncle Jonathan Miller that is located near to the decrepit plant. Jonathan, his wife Karen and their little daughter Wendy welcome Allison, but the teenager does not give much attention to her new family. Allison likes to run alone on the road and she passes by the meat-packing plant and then she meets the mechanic William "Billy" and has a crush on him. Jonathan advises Allison to avoid running near the old factory and Billy, who is a problematic teenager. Allison ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Plot Summary
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Plot Synopsis
Taglines:
There are some evils...so unspeakable...they will scar you forever.
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Details
Release Date:
16 July 2010 (USA)
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Also Known As:
Malevolence: Bereavement
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Box Office
Budget:
$3,600,000
(estimated)
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Company Credits
Technical Specs
Aspect Ratio:
2.35 : 1
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Did You Know?
Trivia
The post-credits scene is actually a clip from the original film.
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Quotes
Wendy Miller:
Great! I don't have any brothers or sisters because Dad's lazy, and now he's scared her off, too!
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Crazy Credits
At the end of the credits, there is an additional scene that actually begins as a scene taken from Malevolence, tying the two movies together. The scene is updated with Courtney's introduction to Martin after running for help.
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Connections
Followed by
Killer: Malevolence 3 (2015)
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Kudos to writer/director Stevan Mena for making Bereavement, his prequel to the impressive Malevolence, such a downbeat, mean-spirited and bloody little psycho flick, and also for casting delicious Alexandra Daddario in the lead, an actress who deservedly finds a place in my 'Big Breasted Babe In A Small Vest' Horror Hall of Fame. No such praise, however for Mena's woeful script, which is both incredibly clichéd at times and deeply flawed, making the film frustratingly mediocre as a whole.
First and foremost, why did Mena have his serial killer drive around in a truck that reveals his identity on the side? Loitering outside schools, driving slowly down suburban streets, and prowling round parking lots for victims are the kind of thing best done in an unmarked vehicle (or so I am lead to believeahem!); nut-job Sutter has his name painted on the door of his distinctive rusty heap and would surely have been the prime suspect for any local disappearance. Amazingly, though, he continues to abduct and kill with no interference from the police. And then there's the little matter of Sutter's lair, a dilapidated meat packing factory which sits next to a main highway and yet has never aroused the suspicion of anyone passing by, despite screams clearly being audible from the road; incredibly, the place even has power and a fully functional furnace!!!
Considering the sheer stupidity of this basic set-up, it shouldn't come as much of a surprise to learn that the characters act as though they have sawdust for brains. Track star Alison (Daddario) has obviously never seen a horror film in her life, since she is happy to continue exploring the creepy meat factory even after finding pools of blood and a scrapbook full of newspaper cuttings about missing local women. Alison's boyfriend William suffers the ultimate price for displaying a similar lack of self preservation, as does a waitress who makes so much noise while attempting to escape from Sutter that it's not long before she's hanging from a meat-hook. Hell, it's almost as though people actually want to be killed by this guy.
Unfortunately, that's just the tip of the iceberg when it comes to the idiocy on display in this film, with moments that will make you want to scream at the screen in frustration coming thick and fast, right up to the bleak and bloody finale that could have been avoided if only someone had just displayed a little common sense.